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Self-Portrait
Ručně malovaná olejná reprodukce od $181 29 × 35 cm
Velikost jako originál $244 51 × 61 cm Objednat v originální velikosti →
Nejslavnějším dílem umělce Walter Libbey je obraz Self-Portrait (1850) v muzeu Brooklyn Museum v Brooklyn. Náš katalog obsahuje 1 děl umělce Walter Libbey; níže je 1 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Walter Libbey | Obrazy z tohoto seznamu |
|---|---|---|---|
 Brooklyn Museum |
Brooklyn | 1 | Self-Portrait |
Všechna díla umělce Walter Libbey s uvedeným datem na této stránce pocházejí z roku 1850: zde jsou jejich nejznámější.
Self-Portrait (1850)
23 let: dílo Self-Portrait pochází z roku 1850 a Walter Libbey se narodil/a v roce 1827.
Náš katalog obsahuje 1 děl autora Walter Libbey.
Většina z nich se nachází v Brooklyn Museum (Brooklyn). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
Walter Libbey lived during a period of profound change in the American art scene, leaving behind a body of work that focused on the quiet dignity of everyday life. As a genre painter, he possessed a particular talent for rendering rural scenes that felt grounded and honest. His approach to the canvas was marked by a certain simplicity, avoiding unnecessary complexity to focus instead on the essence of his subjects.
His art often centered on the lives of ordinary people in the countryside. These paintings were noted for their democratic spirit, presenting scenes of rural existence with an egalitarian lens. Through his work, the humble realities of the landscape and its inhabitants were given a place of importance.
The way Libbey handled color and light helped define the mood of his compositions. He utilized tonal gradations that emerged from a careful observation of the natural world. His work often featured muted outlines, allowing the colors to settle into the scene according to the specific time of day or the atmosphere of the environment.
There was a certain richness in his use of color that helped bring his subjects to life without relying on flashy or artificial effects. By focusing on how light moved across a field or settled upon a figure, he created images that felt deeply connected to the physical world. His ability to capture these subtle shifts in tone allowed his genre scenes to feel both real and deeply felt.
Libbey was part of a community of artists who were working to establish a distinct American identity in painting. He was recognized by his contemporaries for the sincerity found in his depictions of rural life. His skill as a portraitist also allowed him to connect with other notable figures of his time, including being the first artist to paint a portrait of the poet Walt Whitman from life.
His contributions helped foster a sense of shared purpose among mid-19th century painters. While his career was relatively brief, the way he approached the human figure and the landscape left an impression on those who valued art that reflected the true character of the American experience.