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Landscape After Huang Gongwang with Calligraphy by Shi Zhili
Ručně malovaná olejná reprodukce od $181 26 × 38 cm
Landscape After Huang Gongwang with Calligraphy by Shi Zhili (1774) je nejslavnější obraz autora Wang Chen, který se nachází v muzeu Yale University Art Gallery ve městě New Haven. Album Leaf, from "Landscapes from Nature, Poetry, and Art" (1774) a Album Leaf, from "Landscapes from Nature, Poetry, and Art" (1774) jsou dalšími dvěma díly, která svět zná nejlépe. Z 14 děl umělce Wang Chen v našem katalogu uvádíme 14 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Wang Chen | Obrazy z tohoto seznamu |
|---|---|---|---|
 Minneapolis Institute of Art |
Minneapolis | 13 | Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art" |
 Yale University Art Gallery |
New Haven | 1 | Landscape After Huang Gongwang with Calligraphy by Shi Zhili |
Wang Chen tvořil po dobu 18 let, od 1774 do 1791: zde je přehled této dlouhé kariéry rok po roce prostřednictvím jeho nejznámějších obrazů.
Landscape After Huang Gongwang with Calligraphy by Shi Zhili (1774), Yale University Art Gallery, New Haven. Následují Album Leaf, from "Landscapes from Nature, Poetry, and Art" (1774) a Album Leaf, from "Landscapes from Nature, Poetry, and Art" (1774).
54 let: dílo Landscape After Huang Gongwang with Calligraphy by Shi Zhili pochází z roku 1774 a Wang Chen se narodil/a v roce 1720.
Landscape After Huang Gongwang with Calligraphy by Shi Zhili, Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf from "Landscapes from Nature, Poetry, and Art" a Album Leaf, from "Landscapes from Nature, Poetry, and Art". Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 14 děl autora Wang Chen z let 1774 až 1791.
Většina z nich se nachází v Minneapolis Institute of Art (Minneapolis) a Yale University Art Gallery (New Haven). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1774: 13 z 14 děl na této stránce pochází z tohoto období, z nich Landscape After Huang Gongwang with Calligraphy by Shi Zhili.
Nejstarší dílo na této stránce pochází z Landscape After Huang Gongwang with Calligraphy by Shi Zhili (1774), nejnovější z Landscape in the Orthodox Manner (1791).
Album Leaf, from "Landscapes from Nature, Poetry, and Art", Album Leaf, from "Landscapes from Nature, Poetry, and Art" a Album Leaf, from "Landscapes from Nature, Poetry, and Art" patří mezi 13 děl na této stránce, která má v zastarání Minneapolis Institute of Art, Minneapolis.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
The brush moves with the authority of a bloodline. Born in 1720 in Taicang, Jiangsu, Wang Chen carries the heavy mantle of the Wang family tradition. He is the great-grandson of Wang Yuanqi and a sixth-generation descendant of Wang Shimin. This is no mere coincidence of birth; it is a biological inheritance of aesthetic principles. He enters the landscape not as an outsider, but as a practitioner of a deeply rooted visual language, navigating the space between the formal likeness of the physical world and a more abstract, spiritual interpretation of nature.
His hand operates through a specific, disciplined tension. He employs dry brush and heavy ink to build texture, a technique that favors the rugged over the smooth. The ink does not merely sit on the silk; it builds a sense of antiquity, a quality of being "ancient" that bypasses the immediate present. His landscapes exist in a state of controlled abstraction, where the essence of a mountain or a stream is captured through the strength of the stroke rather than a photographic imitation of reality.
The influence of the Yuan dynasty masters dictates the rhythm of his compositions. He looks backward to move forward, specifically channeling the methods of Huang Gongwang. This devotion to the old masters defines his technical approach:
In works like Landscape After Huang Gongwang with Calligraphy by Shi Zhili, the connection to the past becomes a dialogue. He does not simply copy; he inhabits the style. His ink work creates a sense of desolation and quietude, a hallmark of the scholar-painter tradition. The landscape is a mental construct, a place for the mind to wander away from the complexities of the Qing dynasty social order.
Nature in Wang Chen's work is often a site of seclusion. In Pavilion by a Creek, the ink captures a sense of stillness. The inscriptions accompanying his work speak to this desire for a life of quietude, suggesting that true immortality is found not in alchemy, but in a single day of leisure amidst the mountains and streams. He lived through the mid-to-late 18th century, a period where the tension between tradition and individual expression was constant. By the time of his death in 1797, he had solidified his place as a significant figure within the "Small Four Wangs," a group that defined the landscape aesthetic of his era. His legacy remains held in the collections of institutions like the Minneapolis Institute of Art, where his ink on silk continues to hold the weight of his family's long history.