Ellen Lanyon, 1926 – 2013

15 nejznámějších obrazů autora Ellen Lanyon

Obrazem, díky němuž se Ellen Lanyon stal slavným, je Wonder Production, Volume I (1971); visí v National Museum of Women in the Arts v místě Washington, D.C.. Wonder Production, Volume I (1971) a Black Lacquered Songs (1973) následují v srdcích sběratelů i návštěvníků muzeí. Z 15 děl umělce Ellen Lanyon v našem katalogu je těchto 15 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.

Portrét Ellen Lanyon
Ellen Lanyon · 1926 – 2013
Narozen · zemřel
1926 – 2013, Chicago
Směr
Surrealism
Díla v našem katalogu
15
Nejslavnější
Wonder Production, Volume I (1971)
Nejvíce děl v
Nasher Museum of Art at Duke University

Ellen Lanyon: deset mistrovských děl

Více děl mistrů Ellen Lanyon, od 11 do 15

Urbino (2010) od Ellen Lanyon
#11

Urbino

2010 · Nasher Museum of Art at Duke University

In the captivating painting Urbino, created in 2010, the viewer is transported into a dreamscape where the boundaries between the prehistoric and the domestic dissolve into a singular,…

Pugilists (1965) od Ellen Lanyon
#12

Pugilists

1965 · Nasher Museum of Art at Duke University

In the evocative oil painting Pugilists, created in 1965, artist Ellen Lanyon invites us into a theater of tension where the boundaries between reality and the subconscious begin…

(Wonder Production Volume I) Title Page (1971) od Ellen Lanyon
#14

(Wonder Production Volume I) Title Page

1971

The art world is replete with talented artists, but few have managed to capture the essence of wonder and curiosity as effectively as Ellen Lanyon. Her remarkable piece,…

Horse and Riders (1965) od Ellen Lanyon
#15

Horse and Riders

1965 · Nasher Museum of Art at Duke University

Ellen Lanyon often painted commonplace and unrelated subjects in fanciful ways, reimagining their purposes and actions. Her works are a combination of surrealist imagery and Americana that suggest…

Kde vidět obrazy autora Ellen Lanyon

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Ellen Lanyon Obrazy z tohoto seznamu
Nasher Museum of Art at Duke University, DurhamNasher Museum of Art at Duke University Durham 3 Urbino, Pugilists, Horse and Riders
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 2 Wonder Production, Volume I, Wonder Production, Volume I

Ellen Lanyon, dekáda po dekádě: klíčové dílo každého období

  1. 1960s
    Pugilists (1965) od Ellen Lanyon
    Pořadí 12 z 15

    Pugilists

    Věk 34 – 43 · Nasher Museum of Art at Duke University

    In the evocative oil painting Pugilists, created in 1965, artist Ellen Lanyon invites us into a theater of tension where the boundaries between reality and the subconscious begin…

  2. 1970s
  3. 1980s
  4. 2010s
    Urbino (2010) od Ellen Lanyon
    Pořadí 11 / 15

    Urbino

    Věk 84 – 87 · Nasher Museum of Art at Duke University

    In the captivating painting Urbino, created in 2010, the viewer is transported into a dreamscape where the boundaries between the prehistoric and the domestic dissolve into a singular,…

Díla mistrovská umělce Ellen Lanyon: otázky a odpovědi

Kterým obrazem je Ellen Lanyon nejznámější?Zobrazit odpověď

Wonder Production, Volume I (1971), National Museum of Women in the Arts, Washington, D.C.. Následují Wonder Production, Volume I (1971) a Black Lacquered Songs (1973).

Kolik let bylo Ellen Lanyon, když maloval/a Wonder Production, Volume I?Zobrazit odpověď

45 let: dílo Wonder Production, Volume I pochází z roku 1971 a Ellen Lanyon se narodil/a v roce 1926.

Jakých deset nejvýznamnějších obrazů má Ellen Lanyon?Zobrazit odpověď

Wonder Production, Volume I, Wonder Production, Volume I, Black Lacquered Songs, Thimble Box, Study for a Three Panel Screen, There are two ways of spreading light to be the candle or the mirror that reflects it. Edith Wharton, Vesalius in Zante, 1902. From the series Great Ideas of Western Man, Strange Games C (The Everglades), Strange Games B (Talmadge), Strange Games D (Lincoln Park) a Strange Games A (Oxbow). Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Ellen Lanyon?Zobrazit odpověď

Náš katalog obsahuje 15 děl autora Ellen Lanyon z let 1965 až 2010.

V kterých muzeích mohu vidět díla mistrovská umělce Ellen Lanyon?Zobrazit odpověď

Většina z nich se nachází v Nasher Museum of Art at Duke University (Durham) a National Museum of Women in the Arts (Washington, D.C.). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Ellen Lanyon namaloval svá díla?Zobrazit odpověď

V období 1970s: 7 z 15 děl na této stránce pochází z tohoto období, z nich Wonder Production, Volume I.

