Jan Asselijn, 1610 – 1652

84 nejznámějších obrazů autora Jan Asselijn

Obrazem, díky němuž se Jan Asselijn stal slavným, je The Threatened Swan (1652); visí v Rijksmuseum v místě Amsterdam. The Threatened Swan (1650) a King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) následují v srdcích sběratelů i návštěvníků muzeí. Z 84 děl umělce Jan Asselijn v našem katalogu je těchto 84 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Jan Asselijn
Jan Asselijn · 1610 – 1652
Narozen · zemřel
1610 – 1652, Dieppe
Směr
Dutch golden age
Díla v našem katalogu
84
Nejslavnější
The Threatened Swan (1652)
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Rijksmuseum

Jan Asselijn: deset mistrovských děl

The Threatened Swan (1652) od Jan Asselijn
1

The Threatened Swan

1652 · Rijksmuseum, Amsterdam

Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted in political turmoil. More than just a depiction of avian behavior, this monumental oil painting on canvas is an intricate allegory reflecting the anxieties surrounding Johan de Witt’s leadership during a period marked by internal dissent and external threats.

The Threatened Swan (1650) od Jan Asselijn
2

The Threatened Swan

1650 · Oil On Canvas · Rijksmuseum, Amsterdam

Jan Asselijn’s “The Threatened Swan,” painted around 1650, is more than just a beautiful depiction of a majestic bird; it's a meticulously crafted political allegory that offers a fascinating glimpse into the turbulent world of 17th-century Holland. This oil on canvas masterpiece, currently residing in the Rijksmuseum in Amsterdam, immediately captivates with its dynamic composition and dramatic lighting, hallmarks of the Dutch Golden Age’s artistic prowess. The painting depicts a…

King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) od Jan Asselijn
3

King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632

1634 · Oil On Canvas · Statens Museum for Kunst, Kodaň

Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…

Landscape with a Bridge in the Italian Countryside (1652) od Jan Asselijn
4

Landscape with a Bridge in the Italian Countryside

1652 · Oil On Canvas · Cannon Hall Museum, Barnsley

A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…

King Gustav Adolf II in the Battle of Lutzen on November 6,1632 (1632) od Jan Asselijn
5

King Gustav Adolf II in the Battle of Lutzen on November 6,1632

The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…

The Tiber River with the Ponte Molle at Sunset (1650) od Jan Asselijn
8

The Tiber River with the Ponte Molle at Sunset

1650 · Oil · National Gallery of Art, Washington

The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…

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River Bank with Herdsmen (1650) od Jan Asselijn
#17

River Bank with Herdsmen

1650 · Akademie výtvarních umění Praha

To gaze upon Jan Asselijn's River Bank with Herdsmen is to step directly into a moment of profound tranquility from the heart of the 17th century. This oil…

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Imaginary Italian Landscape (1652) od Jan Asselijn
#19

Imaginary Italian Landscape

1652 · Mauritshuis Royal Picture Gallery

In the heart of 1652, as Amsterdam flourished as a beacon of artistic brilliance, Jan Asselijn turned his gaze toward the warmth of the south. His masterpiece, Imaginary…

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PAYSAGE AVEC UNE TOUR od Jan Asselijn
#60

PAYSAGE AVEC UNE TOUR

Louvre

The Serene Majesty of “PAYSAGE AVEC UNE TOUR” – A Dutch Golden Age Masterpiece Jan Asselijn’s “PAYSAGE AVEC UNE TOUR,” a captivating landscape rendered in the rich, atmospheric…

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RUINE ET CABANE DE BERGERS od Jan Asselijn
#61

RUINE ET CABANE DE BERGERS

Louvre

A towering rock formation dominates this vertical composition, its rugged, textured surface rising sharply toward a cloudy sky. At its base, a shepherd's hut is nestled among dense…

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Muleteers beside an Italian Ruin (1650) od Jan Asselijn
#63

Muleteers beside an Italian Ruin

1650 · Rijksmuseum

WahooArt offers high-quality hand-painted reproductions of “Muleteers beside an Italian Ruin” by Jan Asselijn, capturing the essence of this captivating artwork in stunning detail. Explore our collection today…

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Hangout in Italy (1620) od Jan Asselijn
#64

Hangout in Italy

1620 · Rijksmuseum

Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

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Hunting Company out of Rome (1652) od Jan Asselijn
#66

