André Le Nôtre (1681) je nejslavnější obraz autora Carlo Maratta, který se nachází v muzeu Château de Versailles ve městě Versailles. Apollo Chasing Daphne (1681) a Saint John the Baptist Pointing to Christ in a Landscape (1656) jsou dalšími dvěma díly, která svět zná nejlépe. Z 130 děl umělce Carlo Maratta v našem katalogu uvádíme 100 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
André Le Nôtre’s portrait, painted in 1681 by Carlo Maratta, offers a glimpse into the mind of a man who fundamentally reshaped the landscape of Europe. More than simply a gardener, Le Nôtre was the “King of Gardeners,” Controller General of Buildings, Arts and Manufactures for France, and, crucially, Gardener to the King – a position that afforded him unparalleled influence over the aesthetic sensibilities of his era. The painting…
Carlo Maratta’s “Apollo Chasing Daphne,” completed in 1681, isn't merely a depiction of Greek mythology; it’s an exquisitely crafted distillation of humanist ideals within the Baroque aesthetic. Hanging proudly at the Musées Royaux des Beaux-Arts in Brussels—a testament to Belgian cultural heritage—the canvas commands attention with its serene composure and subtle dynamism.
A single arm cuts through the air, a diagonal line of intent that directs the eye from the rugged foreground toward a distant, blue-mantled figure. Saint John the Baptist reclines in the landscape, his body angled toward the viewer while his gaze seeks something beyond the immediate frame. He wears a heavy, magenta cloak that anchors the composition, a deep splash of color against the earthy browns and muted greens…
The oil on canvas titled Saint John the Evangelist on Patmos is a work by the Roman painter Carlo Maratta. Created between about 1680 and about 1720, the painting captures a moment of divine transcription. The subject focuses on the evangelist Johannes as he writes upon the island of Patmos.
The air in the room feels heavy with the weight of a final breath. In this 1676 oil painting, the earthly realm and the heavens collide in a single, breathless moment. Below, the mortal figures gather around the bed where Saint Joseph lies in his final hours. The Virgin Mary, Jesus, and Joseph form a central triangle of light, their faces illuminated by a theatrical glow that cuts through the…
Portrait of Cavalier Burnes is a painting by the Italian artist Carlo Maratta. Executed about 1676, this work belongs to the genre of portraiture. It presents a single male figure, capturing the likeness of a man through a focused, bust-length composition.
The air feels heavy with the weight of a sudden departure. In this scene, the Holy Family moves through a landscape that seems to pulse with both urgency and divine grace. The Virgin Mary sits upon a rocky bank, her form draped in a deep blue mantle that rests heavily over a pink robe. She cradles the Christ Child closely, her gaze fixed on the path ahead. To her side,…
This oil painting on canvas presents a close-up view of the upper bodies of the Madonna and Child. The figures are positioned along a diagonal axis that moves from the top left toward the bottom right of the frame. A beam of light descends from the upper left corner, striking the faces of both the mother and the infant. This lighting creates a chiaroscuro effect, where bright highlights on skin…
The light enters from the upper left, striking a face etched with quiet intelligence. It is the portrait of Andrea Sacchi, captured in the year 1661. A sharp white collar cuts through the darkness, providing a crisp boundary between the skin and the deep blacks of his clothing. The subject sits slightly off-center, his gaze meeting the viewer with a solemn weight. Dark, wavy hair falls in soft, blended strands…
The scene unfolds within The Vanity of the Earthly, an allegorical oil painting that captures a moment of profound stillness and reflection. Created by Carlo Maratta, the work emerges from the mid-seventeenth century, dating to about 1669. It exists as a window into the Baroque era, where the weight of existence meets the fleeting nature of worldly pursuits. The subject matter invites a quiet wonder regarding the transient beauty of…
Madonna and Child Enthroned with Angels and Saints Carlo Maratta’s “Madonna and Child Enthroned with Angels and Saints” stands as a cornerstone of Baroque Classicizing Style, encapsulating the…
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The Virgin sits with a regal, steady weight against a heavy stone plinth. Her mantle is a deep, saturated lapis lazuli blue that anchors the composition, pulling the…
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In the quietude of a humble stable, a scene from the Nativity unfolds through a precise arrangement of figures. The composition follows a pyramidal structure, centering on the…
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In the quietude of Carlo Maratta’s “Rebecca and Eliezer at the Well,” we are invited into a sacred moment of biblical destiny, captured with a grace that transcends…
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This classical Baroque-style oil painting, dating to 1711, presents a profound and intimate depiction of the Madonna and Child. The composition is centered upon the Virgin Mary, who…
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In this oil painting from 1701, a diagonal arrangement directs the eye from the upper right toward the lower left. An angel with large white wings and golden…
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We are looking at Saint John on Patmos, an oil painting by the Roman master Carlo Maratta. This work dates to 1669, a period when Maratta was establishing…
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The Virgin and Child in Glory emerges from the canvas as a profound moment of religious art. In this composition, the Virgin Mary holds the Christ Child, a…
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The Portrait of Count Franz Anton Berka of Dubá is an oil on canvas work by the Italian painter Carlo Maratta. Executed in Rome, the portrait captures the…
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In the quietude of a humble stable, a celestial drama unfolds with profound intimacy. Carlo Maratta’s Adoration of the Shepherds is not merely a depiction of a biblical…
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Carlo Maratta's "A Young Man," a captivating portrait from the heart of the Baroque era, isn’t merely a depiction of a young man; it’s an invitation into a…
