Nejslavnější obrazem autora Stuart Davis je Odol. Díky Lucky Strike (1924) a T View (1951) tvoří celek tří děl, která každý rozpozná. Náš katalog obsahuje 189 děl umělce Stuart Davis; níže je 100 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Stuart Davisův obraz „Odol“ představuje fascinující kombinaci estetiky pop artu a modernistické ilustrace, která vypráví příběh o každodenních předmětech domácnosti. Tento dílo nezůstává jen dekorativním prvkem; je to komplexní analýza kulturního kontextu doby a uměleckého projevu jeho autora.
We are looking at Lucky Strike, a work from 1924 by the American painter Stuart Davis. This piece emerged during a period when Davis was establishing his presence within the modernist movement, moving away from the urban realism of his early training toward a more structured, fragmented language. It is a quiet encounter with the visual language of the 1920s.
The canvas known as T View pulses with a restless, geometric energy. Painted in 1951, this work captures a moment of intense abstraction that feels as though it is still unfolding before the eyes. The composition breaks the world into a series of fragmented, overlapping planes, suggesting the rhythmic, fractured pulse of an urban landscape. It is a vision of a city stripped of its literal skin, leaving behind only…
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping planes and simplified forms that dance across the canvas. Semi-circles suggest the curve of boat hulls or the swell of waves, while rectangular frames overlap one another to build a sense of depth and a layered perspective. This abstract expressionist arrangement transforms…
A Dynamic Vision of Modern Life: Exploring Stuart Davis’s *Tropes de Teens* (1956) Abstracted Energy and Post-War America: Painted in 1956, *Tropes de Teens* is a vibrant explosion…
Stuart Davis’s “Rocks, Gloucester,” painted in 1915, stands as a crucial bridge between the artist's early realist explorations and his eventual embrace of abstract expressionism. This vibrant landscape,…
Vividly colored, curved and straight-edged geometric shapes are piled and layered against a background of chalk white in this horizontal abstract composition. The paint is applied thickly with…
Stuart Davis, a prominent American artist, created the captivating painting Abstraction in 1937. This watercolor and gouache on paper artwork measures 45 x 59 cm and is a…
Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Stuart Davis | Obrazy z tohoto seznamu |
|---|---|---|---|
 Izraelské muzeum |
Jeruzalém | 2 | New York Under Gaslight |
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Abstraction |
 Philadelphia Museum of Art |
Philadelphia | 1 | Boats, Gloucester |
 National Gallery of Art |
Washington | 1 | Multiple Views |
 Bavarské státní sbírky malby |
Mnichov | 1 | Composition 1 |
 The Phillips Collection |
Washington, D.C. | 1 | West Indian Street |
 New Orleans Museum of Art |
New Orleans | 1 | Rocks, Gloucester |
 Art Institute of Chicago |
Chicago | 1 | Ready-to-Wear |
In "Boats, Gloucester" by Stuart Davis, the maritime essence of the coast emerges through a rhythmic, Cubist-inspired approach. The composition breaks the scene into a series of overlapping…
We are looking at Lucky Strike, a work from 1924 by the American painter Stuart Davis. This piece emerged during a period when Davis was establishing his presence…
The canvas known as T View pulses with a restless, geometric energy. Painted in 1951, this work captures a moment of intense abstraction that feels as though it…
Odol. Následují Lucky Strike (1924) a T View (1951).
Odol, Lucky Strike, T View, Sixth Avenue El, Arboretum by Flashbulb, Boats, Gloucester, Rue Lipp, Still Life-Flowers, Self-Portrait a Hot Still-Scape for Six Colors. Seventh Avenue Style. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 189 děl autora Stuart Davis z let 1910 až 1960.
Většina z nich se nachází v Izraelské muzeum (Jeruzalém), Smithsonian American Art Museum (Washington, D.C.) a Philadelphia Museum of Art (Philadelphia). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1930s: 8 z 100 děl na této stránce pochází z tohoto období, z nich Sixth Avenue El.
Nejstarší dílo na této stránce pochází z Newark (1910), nejnovější z Int'l Surface No. 1 (1960).
Geometric shapes (9), Urban landscape (5) a Designs and sketches (5), z celkových 100 děl na této stránce.
Oil On Canvas: 3 z 100 děl na této stránce.
Modernism, jak dokazují obrazy na této stránce.
Davis swiftly ascended to prominence as one of the youngest exhibitors at the monumental Armory Show of 1913, an event that irrevocably altered the course of American art history. He presented five watercolor paintings imbued with the distinctive aesthetic principles of the Ashcan School – a movement characterized by unflinching realism depicting urban life and its inhabitants. This debut showcased his commitment to portraying the everyday experiences of ordinary people with uncompromising honesty.
The 1920s witnessed Davis’s maturation into a singular artistic voice. He transitioned towards creating abstract still lifes and landscapes that incorporated elements of proto-pop art, skillfully blending geometric forms with imagery drawn from contemporary sources – notably cigarette packaging and spark plug advertisements. This daring stylistic choice reflected his fascination with the dynamism of modern life and signaled a decisive break from traditional representational conventions.
Davis’s oeuvre is instantly recognizable for its bold color palette, assertive brushstrokes, and rhythmic energy. His artistic vision was deeply influenced by jazz music, which permeated his paintings from the 1940s onward. The Ashcan School's emphasis on capturing the gritty realities of urban existence served as an enduring cornerstone of his aesthetic approach.
Odol (Modernism), completed in 1928, exemplifies Davis’s masterful synthesis of geometric abstraction and recognizable imagery from popular culture. This painting captures the essence of modern life through bold colors and dynamic compositions.
Other significant pieces include Rocks, Gloucester (1915), The Mellow Pad, and Tropes de Teens (1956).
Stuart Davis’s legacy extends far beyond his individual artworks. He stands as a pivotal figure in establishing American Modernism as a distinct artistic movement—a movement that championed innovation and challenged established norms.
His pioneering approach to abstraction paved the way for subsequent generations of artists, solidifying his place as one of the most influential figures in 20th-century art history. Davis’s unwavering dedication to portraying the complexities of human experience continues to inspire artistic endeavors today.
