Jean-Baptiste van Loo, 1684 – 1745

27 nejznámějších obrazů autora Jean-Baptiste van Loo

Obrazem, díky němuž se Jean-Baptiste van Loo stal slavným, je Frederick, Prince of Wales (1707-51) (1742); visí v Buckingham Palace v místě Londýn. Robert Walpole (1740) a The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire (1740) následují v srdcích sběratelů i návštěvníků muzeí. Z 27 děl umělce Jean-Baptiste van Loo v našem katalogu je těchto 27 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Jean-Baptiste van Loo
Jean-Baptiste van Loo · 1684 – 1745
Narozen · zemřel
1684 – 1745, Aix-en-Provence
Směr
Rococo
Díla v našem katalogu
27
Nejslavnější
Frederick, Prince of Wales (1707-51) (1742)
Nejvíce děl v
Buckingham Palace

Jean-Baptiste van Loo: deset mistrovských děl

Frederick, Prince of Wales (1707-51) (1742) od Jean-Baptiste van Loo
1

Frederick, Prince of Wales (1707-51)

1742 · Oil On Canvas · Buckingham Palace, Londýn

The Prince stands in a quiet, vertical command. He is draped in heavy velvet, a deep blue that absorbs the light, trimmed with the stark, soft white of ermine. To his side, a table holds a crown, its gold catching a single, sharp light. The background is a dark, indistinct void, pushing his figure forward into the viewer's space. Every fold of his satin clothing carries the weight of his…

Robert Walpole (1740) od Jean-Baptiste van Loo
2

Robert Walpole

1740 · Oil On Canvas · National Portrait Gallery, Londýn

This portrait of Robert Walpole, 1st Earl of Orford, was executed by the French artist Jean-Baptiste van Loo in 1740. It was originally painted for Lord Bessborough, capturing a man of significant political weight during a period of stability in Britain. The sitter is presented in his official capacity, wearing the robes of the Chancellor of the Exchequer. This specific depiction by Jean-Baptiste van Loo offers a direct look at…

The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire (1740) od Jean-Baptiste van Loo
3

The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire

1740 · Oil On Canvas · Yale Center for British Art, New Haven

The portrait depicts The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire, in a three-quarter length pose. He is positioned slightly off-center, facing the viewer with a direct gaze. The subject wears a powdered wig and a blue velvet frock coat over a cerulean blue waistcoat. Gold embroidery traces the edges of the waistcoat and the cuffs. A white lace cravat and delicate lace cuffs provide a sharp contrast to the…

Portrait of Sir Robert Walpole (1740) od Jean-Baptiste van Loo
4

Portrait of Sir Robert Walpole

1740 · Oil On Canvas · Státní Ermitáž, Sankt-Petěrburg

In this 1740 oil on canvas, we encounter Sir Robert Walpole not as a man of action, but as a man of profound influence. The composition is a vertical three-quarter length portrait, positioning the subject slightly off-center to create a sense of monumental presence. He is draped in the heavy, luxurious fabrics of the 18th century, where the stiffness of the embroidered coat meets the softness of a lace cravat.…

Augusta, Princess of Wales (1719-72) (1742) od Jean-Baptiste van Loo
5

Augusta, Princess of Wales (1719-72)

1742 · Oil On Canvas · Buckingham Palace, Londýn

Augusta, Princess of Wales (1719-72) emerges from the canvas through the brush of Jean-Baptiste van Loo. This formal portrait captures the Princess in a moment of quiet, regal poise. The French portrait painter Jean-Baptiste van Loo brings a sense of high social status to her likeness, utilizing a composition that emphasizes her nobility. Every detail of her ceremonial attire speaks to a life of immense wealth and importance within the…

Více děl mistrů Jean-Baptiste van Loo, od 11 do 27

Triumph of Galatea (1720) od Jean-Baptiste van Loo
#26

Triumph of Galatea

1720 · Státní Ermitáž

Jean-Baptiste van Loo’s “Triumph of Galatea,” painted in 1720, isn't merely a depiction of a classical myth; it’s an immersive experience, a vibrant tableau vivant that transports the…

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Témata, která Jean-Baptiste van Loo maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Jean-Baptiste van Loo