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The face emerges from an oval of deep shadow, caught in a moment of quiet stillness. A heavy cloak of dark blue drapery wraps around the figure, its…
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This meticulously rendered graphite drawing, created in 1684 by the Roman master Carlo Maratta, offers a remarkably intimate glimpse into the mind and artistry of one of the…
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Carlo Maratta’s “Adoration of the Magi” stands as a cornerstone of Baroque art, specifically its classicizing strain—a movement striving for elegance and restraint amidst the opulent grandeur of…
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To gaze upon Carlo Maratta's "Time driving a boat ferries the four seasons and a sleeping figure toward death" is to confront one of humanity's most enduring mysteries—the…
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The Holy Night (The Nativity) is an oil on canvas work by the Roman painter Carlo Maratta. Created in the 1650s, this piece focuses on the Madonna and…
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Carlo Maratta's "Assumption and the Doctors of the Church," painted in 1689, is more than just a religious depiction; it’s a carefully constructed tableau of theological significance and…
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The oil on canvas titled Judith emerges from the shadows of history, a powerful presence attributed to the hand of Carlo Maratta. This work captures a moment of…
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The painting Madonna and Child with the Young Saint John the Baptist is a work by Carlo Maratta. Born in 1625 in Camerano, Italy, the artist became a…
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The first composer to build his reputation solely on the basis of instrumental works, to achieve fame through the music publishing industry, and to be canonised and studied…
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The Holy Family is a religious work by the Italian painter Carlo Maratta. Born in 1625, Maratta lived until 1713, a period that saw his development into a…
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Carlo Maratta's "The Sleep of the Infant Jesus, with Musician Angels" is more than just a painting; it’s an invitation into a realm of profound peace and spiritual…
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A Study for Eternity: Carlo Maratta’s Reverie on Saint Peter The canvas holds an arresting stillness—a contemplative gaze directed upwards, a hand raised in gesture of prayer or…
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Carlo Maratta’s “Maria Immaculata,” painted in 1688, isn't merely a depiction of the Virgin Mary; it’s a carefully constructed tableau of faith, grace, and the burgeoning classical ideals…
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Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Carlo Maratta | Obrazy z tohoto seznamu |
|---|---|---|---|
 Bavarské státní sbírky malby |
Mnichov | 11 | The Vanity of the Earthly, Depiction in the Temple, Sleeping, Naked Child |
 Museo del Prado |
Madrid | 5 | The Painter Andrea Sacchi, Magdalene in the desert, Hagar and Ishmael |
 Statens Museum for Kunst |
Kodaň | 4 | Portrait of Cavalier Burnes, The Origin of the Red Rose, Virgin and Child |
 Státní Ermitáž |
Sankt-Petěrburg | 4 | Adoration of the Shepherds, Adoration of the Shepherds, Adorace Mariáš (v květní zahradě) |
 Kunsthistorisches Museum |
Vídeň | 3 | Death of Saint Joseph, Madonna and Child, Virgin and Child with St John |
 Royal Collection |
Londýn | 2 | The Vision of Saint Stanislas Kostka, The Annunciation |
 National Gallery of Ireland |
Dublin | 2 | The Rape of Europa |
 Fitzwilliam Museum |
2 | The Virgin teaching the infant Christ to read |
A single arm cuts through the air, a diagonal line of intent that directs the eye from the rugged foreground toward a distant, blue-mantled figure. Saint John the…
The air feels heavy with the weight of a sudden departure. In this scene, the Holy Family moves through a landscape that seems to pulse with both urgency…
The air in the room feels heavy with the weight of a final breath. In this 1676 oil painting, the earthly realm and the heavens collide in a…
André Le Nôtre’s portrait, painted in 1681 by Carlo Maratta, offers a glimpse into the mind of a man who fundamentally reshaped the landscape of Europe. More than…
In the quietude of a humble stable, a scene from the Nativity unfolds through a precise arrangement of figures. The composition follows a pyramidal structure, centering on the…
The oil on canvas titled Saint John the Evangelist on Patmos is a work by the Roman painter Carlo Maratta. Created between about 1680 and about 1720, the…
This classical Baroque-style oil painting, dating to 1711, presents a profound and intimate depiction of the Madonna and Child. The composition is centered upon the Virgin Mary, who…
André Le Nôtre (1681), Château de Versailles, Versailles. Následují Apollo Chasing Daphne (1681) a Saint John the Baptist Pointing to Christ in a Landscape (1656).
56 let: dílo André Le Nôtre pochází z roku 1681 a Carlo Maratta se narodil/a v roce 1625.
André Le Nôtre, Apollo Chasing Daphne, Saint John the Baptist Pointing to Christ in a Landscape, Saint John the Evangelist on Patmos, Death of Saint Joseph, Portrait of Cavalier Burnes, The Flight into Egypt, Madonna and Child, The Painter Andrea Sacchi a The Vanity of the Earthly. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 130 děl autora Carlo Maratta z let 1650 až 1713.
Většina z nich se nachází v Bavarské státní sbírky malby (Mnichov), Museo del Prado (Madrid) a Statens Museum for Kunst (Kodaň). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1660s: 18 z 100 děl na této stránce pochází z tohoto období, z nich The Flight into Egypt.
Nejstarší dílo na této stránce pochází z Portrait of a Cardinal (Barberini) (1650), nejnovější z Assumption of Mary (1713).
Woman (11), Religious (10) a Man (8), z celkových 100 děl na této stránce.
Oil On Canvas: 20 z 100 děl na této stránce.
Baroque, jak dokazují obrazy na této stránce.
The Vanity of the Earthly, Depiction in the Temple a Sleeping, Naked Child patří mezi 11 děl na této stránce, která má v zastarání Bavarské státní sbírky malby, Mnichov.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