Hunting Company out of Rome

1652 · Rijksmuseum

Hunting Company Out of Rome Jan Asselijn’s “Hunting Company Out of Rome,” completed in 1652, stands as a quintessential emblem of the Dutch Golden Age landscape tradition—a testament…

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Italian Coast Scene od Jan Asselijn
#81

Italian Coast Scene

Fitzwilliamovo muzeum

Jan Asselijn's "Italian Coast Scene," painted circa 1640-1652, isn’t merely a depiction of a coastal landscape; it’s an invitation to step into a moment of serene contemplation. This…

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Obrazy umělce Jan Asselijn podle období

Témata, která Jan Asselijn maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Jan Asselijn

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Jan Asselijn Obrazy z tohoto seznamu
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 11 The Threatened Swan, The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652
Akademie výtvarních umění Praha, VídeňAkademie výtvarních umění Praha Vídeň 6 Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail)
Statens Museum for Kunst, KodaňStatens Museum for Kunst Kodaň 5 King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers
Gemäldegalerie, BerlínGemäldegalerie Berlín 4 King Gustav Adolf II of Sweden, Battle near Lutzen 1632, Landscape with Swans and a Swimming Dog, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651
Louvre, PařížLouvre Paříž 3 PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS
Cannon Hall Museum, BarnsleyCannon Hall Museum Barnsley 2 Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon
Státní Ermitáž, Sankt-PetěrburgStátní Ermitáž Sankt-Petěrburg 2 Riders Gallopping towards the Gates of the Fortress, Winter Landscape

Jan Asselijn, dekáda po dekádě: klíčové dílo každého období

  1. 1620s
    Hangout in Italy (1620) od Jan Asselijn
    Pořadí 64 / 84

    Hangout in Italy

    Věk 10 – 19 · Rijksmuseum

    Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

  2. 1630s
  3. 1640s
  4. 1650s
    The Threatened Swan (1652) od Jan Asselijn
    1 z 84

    The Threatened Swan

    Věk 40 – 42 · Rijksmuseum

    Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted…

Díla mistrovská umělce Jan Asselijn: otázky a odpovědi

Kterým obrazem je Jan Asselijn nejznámější?Zobrazit odpověď

The Threatened Swan (1652), Rijksmuseum, Amsterdam. Následují The Threatened Swan (1650) a King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634).

Kolik let bylo Jan Asselijn, když maloval/a The Threatened Swan?Zobrazit odpověď

42 let: dílo The Threatened Swan pochází z roku 1652 a Jan Asselijn se narodil/a v roce 1610.

Jakých deset nejvýznamnějších obrazů má Jan Asselijn?Zobrazit odpověď

The Threatened Swan, The Threatened Swan, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep a Italian Landscape. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Jan Asselijn?Zobrazit odpověď

Náš katalog obsahuje 84 děl autora Jan Asselijn z let 1620 až 1652.

V kterých muzeích mohu vidět díla mistrovská umělce Jan Asselijn?Zobrazit odpověď

Většina z nich se nachází v Rijksmuseum (Amsterdam), Akademie výtvarních umění Praha (Vídeň) a Statens Museum for Kunst (Kodaň). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Jan Asselijn namaloval svá díla?Zobrazit odpověď

V období 1650s: 27 z 84 děl na této stránce pochází z tohoto období, z nich The Threatened Swan.

Jaká jsou první a poslední slavná díla umělce Jan Asselijn?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Hangout in Italy (1620), nejnovější z The Threatened Swan (1652).

Jakými tématy se Jan Asselijn nejčastěji zabýval/a?Zobrazit odpověď

Landscape (26), Figures (5) a Italy (5), z celkových 84 děl na této stránce.

Kterou techniku Jan Asselijn upřednostňoval/a?Zobrazit odpověď

Oil On Canvas: 11 z 84 děl na této stránce.

K jakému uměleckému směru patří Jan Asselijn?Zobrazit odpověď

Dutch golden age a Baroque, jak dokazují obrazy na této stránce.

Která díla od Jan Asselijn jsou vystavena v Rijksmuseum?Zobrazit odpověď

The Threatened Swan, The Threatened Swan a Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 patří mezi 11 děl na této stránce, která má v zastarání Rijksmuseum, Amsterdam.

