The third world pushing its way to the regulars' table (1981) je nejslavnější obraz autora Werner Büttner, který se nachází v muzeu Städel Museum ve městě Frankfurt nad Mohanem. Z 2 děl umělce Werner Büttner v našem katalogu uvádíme 1 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Werner Büttner | Obrazy z tohoto seznamu |
|---|---|---|---|
 Städel Museum |
Frankfurt nad Mohanem | 1 | The third world pushing its way to the regulars' table |
1981 je rok vzniku všech díel s datem vzniku od Werner Büttner na této stránce: zde jsou, seřazena podle slávy.
The third world pushing its way to the regulars' table (1981)
27 let: dílo The third world pushing its way to the regulars' table pochází z roku 1981 a Werner Büttner se narodil/a v roce 1954.
Náš katalog obsahuje 2 děl autora Werner Büttner.
Většina z nich se nachází v Städel Museum (Frankfurt nad Mohanem). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: