Mary Bealeová, 1633 – 1699

64 nejznámějších obrazů autora Mary Bealeová

Obrazem, díky němuž se Mary Bealeová stal slavným, je King Charles II (1675); visí v National Portrait Gallery v místě Londýn. Bartholomew Beale (1663) a Portrait of a lady (1680) následují v srdcích sběratelů i návštěvníků muzeí. Z 65 děl umělce Mary Bealeová v našem katalogu je těchto 64 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Mary Bealeová
Mary Bealeová · 1633 – 1699
Narozen · zemřel
1633 – 1699, Suffolk
Směr
Baroque
Díla v našem katalogu
65
Nejslavnější
King Charles II (1675)
Nejvíce děl v
National Portrait Gallery

Mary Bealeová: deset mistrovských děl

King Charles II (1675) od Mary Bealeová
1

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Londýn

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

Ručně malovaná olejná reprodukce od $181 29 × 35 cm Velikost jako originál $294 63 × 75 cm Objednat v originální velikosti →
Bartholomew Beale (1663) od Mary Bealeová
2

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

Ručně malovaná olejná reprodukce od $181 28 × 35 cm
Viscountess Frances Hatton (1664) od Mary Bealeová
4

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Washington, D.C.

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

Ručně malovaná olejná reprodukce od $181 29 × 35 cm Velikost jako originál $301 64 × 77 cm Objednat v originální velikosti →

Více děl mistrů Mary Bealeová, od 11 do 64

Témata, která Mary Bealeová maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Mary Bealeová

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Mary Bealeová Obrazy z tohoto seznamu
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Dulwich Picture Gallery, LondýnDulwich Picture Gallery Londýn 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Mary Bealeová, dekáda po dekádě: klíčové dílo každého období

  1. 1650s
  2. 1660s
    Bartholomew Beale (1663) od Mary Bealeová
    Pořadí 2 / 64

    Bartholomew Beale

    Věk 27 – 36 · Yale Center for British Art

    A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

  3. 1670s
    King Charles II (1675) od Mary Bealeová
    1 z 64

    King Charles II

    Věk 37 – 46 · National Portrait Gallery

    The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

  4. 1680s
    Portrait of a lady (1680) od Mary Bealeová
    Pořadí 3 / 64

    Portrait of a lady

    Věk 47 – 56 · National Gallery of Victoria

    Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

  5. 1690s

Díla mistrovská umělce Mary Bealeová: otázky a odpovědi

Kterým obrazem je Mary Bealeová nejznámější?Zobrazit odpověď

King Charles II (1675), National Portrait Gallery, Londýn. Následují Bartholomew Beale (1663) a Portrait of a lady (1680).

Kolik let bylo Mary Bealeová, když maloval/a King Charles II?Zobrazit odpověď

42 let: dílo King Charles II pochází z roku 1675 a Mary Bealeová se narodil/a v roce 1633.

Jakých deset nejvýznamnějších obrazů má Mary Bealeová?Zobrazit odpověď

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) a Self-Portrait Holding a Palette. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Mary Bealeová?Zobrazit odpověď

Náš katalog obsahuje 65 děl autora Mary Bealeová z let 1659 až 1697.

V kterých muzeích mohu vidět díla mistrovská umělce Mary Bealeová?Zobrazit odpověď

Většina z nich se nachází v National Portrait Gallery (Londýn), Antony House a Sutton House. V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Mary Bealeová namaloval svá díla?Zobrazit odpověď

V období 1680s: 10 z 64 děl na této stránce pochází z tohoto období, z nich Portrait of a lady.

Jaká jsou první a poslední slavná díla umělce Mary Bealeová?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Anna Maria, Countess of Shrewsbury (1642–1702) (1659), nejnovější z Portrait of Nell Gwyl (1697).

Jakými tématy se Mary Bealeová nejčastěji zabýval/a?Zobrazit odpověď

Portraits (14), Royalty (11) a Portrait (6), z celkových 64 děl na této stránce.

Kterou techniku Mary Bealeová upřednostňoval/a?Zobrazit odpověď

Oil On Canvas: 4 z 64 děl na této stránce.

K jakému uměleckému směru patří Mary Bealeová?Zobrazit odpověď

Baroque, jak dokazují obrazy na této stránce.

Která díla od Mary Bealeová jsou vystavena v National Portrait Gallery?Zobrazit odpověď

King Charles II, Thomas Sydenham a Charles Beale the Elder patří mezi 6 děl na této stránce, která má v zastarání National Portrait Gallery, Londýn.

Mohu vlastnit reprodukci díla mistra Mary Bealeová?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Život umělce Mary Bealeová

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Breaking Barriers: Legacy and Historical Significance

Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like WahooArt, WahooArt, and others, guaranteeing her enduring presence in the cultural landscape.

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Quick Facts

  • Artistic movement or style: Baroque
  • Artists or movements influenced by this artist: English portraiture
  • Artists who influenced this artist: Peter Lely, Matthew Snelling
  • Date of birth: 1633
  • Date of death: 1699
  • Full name: Mary Beale

Quizzes

  • Question: What was a significant role Charles Beale played in his wife’s artistic career?
    • Sir Peter Lely
    • Matthew Snelling
    • Her father, John Cradock
    Correct answer: 2
  • Question: In what style was Mary Beale’s work heavily influenced?
    • Renaissance
    • Baroque
    • Impressionism
    Correct answer: 2