Karl Knaths, 1891 – 1971

37 nejznámějších obrazů autora Karl Knaths

Obrazem, díky němuž se Karl Knaths stal slavným, je Duck Decoy (1931); visí v The Phillips Collection v místě Washington, D.C.. Wisconsin, from the United States Series (1947) a Shacks (1964) následují v srdcích sběratelů i návštěvníků muzeí. Z 51 děl umělce Karl Knaths v našem katalogu je těchto 37 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.

Portrét Karl Knaths
Karl Knaths · 1891 – 1971
Narozen · zemřel
1891 – 1971, Eau Claire
Směr
Cubism
Díla v našem katalogu
51
Nejslavnější
Duck Decoy (1931)
Nejvíce děl v
The Phillips Collection

Karl Knaths: deset mistrovských děl

Duck Decoy (1931) od Karl Knaths
1

Duck Decoy

1931 · Oil · The Phillips Collection, Washington, D.C.

A quiet stillness settles over the scene as the eye meets the form of the duck decoy. It is a moment suspended in 1931, where the familiar shape of a bird is distilled into a series of rhythmic, interlocking planes. The subject does not demand attention through movement, but through its structural presence. Light and shadow dance across the surface, not as mere illumination, but as tools to carve out…

Více děl mistrů Karl Knaths, od 11 do 37

Cylinders (1944) od Karl Knaths
#13

Cylinders

1944 · The Phillips Collection
Cin-Zin (1945) od Karl Knaths
#14

Cin-Zin

1945 · The Phillips Collection
The Sun (1950) od Karl Knaths
#18

The Sun

1950 · The Phillips Collection
Bach (1953) od Karl Knaths
#23

Bach

1953 · Smithsonian American Art Museum
The Bottle (1957) od Karl Knaths
#28

The Bottle

1957 · Smithsonian American Art Museum
The Bottle (1957) od Karl Knaths
#32

The Bottle

1957

The Bottle is a remarkable oil painting created by Karl Knaths in 1957. This artwork is a testament to the artist's unique approach to Cubism, showcasing his ability…

Témata, která Karl Knaths maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Karl Knaths

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Karl Knaths Obrazy z tohoto seznamu
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 21 Duck Decoy, Shacks, Geranium in Night Window
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 3 Composition, Bach, The Bottle

Karl Knaths, dekáda po dekádě: klíčové dílo každého období

  1. 1920s
  2. 1930s
    Duck Decoy (1931) od Karl Knaths
    Pořadí 1 / 37

    Duck Decoy

    Věk 39 – 48 · The Phillips Collection

    A quiet stillness settles over the scene as the eye meets the form of the duck decoy. It is a moment suspended in 1931, where the familiar shape…

  3. 1940s
  4. 1950s
    The Sun (1950) od Karl Knaths
    Pořadí 18 / 37

    The Sun

    Věk 59 – 68 · The Phillips Collection
  5. 1960s
    Shacks (1964) od Karl Knaths
    Pořadí 3 z 37

    Shacks

    Věk 69 – 78 · The Phillips Collection
  6. 1970s

Díla mistrovská umělce Karl Knaths: otázky a odpovědi

Kterým obrazem je Karl Knaths nejznámější?Zobrazit odpověď

Duck Decoy (1931), The Phillips Collection, Washington, D.C.. Následují Wisconsin, from the United States Series (1947) a Shacks (1964).

Kolik let bylo Karl Knaths, když maloval/a Duck Decoy?Zobrazit odpověď

40 let: dílo Duck Decoy pochází z roku 1931 a Karl Knaths se narodil/a v roce 1891.

Jakých deset nejvýznamnějších obrazů má Karl Knaths?Zobrazit odpověď

Duck Decoy, Wisconsin, from the United States Series, Shacks, Marble Mantel, Geranium in Night Window, Barroom, Maritime, Geranium at Night Window, Moonlight, Harbor Town a Composition. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Karl Knaths?Zobrazit odpověď

Náš katalog obsahuje 51 děl autora Karl Knaths z let 1922 až 1970.

V kterých muzeích mohu vidět díla mistrovská umělce Karl Knaths?Zobrazit odpověď

Většina z nich se nachází v The Phillips Collection (Washington, D.C.) a Smithsonian American Art Museum (Washington, D.C.). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Karl Knaths namaloval svá díla?Zobrazit odpověď

V období 1950s: 12 z 37 děl na této stránce pochází z tohoto období, z nich The Sun.

Jaká jsou první a poslední slavná díla umělce Karl Knaths?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Geranium in Night Window (1922), nejnovější z Angels Dance 1970 (1970).

Jakými tématy se Karl Knaths nejčastěji zabýval/a?Zobrazit odpověď

Still life (2) a Geometric (2), z celkových 37 děl na této stránce.

K jakému uměleckému směru patří Karl Knaths?Zobrazit odpověď

Cubism, jak dokazují obrazy na této stránce.