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Jean-Baptiste van Loo Obrazy z tohoto seznamu
Buckingham Palace, LondýnBuckingham Palace Londýn 2 Frederick, Prince of Wales (1707-51), Augusta, Princess of Wales (1719-72)
National Portrait Gallery, LondýnNational Portrait Gallery Londýn 2 Robert Walpole, William Murray, 1st Earl of Mansfield
Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 2 Portrait of Sir Robert Walpole, Triumph of Galatea
Opera House, VersaillesOpera House Versailles 2 Catherine Opalińska, Queen of Poland, Love Leaving Psyche
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Portrait of Marie Leszczyńka., Louis XV, king of France and Navarre
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 2 Portrait Of 4th Earl Of Chesterfield (1694-1773), Portrait Of Sir Richard Temple, 4th Viscount of Birmingham
Ickworth, Suffolk CountyIckworth Suffolk County 2 John Hervey, 1st Earl of Bristol (1665-1751), Lord John Hervey, 2nd Baron Hervey of Ickworth, PC, MP (1696-1743) holding his Purse of Office as Lord Privy Seal
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire

Jean-Baptiste van Loo, dekáda po dekádě: klíčové dílo každého období

  1. 1720s
  2. 1730s
  3. 1740s
    Frederick, Prince of Wales (1707-51) (1742) od Jean-Baptiste van Loo
    Pořadí 1 z 27

    Frederick, Prince of Wales (1707-51)

    Věk 56 – 61 · Buckingham Palace

    The Prince stands in a quiet, vertical command. He is draped in heavy velvet, a deep blue that absorbs the light, trimmed with the stark, soft white of…

Díla mistrovská umělce Jean-Baptiste van Loo: otázky a odpovědi

Kterým obrazem je Jean-Baptiste van Loo nejznámější?Zobrazit odpověď

Frederick, Prince of Wales (1707-51) (1742), Buckingham Palace, Londýn. Následují Robert Walpole (1740) a The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire (1740).

Kolik let bylo Jean-Baptiste van Loo, když maloval/a Frederick, Prince of Wales (1707-51)?Zobrazit odpověď

58 let: dílo Frederick, Prince of Wales (1707-51) pochází z roku 1742 a Jean-Baptiste van Loo se narodil/a v roce 1684.

Jakých deset nejvýznamnějších obrazů má Jean-Baptiste van Loo?Zobrazit odpověď

Frederick, Prince of Wales (1707-51), Robert Walpole, The Rt. Honorable Stephen Poyntz, of Midgeham, Berkshire, Portrait of Sir Robert Walpole, Augusta, Princess of Wales (1719-72), Saint Peter Delivered from Prison, Diana and Endymion, Catherine Opalińska, Queen of Poland, Apollo and Daphne a Portrait of Marie Leszczyńka.. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Jean-Baptiste van Loo?Zobrazit odpověď

Náš katalog obsahuje 27 děl autora Jean-Baptiste van Loo z let 1720 až 1744.

V kterých muzeích mohu vidět díla mistrovská umělce Jean-Baptiste van Loo?Zobrazit odpověď

Většina z nich se nachází v Buckingham Palace (Londýn), National Portrait Gallery (Londýn) a Státní Ermitáž (Sankt-Petěrburg). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Jean-Baptiste van Loo namaloval svá díla?Zobrazit odpověď

V období 1740s: 10 z 27 děl na této stránce pochází z tohoto období, z nich Frederick, Prince of Wales (1707-51).

Jaká jsou první a poslední slavná díla umělce Jean-Baptiste van Loo?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Saint Peter Delivered from Prison (1720), nejnovější z Love Leaving Psyche (1744).

Jakými tématy se Jean-Baptiste van Loo nejčastěji zabýval/a?Zobrazit odpověď

Gold embroidery (5), Man (4) a Wig (4), z celkových 27 děl na této stránce.

Kterou techniku Jean-Baptiste van Loo upřednostňoval/a?Zobrazit odpověď

Oil On Canvas: 8 z 27 děl na této stránce.

K jakému uměleckému směru patří Jean-Baptiste van Loo?Zobrazit odpověď

Rococo, jak dokazují obrazy na této stránce.