Mohu vlastnit reprodukci díla mistra Jan Asselijn?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Život umělce Jan Asselijn

A Life Forged in Landscape: The World of Jan Asselijn

Jan Asselin, born around 1610 in Dieppe, France, embarked on an artistic journey marked by profound shifts in religious belief and a fervent dedication to capturing the splendor of the natural world. His family, Huguenots fleeing persecution, sought refuge in Amsterdam in 1621 – a vibrant metropolis brimming with commercial dynamism and burgeoning artistic innovation during the Dutch Golden Age. This relocation proved instrumental, immersing young Jean into an environment where landscape painting was undergoing a transformative metamorphosis, moving beyond traditional representations toward scenes imbued with palpable atmosphere and emotional resonance. Initially apprenticed to Jan Martszen the Younger, Asselijn honed his skills in battle paintings before discovering his true passion: portraying the breathtaking beauty and dramatic intensity of both landscapes and animal life. The distinctive Dutch light – expansive skies and subtle tonal variations – would become a cornerstone of his artistic style, profoundly shaped by his formative years.

The Italianate Embrace & The Bentvueghels

Like many ambitious Northern European painters of his era, Asselijn recognized the importance of refinement in Italy, likely arriving sometime after 1635. He wholeheartedly embraced the *Italianate* aesthetic – a genre characterized by sun-drenched vistas, classical ruins, and pastoral landscapes brimming with romanticism. He joined the ranks of the *Bentvueghels*, a spirited society comprised of Dutch and Flemish artists residing in Rome. These “Birds of a Feather” defied convention, adopting outlandish nicknames and prioritizing direct observation – rejecting the constraints imposed by studio practice. Within this lively community, Asselijn earned the moniker "Krabbetje" (little crab) due to a physical disability affecting his hand—a detail that subtly acknowledged his personal challenge yet fueled his creative spirit. He absorbed inspiration from artists such as Pieter van Laer (Bamboccio), whose depictions of Roman peasant life and landscapes resonated deeply with Asselijn’s evolving vision. This period solidified his ability to convey mood, light, and narrative within his canvases—a skill that would define his artistic legacy.

Mastering Light & Symbolism: Key Works

Upon returning to Amsterdam, Asselijn possessed a refined technique and a distinctive artistic voice. His paintings are distinguished by exceptional clarity of execution and masterful control over illumination – qualities that swiftly garnered admiration from contemporaries like Rembrandt, who even created etchings depicting Asselijn at work—a gesture perhaps sensitive to the artist’s physical impairment. While he produced historical and battle scenes, it was his landscapes and animal depictions that truly elevated him among his peers. The Threatened Swan, completed around 1640, stands as his most celebrated masterpiece. More than merely a visual representation of avian defense, this painting transcended its immediate subject matter to become a potent emblem of Dutch national resilience against external adversaries—a theme powerfully conveyed through the depiction of a swan fiercely protecting its eggs from encroaching dangers. The image resonated deeply with anxieties prevalent during Asselijn’s time and was interpreted as an allegory for Johan de Witt, a prominent Dutch statesman. Intriguingly, subsequent owners added symbolic inscriptions to the canvas – “Holland” on one of the eggs and “Enemy of the state” positioned beside the menacing dog—further cementing its political significance. Other noteworthy compositions include Cavalry Attack at Sunset, showcasing his initial training in battle painting with dramatic flair, and depictions of rural life like Drovers with Cattle Under an Arch of the Colosseum – a piece that seamlessly blends Italianate landscapes with meticulous animal studies. This artwork exemplifies Asselijn’s capacity to capture fleeting moments of grandeur and convey nuanced emotional depth.

Influence & Legacy: A Lasting Impression

Jan Asselijn's influence extended far beyond his prolific output. He was revered by artists such as Rembrandt, who produced etchings documenting Asselijn’s artistic process—a gesture indicative of mutual respect for the artist’s physical condition. Furthermore, he served as a mentor to Frederik de Moucheron, another influential Dutch landscape painter who championed the Italianate style and disseminated its aesthetic principles throughout Europe. Asselijn's innovative approach to light and atmosphere profoundly impacted subsequent generations of painters—laying the groundwork for greater naturalism and emotional resonance in landscape art. His enduring works are housed in prestigious institutions like the Rijksmuseum in Amsterdam, ensuring his artistic legacy persists as a cornerstone of Dutch Golden Age artistry. He passed away peacefully in 1652, leaving behind an oeuvre that continues to captivate viewers with its beauty, dramatic intensity, and subtle layers of symbolic meaning—a testament to his enduring contribution to European art history.

Všechna díla od Jan Asselijn: 84 →