Nejslavnější obrazem autora Jacopo da Pontormo je Deposition. Díky Vizitace (1528) a Halberdier (1520) tvoří celek tří děl, která každý rozpozná. Náš katalog obsahuje 176 děl umělce Jacopo da Pontormo; níže je 100 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
Pontormo executed the Deposition between 1525 and 1528. Commissioned by Lodovico Capponi in 1526, the work occupies the Capponi Chapel within the Church of Santa Felicita in Florence. The subject matter focuses on the deposition of Christ's body following the crucifixion.
Jacopo Carucci, známý jako Pontormo, vytvořil tuto nádhernou fresku v roce 1528 a zachytil okamžik hlubokého náboženského významu svým charakteristickým manýristickým stylem. „Vizitace“ je důkazem Pontormova mistrovství v kompozici, barvě i emocionální hloubce, což z ní činí vyhledávané dílo pro umělecké nadšence i sběratele.
Úchvatný portrét síly a individuality Toto působivé umělecké dílo zachycuje majestátní postavu, která ztělesňuje odolnost, sebevědomí a kulturní hrdost. Předmět malby, mladý muž oděný v tradičním rouchu a držící halabardu, vyzařuje pocit autority a důstojnosti. Jeho přímý pohled okamžitě oslovuje diváky a zve je do okamžiku sebevražedné introspekce a obdivu. Mistrovské zobrazení umělce zdůrazňuje fyzickou přítomnost i emocionální hloubku subjektu, což z něj činí fascinující středobod jakékoliv sbírky či interiérového…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head tilted slightly as she looks toward the Christ Child. Her skin possesses a smooth, porcelain-like texture, illuminated by a focused light source that creates a sharp contrast against the shadows. She wears a deep crimson red garment, while a dark, midnight blue…
To gaze upon this study of a woman is to step directly into the charged atmosphere of mid-sixteenth-century Florence. It is not merely a portrait, but an intimate psychological excavation, capturing the ephemeral grace and profound introspection characteristic of the Italian Mannerist period. The subject, rendered with exquisite delicacy, possesses a serene yet enigmatic quality; her direct gaze seems to meet the viewer's own, inviting a silent communion across the…
Jacopo Pontormo's "Ten Thousand Martyrs," painted in 1529, is not merely a depiction of historical suffering; it’s a visceral plunge into the heart of religious trauma and defiant resistance. This monumental fresco, now rendered in exquisite detail as a hand-painted reproduction by WahooArt.com, captures a pivotal moment from early Christian history – the brutal execution of ten thousand soldiers who had converted to Christianity during the reign of Emperor Decius.…
The work before us is Supper at Emmaus, a significant oil on canvas painted by Pontormo in 1525. This piece captures the specific biblical moment of the apparition of Christ to the Apostles, a narrative drawn from the Gospel of Luke, specifically chapter 24, verses 13 through 35. It is a scene of profound recognition, documenting the instant the disciples realize the identity of the man they are dining with…
The year is 1520, and within the bustling artistic landscape of Florence, Jacopo Carucci Pontormo—a name now inextricably linked with both innovation and melancholy—crafted a portrait that transcends mere likeness. “Portrait of Francesco da Castiglione” isn’t simply a depiction of an elderly man; it's a carefully constructed meditation on age, wisdom, and the quiet dignity of a life well-lived. The painting immediately draws the eye with its rich, earthy palette…
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers on the interaction between a standing male figure in classical armor on the left and a winged youth on the right. The scene is set against a dark, void-like background that isolates the two subjects.