Která díla od Jean-Baptiste van Loo jsou vystavena v Buckingham Palace?Zobrazit odpověď

Frederick, Prince of Wales (1707-51) a Augusta, Princess of Wales (1719-72) patří mezi 2 děl na této stránce, která má v zastarání Buckingham Palace, Londýn.

Mohu vlastnit reprodukci díla mistra Jean-Baptiste van Loo?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Život umělce Jean-Baptiste van Loo

A Legacy of Likeness: The Life and Art of Jean-Baptiste van Loo

Jean-Baptiste van Loo, born in Aix-en-Provence in 1684, emerged from a distinguished lineage of artists, a heritage that profoundly shaped his artistic journey. His father, Louis-Abraham van Loo, himself the son of Jacob van Loo, instilled in him not only technical skill but also an appreciation for the power and prestige associated with portraiture. This familial foundation proved crucial as young Jean-Baptiste embarked on a career destined to capture the likenesses of Europe’s elite. Early training laid the groundwork for his future success, fostering a meticulous attention to detail and a developing understanding of composition that would become hallmarks of his style. The initial artistic explorations within Aix and Toulon were abruptly interrupted by the siege of 1707, an event that propelled him toward new opportunities and further refinement of his craft.

From Roman Churches to Parisian Salons

A pivotal moment arrived with the patronage of Prince Emmanuel Philibert of Carignano, who recognized van Loo’s burgeoning talent and sponsored his journey to Rome. This sojourn proved transformative. Under the tutelage of Benedetto Luti, van Loo immersed himself in the vibrant artistic milieu of the Italian capital, honing his skills while contributing significantly to the city's religious landscape. His “Scourging of Christ” for the church of Santa Maria in Monticelli garnered considerable acclaim, demonstrating a mastery of dramatic composition and emotional intensity. This early success established him as a painter capable of both technical brilliance and profound spiritual expression. Following Rome, van Loo’s artistic path led him to Turin, where he painted portraits of Charles Emmanuel II, Duke of Savoy, and members of his court, further solidifying his reputation among European nobility. The culmination of this period saw his election into the prestigious Académie Royale de Peinture et de Sculpture in Paris, marking a significant milestone in his career and opening doors to commissions from the highest echelons of French society. He also undertook restoration work at Fontainebleau, demonstrating versatility beyond portraiture.

Capturing an Era: Portraiture and Aristocratic Patronage

Van Loo’s true mastery lay in the art of portraiture. He possessed a remarkable ability to capture not merely physical resemblance but also the essence of his sitters – their status, personality, and even subtle nuances of character. His portraits were sought after by aristocrats across Europe, including a young William Murray (later the 1st Lord Mansfield) during his time in Paris, and later Sir Robert Walpole in England. The portrait of Walpole, now residing in the National Portrait Gallery, London, exemplifies van Loo’s style: a dignified depiction emphasizing power and authority through meticulous detail in attire and pose. While celebrated for his technical skill, it's worth noting that van Loo’s portraits were often described as unflattering, prioritizing faithful representation over idealization. This commitment to realism, while perhaps not always appreciated by his subjects, contributed to the historical value of his work, offering invaluable insights into the appearance and demeanor of prominent figures of the 18th century. His ability to convey social standing through artistic choices made him a favored artist among those seeking to project an image of power and refinement.

A Brief English Interlude and Enduring Influence

In 1737, van Loo ventured to England, where he quickly gained recognition for his portraits of Colley Cibber and Owen McSwiny. However, his time in Britain was cut short by declining health, forcing him to return to France in 1742 and eventually settle back in Aix-en-Provence, where he passed away in 1745. Despite the brevity of his English sojourn, it left a lasting impression on the artistic landscape of the period. His work influenced subsequent generations of portrait painters, who admired his technical precision and commitment to realism. The legacy of Jean-Baptiste van Loo extends beyond individual masterpieces; he represents a pivotal figure in the development of 18th-century portraiture, bridging the gap between the Baroque and Rococo styles. Today, his paintings continue to captivate audiences with their historical significance and artistic merit, offering a glimpse into a bygone era of elegance, power, and refined artistry. His works can be found in prominent collections such as the National Portrait Gallery in London, ensuring that his contribution to art history remains accessible for generations to come.

Všechna díla od Jean-Baptiste van Loo: 27 →