Jaká jsou první a poslední slavná díla umělce Ellen Lanyon?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Pugilists (1965), nejnovější z Urbino (2010).

K jakému uměleckému směru patří Ellen Lanyon?Zobrazit odpověď

Surrealism, jak dokazují obrazy na této stránce.

Která díla od Ellen Lanyon jsou vystavena v Nasher Museum of Art at Duke University?Zobrazit odpověď

Urbino, Pugilists a Horse and Riders patří mezi 3 děl na této stránce, která má v zastarání Nasher Museum of Art at Duke University, Durham.

Život umělce Ellen Lanyon

A World Between Dreams and Reality: The Art of Ellen Lanyon

Ellen Lanyon’s paintings are portals, inviting viewers into a realm where the familiar tilts on its axis and the subconscious takes visible form. Born in Chicago in 1948, her artistic journey began not within the hallowed halls of academia, though she would later attend both the School of the Art Institute of Chicago, the University of Iowa, and even undertake postgraduate studies at the Courtauld Institute in London on a Fulbright fellowship, but amidst the industrial landscape of her father’s foundry. This early exposure to the precise rendering of machine parts instilled in her a meticulous attention to line – a characteristic that would become a hallmark of her distinctive style. But it was a childhood visit to the “Midget Village” at the 1933 Chicago World's Fair, an undeniably surreal spectacle, that left a deeper, more lasting impression, seeding within her imagination a fascination with the uncanny and the disquieting juxtaposition of realities.

From Portraits to Dreamscapes: The Evolution of a Vision

Lanyon’s early work focused on intimate portraits of relatives and the spaces they inhabited – quiet studies imbued with a sense of psychological depth. These paintings, created in the late 1950s and 60s, reveal her burgeoning talent for capturing not just likeness but also the atmosphere and emotional weight of domestic life. However, this focus gradually shifted towards more fantastical compositions, populated by animal, vegetal, and floral motifs arranged in dreamlike scenarios. She herself often described these works as “dreamscapes,” a fitting term for paintings that seem to exist on the threshold between waking consciousness and the realm of sleep. This transition wasn’t abrupt; rather, it was a natural unfolding of her artistic concerns – a move away from external representation towards an exploration of inner landscapes. Her art began to embrace surrealism, though she resisted easy categorization, preferring instead to create a unique visual language that blended elements of magical realism with a distinctly personal iconography.

Influences and Affiliations: A Chicago Voice

While Lanyon’s style is undeniably singular, it wasn't formed in isolation. During her formative years in Chicago, she became associated with the city’s vibrant Imagist movement – a group of artists known for their rebellious spirit and rejection of conventional artistic norms. Though not strictly aligned with all of their tenets, she shared their interest in exploring the subconscious and challenging traditional notions of beauty. Beyond this local influence, Lanyon's work resonates with the metaphysical art of the 1910s and ‘20s – artists like Giorgio de Chirico whose paintings often featured unsettling juxtapositions of everyday objects and a palpable sense of alienation. Her meticulous technique also owes a debt to earlier masters of realism, though she always employed it in service of her own highly imaginative vision. In the 1970s, Lanyon’s move to New York brought her into contact with the feminist art collective *Heresies*, further broadening her intellectual and artistic horizons.

Environmental Awakening: A Shift in Focus

A pivotal moment in Lanyon's career came in 1976 when she received a commission from the Department of the Interior to work in the Everglades National Park. This experience proved transformative, awakening within her a profound awareness of the environmental crisis and inspiring a new direction in her art. Her paintings began to reflect a deeper engagement with flora and fauna – not merely as decorative motifs but as symbols of vulnerability and resilience. Everyday objects also took on increased significance, imbued with both domestic familiarity and a sense of impending menace. This later work is characterized by a haunting beauty, a delicate balance between the alluring and the unsettling. She began depicting objects from her collection, transforming them into potent emblems of our relationship to the natural world and the fragility of existence.

Legacy and Significance: A Lasting Impression

Ellen Lanyon’s art occupies a unique space within the landscape of contemporary painting. Her dreamscapes – meticulously rendered yet profoundly evocative – continue to captivate viewers with their enigmatic beauty and psychological depth. Her works are held in the permanent collections of major American museums, testament to her enduring influence and artistic merit. More than just a surrealist painter or a magical realist, Lanyon was a visionary artist who dared to explore the hidden realms of the subconscious, challenging our perceptions of reality and reminding us of the power of imagination. Her legacy lies not only in the exquisite beauty of her paintings but also in her ability to create worlds that are both deeply personal and universally resonant – worlds that invite us to question, to dream, and to see beyond the surface of things. Her art remains a powerful testament to the enduring human need for meaning and connection in an increasingly fragmented world. Lanyon’s ability to blend meticulous technique with fantastical imagery has cemented her place as a significant figure in American art history.

Všechna díla od Ellen Lanyon: 15 →