In this dramatic scene by Pontormo, the air crackles with the sudden, frantic energy of a chase reaching its breaking point. The painting, created about 1513, captures the very moment of metamorphosis from Ovid's myth. Apollo reaches out, his fingers straining to grasp the nymph, but his pursuit is met with a terrifying transformation. Daphne is no longer merely a fleeing woman; she is caught in the midst of becoming…
The air in the room feels heavy, thick with the scent of charcoal and the quiet intensity of a private moment. Three figures occupy a space that feels…
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The air in the fresco feels heavy, thick with the dust of lime and the silence of a shared secret. Within a shallow, arched space, the figures of…
This work, titled Saint Francis, was executed by the Italian artist Pontormo around 1517. The subject is depicted in a kneeling posture, captured in a moment of prayer…
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A solitary figure kneels in a space of profound isolation, his body a landscape of tension and sudden movement. The reddish-brown tones of the medium cling to the…
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We are looking at a Study of nude by the Florentine artist Pontormo. This particular work, created about 1518, offers a glimpse into the artist's process during the…
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The Archangel Michael emerges from the shadows of history, a figure rendered by the hand of Pontormo. This painting, created about 1519, captures a moment of celestial conflict…
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A circle of light and shadow holds the saint in a sudden, spiritual grip. St. Matthew leans into the void, his body a series of elongated, twisting lines…
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Executed in 1527, this frescoed scene occupies the wall of the Capponi Chapel in the church of Santa Felicita, Florence, Italy. It surrounds a window, creating a spatial…
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The gaze of the subject meets us in Portrait of a Young Man (Alessandro de Medici ), a work that captures a fleeting moment of introspection. The artist,…
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The Holy Family by Pontormo depicts a traditional religious scene centered on the figures of Mary, Joseph, and Jesus. Executed in about 1525, the oil on canvas work…
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The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels…
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The Portrait of Niccolò Ardinghelli is a painting by the Florentine artist Pontormo. Created in 1542, the work captures a man of quiet presence. He is presented in…
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The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a…
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A seated figure rests in a quiet, heavy stillness. The body is stripped of ornament, rendered in the raw language of anatomical study. Light falls softly across the…
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In the quiet, tension-filled corridors of 16th-century Florence, a new kind of portraiture began to emerge—one that sought not to flatter the sitter with outward glory, but to…
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Two men occupy a narrow, intimate space, their presence pressing close against the viewer as if we have just stepped into their private circle. One man, wearing a…
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Madonna and Child is a religious painting by the Florentine Mannerist Jacopo Pontormo. Executed in 1532, the work emerged during a period of significant stylistic transition in the…
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The Portrait of Alessandro de' Medici by Pontormo dates to 1535. This work captures the likeness of Alessandro de' Medici, a figure of significant political weight in sixteenth-century…
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Jacopo Pontormo's 1515 depiction of Saint Sebastian is not merely a portrait; it’s an immersion into the heart of Mannerist emotion, a profound exploration of faith, suffering, and…
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The image before you – Jacopo Carucci’s “Reclining Male Nude” (1540) – isn't merely a depiction of the human form; it’s a carefully constructed meditation on stillness, vulnerability,…
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Pontormoův Narodení Jana Křtitele – Výrazný Přechod mezi Řeckým Renesansem a Barokem Narzení Jana Křtitele od Jacopa Pontorma je obraz, který vyčnívá z období renesance a zároveň předznamenává…
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Jacopo Carucci's *Supper at Emmaus*, painted in 1525, is more than just a depiction of a biblical scene; it’s a profound meditation on faith, betrayal, and the human…
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Jacopo Carucci, universally known as Pontormo, gifted Florence with an extraordinary series of portraits during the tumultuous years of the late 16th century. Among these, his depiction of…
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In the quiet evolution of the Italian Renaissance, few figures cast as long and enigmatic a shadow as Jacopo Carucci, known to the world as Pontormo. His masterpiece,…
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Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.
8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzea | Město | Díla autora Jacopo da Pontormo | Obrazy z tohoto seznamu |
|---|---|---|---|
 Galleria degli Uffizi |
Florencie | 10 | Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Narozzení Jana Křtitele |
 Palác Pitti |
Florencie | 3 | Portrait of Francesco da Castiglione, Cosimo I de' Medici |
 J. Paul Getty Museum |
Los Angeles | 1 | Halberdier |
 Yale University Art Gallery |
New Haven | 1 | Virgin and Child, known as the Madonna del Libro |
 St Andreas Picture Gallery |
Empoli | 1 | Archangel Michael |
 Casa Buonarroti |
Florencie | 1 | Noli me tangere |
 Art Institute of Chicago |
Chicago | 1 | Alessandro de' Medici |
 Museum of John Paul II Collection |
Warsaw | 1 | Madonna and Child |
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers…
Jacopo Carucci, známý jako Pontormo, vytvořil tuto nádhernou fresku v roce 1528 a zachytil okamžik hlubokého náboženského významu svým charakteristickým manýristickým stylem. „Vizitace“ je důkazem Pontormova mistrovství v…
The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head…
The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a…
Deposition. Následují Vizitace (1528) a Halberdier (1520).
Deposition, Vizitace, Halberdier, Virgin and Child, known as the Madonna del Libro, Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Supper at Emmaus, Portrait of Francesco da Castiglione, Cupid and Apollo a Apollo and Daphne. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 176 děl autora Jacopo da Pontormo z let 1513 až 1550.
Většina z nich se nachází v Galleria degli Uffizi (Florencie), Palác Pitti (Florencie) a J. Paul Getty Museum (Los Angeles). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1520s: 19 z 100 děl na této stránce pochází z tohoto období, z nich Vizitace.
Nejstarší dílo na této stránce pochází z Cupid and Apollo (1513), nejnovější z Porträt des Giovanni della Casa (1503-1556) (1550).
Man (11), Renaissance (9) a Saints (9), z celkových 100 děl na této stránce.
Oil On Panel: 11 z 100 děl na této stránce.
Manýrismus, jak dokazují obrazy na této stránce.
Study of a Woman, possibly Maria Salviati, Ten thousand martyrs a Narozzení Jana Křtitele patří mezi 6 děl na této stránce, která má v zastarání Galleria degli Uffizi, Florencie.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