Která díla od Karl Knaths jsou vystavena v The Phillips Collection?Zobrazit odpověď

Duck Decoy, Shacks a Geranium in Night Window patří mezi 21 děl na této stránce, která má v zastarání The Phillips Collection, Washington, D.C..

Život umělce Karl Knaths

A Life Dedicated to Abstract Modernism

Karl Knaths, born in Eau Claire, Wisconsin, in 1891, emerged as a pivotal figure in the development of American Modernism. His artistic journey was not one of immediate recognition but rather a sustained exploration of form, color, and the underlying principles governing aesthetic experience. While often categorized within the Cubist tradition, Knaths’s work transcends simple classification; it is characterized by a unique synthesis of geometric abstraction and recognizable subject matter, imbued with a deeply personal vision. His paintings are not merely representations of the world but rather carefully constructed meditations on its essence, filtered through a rigorous intellectual framework.

Early Influences and Artistic Awakening

Knaths’s early life was marked by responsibility following his father's passing, leading him to an apprenticeship as a baker. However, this practical path was subtly redirected by Zona Gale, a local author who recognized the nascent artistic talent within the young man. Gale facilitated an introduction to Dudley Crafts Watson at the Milwaukee Art Institute, providing Knaths with formal training and setting him on a course toward professional artistry. The watershed moment in his development arrived with the 1913 Armory Show in Chicago. Though initially unsettled by the radical departures from traditional art, he was profoundly impacted by Paul Cézanne’s approach—particularly the use of blocks of muted color to construct compositions and redefine spatial relationships. This exposure ignited a passion for exploring new modes of visual expression. Further experience as a scenery painter with the Wisconsin Players honed his skills in design and composition, while a move to Provincetown, Massachusetts, in 1919 proved decisive. There, he found a vibrant artistic community and forged crucial connections with Agnes and Helen Weinrich, sisters who had studied art in Europe; Agnes, in particular, played a vital role in refining his personal style.

The Evolution of a Distinctive Style

Throughout the 1920s and 30s, Knaths’s artistic voice began to solidify. His early work demonstrated a strong emphasis on line quality, subdued color palettes, and the juxtaposition of geometric forms—characteristics that would define his mature style. These paintings weren't strictly Cubist in nature but rather reflected an assimilation of Cézanne’s structural principles alongside emerging modernist ideas. Knaths immersed himself in theoretical texts by Carl Einstein, Wilhelm Ostwald, Piet Mondrian, Wassily Kandinsky, Jay Hambidge, and Gino Severini, absorbing concepts related to color theory, proportion, and the connections between music and painting. This intellectual curiosity was further enriched by his marriage to Helen Weinrich, a trained musician whose insights undoubtedly influenced his exploration of synesthetic relationships—the idea that different senses could be linked through artistic expression. He described his process as one of gradual refinement: “I learned to move slowly from color relations, to line sequence, to better spacing, proportions, to a thematic play of shapes.” This methodical approach underscores the deliberate and considered nature of his work.

Mature Practice and Theoretical Foundations

By the 1930s, Knaths’s mature style had fully emerged. He developed a complex theoretical framework for his art, incorporating mathematical principles and color theory into his compositions. He believed in measurable correspondences between sound in music and color and space in painting—a concept that guided his artistic choices and informed his unique aesthetic sensibility. His paintings often depicted recognizable subjects—landscapes, still lifes, and figures—but these were rendered through a distinctive lens of geometric abstraction, transforming familiar forms into dynamic arrangements of planes and colors. Knaths was not only an artist but also a dedicated educator, lecturing extensively at institutions like Bennington College, Black Mountain College, and the Skowhegan School of Painting, sharing his artistic philosophy and techniques with aspiring artists. He also participated in the WPA's Federal Art Program as both a muralist and instructor, contributing to the cultural landscape of the era. Throughout his career, he maintained a consistent exhibition record, with numerous solo shows in New York City, solidifying his reputation within the art world.

Legacy and Historical Significance

Karl Knaths’s contribution to American Modernism lies in his unique synthesis of Cubist aesthetics, rigorous intellectual inquiry, and personal artistic vision. While influenced by European masters like Cézanne and Kandinsky, he forged a distinct style characterized by its disciplined structure, controlled color palettes, and thematic exploration of shapes. His commitment to theoretical underpinnings—drawing from mathematics, music, and color theory—set him apart from many of his contemporaries. Though his work experienced periods of relative obscurity, it has been increasingly recognized for its originality and intellectual depth, securing his place as a significant figure in 20th-century American art. He demonstrated that abstraction need not be devoid of meaning or connection to the world around us; rather, it could serve as a powerful means of exploring fundamental truths about perception, form, and the human experience. His legacy continues to inspire artists and scholars alike, reminding us of the enduring power of artistic vision grounded in intellectual rigor.