Obrazem, díky němuž se Sofie Fohn stal slavným, je Seated Polish Woman in Costume (painted in Paris 1932) (1933); visí v Bavarské státní sbírky malby v místě Mnichov. Market in Olevano Romano (1944) a Motif in Villa Adriana, Tivoli (1942) následují v srdcích sběratelů i návštěvníků muzeí. Z 21 děl umělce Sofie Fohn v našem katalogu je těchto 17 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Sofie Fohn | Obrazy z tohoto seznamu |
|---|---|---|---|
 Bavarské státní sbírky malby |
Mnichov | 17 | Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano, Motif in Villa Adriana, Tivoli |
Seated Polish Woman in Costume (painted in Paris 1932) (1933), Bavarské státní sbírky malby, Mnichov. Následují Market in Olevano Romano (1944) a Motif in Villa Adriana, Tivoli (1942).
34 let: dílo Seated Polish Woman in Costume (painted in Paris 1932) pochází z roku 1933 a Sofie Fohn se narodil/a v roce 1899.
Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano, Motif in Villa Adriana, Tivoli, In the Villa Adriana, In the Villa Adriana near Tivoli, Motif in Olevano Romano at the Fountain, Self-Portrait with Fever at the Easel in Kastelruth, Mushroom Still Life on Blue Paper, Garden Flowers in the Enamel Jug a Peach Still Life. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 21 děl autora Sofie Fohn z let 1933 až 1965.
Většina z nich se nachází v Bavarské státní sbírky malby (Mnichov). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1940s: 10 z 17 děl na této stránce pochází z tohoto období, z nich Market in Olevano Romano.
Nejstarší dílo na této stránce pochází z Seated Polish Woman in Costume (painted in Paris 1932) (1933), nejnovější z Flowers in Blue Glass Vase (1965).
Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano a Motif in Villa Adriana, Tivoli patří mezi 17 děl na této stránce, která má v zastarání Bavarské státní sbírky malby, Mnichov.
Born in Munich, Germany, in 1899, Sofie Fohn lived through a century of profound transformation. While many remember the era for its political upheaval, her life was deeply intertwined with the quiet, persistent act of preserving culture. She was a painter, but her legacy is also defined by her role as an art collector alongside Emanuel Fohn. Together, they navigated a period where art was often caught in the crosshairs of ideology, working to protect works that were at risk of being lost to history.
Her connection to the city of Munich remained a constant thread throughout her life. It was a place of deep artistic tradition, and she moved through its spaces as both a creator and a guardian of the visual arts. By the time she passed away in 1990, she had seen the world change many times over, yet her commitment to the survival of art remained steady.
The work of Sofie Fohn extended beyond the canvas. During a time when many modern works were being seized or sold off under political pressure, she and Emanuel Fohn made a deliberate choice to intervene. They sought out pieces that were being marginalized, using their resources to ensure these works remained in safe hands. This was not merely a hobby; it was a response to the instability of the era.
Their efforts resulted in a significant collection that eventually found its way into public hands. This collection included a variety of media and formats, such as:
In 1964, a portion of this collection was donated to the Bavarian State Painting Collections. This gift ensured that the works they had rescued would be available for others to see, moving from private protection into the public light.
The significance of Sofie Fohn lies in the intersection of her own creative life and her dedication to the survival of art. By collecting works that were threatened by totalitarianism, she helped maintain a link to the modern movements that might otherwise have been erased. Her life reflects a quiet resistance, found in the simple, necessary act of keeping art alive for the next generation.
