GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972) je nejslavnější obrazem autora Mingering Mike. THE FREEDOM STOMPERS (1969) a 3 FOOTSTEPS away from the altar, mingering mike the big D (1969) jsou dalšími dvěma díly, která svět zná nejlépe. Z 151 děl umělce Mingering Mike v našem katalogu uvádíme 100 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.
We are looking at Lord's House JUST IN TIME FOR Easter THE SPIRIT OF PEACE AND LOVE IS UPON AND AMONG US. OPENING SONGS Lord's House JUST IN…
Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
Pět desetiletí, od 1968 do 1975, zahrnuje všechny datované díla umělce Mingering Mike: zde jsou, rok po roce.
We are looking at Lord's House JUST IN TIME FOR Easter THE SPIRIT OF PEACE AND LOVE IS UPON AND AMONG US. OPENING SONGS Lord's House JUST IN…
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Následují THE FREEDOM STOMPERS (1969) a 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).
22 let: dílo GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON pochází z roku 1972 a Mingering Mike se narodil/a v roce 1950.
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS a DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 151 děl autora Mingering Mike z let 1968 až 1975.
V období 1972: 45 z 100 děl na této stránce pochází z tohoto období, z nich GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON.
Nejstarší dílo na této stránce pochází z MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968), nejnovější z MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Social commentary (8), Music memorabilia (4) a Vintage vinyl (4), z celkových 100 děl na této stránce.
Pop art a Contemporary realism, jak dokazují obrazy na této stránce.
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.