Taras Ševčenko, 1814 – 1861

58 nejznámějších obrazů autora Taras Ševčenko

Obrazem, díky němuž se Taras Ševčenko stal slavným, je The death of Bohdan Khmelnytsky (1837). Vydubychi Monastery in Kyiv (1844) a Self-Portrait (1852) následují v srdcích sběratelů i návštěvníků muzeí. Z 58 děl umělce Taras Ševčenko v našem katalogu je těchto 58 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Taras Ševčenko
Taras Ševčenko · 1814 – 1861
Narozen · zemřel
1814 – 1861, Moryntsi
Směr
Romanticism
Díla v našem katalogu
58
Nejslavnější
The death of Bohdan Khmelnytsky (1837)
Nejvíce děl v
Taras Shevchenko National Museum

Taras Ševčenko: deset mistrovských děl

Více děl mistrů Taras Ševčenko, od 11 do 58

Kde vidět obrazy autora Taras Ševčenko

3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Taras Ševčenko Obrazy z tohoto seznamu
Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
Národní umělecké muzeum v Kyjevě, KyjevNárodní umělecké muzeum v Kyjevě Kyjev 1 Portrait of Gorlenko

Taras Ševčenko, dekáda po dekádě: klíčové dílo každého období

  1. 1830s
  2. 1840s
  3. 1850s
    Self-Portrait (1852) od Taras Ševčenko
    3 z 58

    Self-Portrait

    Věk 36 – 45 · Taras Shevchenko National Museum
  4. 1860s

Díla mistrovská umělce Taras Ševčenko: otázky a odpovědi

Kterým obrazem je Taras Ševčenko nejznámější?Zobrazit odpověď

The death of Bohdan Khmelnytsky (1837). Následují Vydubychi Monastery in Kyiv (1844) a Self-Portrait (1852).

Kolik let bylo Taras Ševčenko, když maloval/a The death of Bohdan Khmelnytsky?Zobrazit odpověď

23 let: dílo The death of Bohdan Khmelnytsky pochází z roku 1837 a Taras Ševčenko se narodil/a v roce 1814.

Jakých deset nejvýznamnějších obrazů má Taras Ševčenko?Zobrazit odpověď

The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod a Architectural project of private house. Plan.. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Taras Ševčenko?Zobrazit odpověď

Náš katalog obsahuje 58 děl autora Taras Ševčenko z let 1833 až 1861.

V kterých muzeích mohu vidět díla mistrovská umělce Taras Ševčenko?Zobrazit odpověď

Většina z nich se nachází v Taras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) a Národní umělecké muzeum v Kyjevě (Kyjev). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Taras Ševčenko namaloval svá díla?Zobrazit odpověď

V období 1830s: 27 z 58 děl na této stránce pochází z tohoto období, z nich The death of Bohdan Khmelnytsky.

Jaká jsou první a poslední slavná díla umělce Taras Ševčenko?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Portrait of P.V. Engelhardt (1833), nejnovější z Self-Portrait (1861).

K jakému uměleckému směru patří Taras Ševčenko?Zobrazit odpověď

Romanticism, jak dokazují obrazy na této stránce.

Která díla od Taras Ševčenko jsou vystavena v Taras Shevchenko National Museum?Zobrazit odpověď

Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod a Archangel Cathedral in Nizhny Novgorod patří mezi 26 děl na této stránce, která má v zastarání Taras Shevchenko National Museum, Kiev.

Mohu vlastnit reprodukci díla mistra Taras Ševčenko?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Život umělce Taras Ševčenko

A Life Etched in Poetry and Paint: The World of Taras Shevchenko

Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

From Serfdom to St. Petersburg: The Flowering of a Genius

Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

The Poet of Ukraine: *Kobzar* and the Voice of a Nation

While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

Exile, Resilience, and Enduring Legacy

Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.

Všechna díla od Taras Ševčenko: 58 →