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Portrait of General Giles
Ručně malovaná olejná reprodukce od $181 29 × 35 cm
Velikost jako originál $297 64 × 75 cm Objednat v originální velikosti →
Portrait of General Giles (1785) je nejslavnější obraz autora Joseph Wright, který se nachází v muzeu Smithsonian American Art Museum ve městě Washington, D.C.. Z 2 děl umělce Joseph Wright v našem katalogu uvádíme 2 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Joseph Wright | Obrazy z tohoto seznamu |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Portrait of General Giles |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | John Coats Browne |
Mezi lety 1784 a 1785, celkem za 2 let, namaloval Joseph Wright všechna datovaná díla na této stránce: zde jsou, rok po roce.
Portrait of General Giles (1785)
29 let: dílo Portrait of General Giles pochází z roku 1785 a Joseph Wright se narodil/a v roce 1756.
Náš katalog obsahuje 2 děl autora Joseph Wright z let 1784 až 1785.
Většina z nich se nachází v Smithsonian American Art Museum (Washington, D.C.) a Fine Arts Museums of San Francisco (San Francisco). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
Nejstarší dílo na této stránce pochází z John Coats Browne (1784), nejnovější z Portrait of General Giles (1785).
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
In the turbulent dawn of a new nation, few artists captured the burgeoning spirit of American identity as intimately as Joseph Wright. Born in 1756 in Bordentown, New Jersey, Wright was a man of dual heritage and immense talent, the son of a Philadelphia barrelmaker and a celebrated wax sculptor. His early life was marked by a nomadic pursuit of excellence, moving from the quietude of colonial America to the prestigious halls of the Royal Academy of Arts in London. It was within this vibrant, transatlantic existence that Wright honed a skill set that bridged the gap between the delicate precision of portraiture and the rugged permanence of sculpture. As the first American-born student to matriculate at the Royal Academy, he carried with him a unique perspective—a blend of New World ambition and Old World refinement that would soon place him in the presence of history's most formidable figures.
Wright’s artistry was never merely about capturing a likeness; it was about documenting the very essence of leadership and revolution. His brush and chisel were frequently called upon to immortalize the architects of American liberty. Most notably, his relationship with Benjamin Franklin allowed him to translate the wisdom of the statesman into enduring visual legacies. Following Franklin's suggestion, Wright produced several versions of a portrait that would become iconic, utilizing a pose inspired by French masters to convey a sense of intellectual gravity. This talent for capturing character did not stop with diplomats; it extended to the very heart of the American presidency. His studies and portraits of George Washington remain some of the most significant visual records of the General, ranging from intimate oil studies on mahogany to monumental clay busts that sought to provide a three-dimensional blueprint for national monuments.
Beyond the canvas, Wright’s contribution to the aesthetic fabric of the United States was profoundly tactile. He possessed a rare ability to manipulate medium, moving seamlessly from the fluid strokes of oil paint to the heavy, transformative nature of clay and metal. This versatility led him to a pivotal role in the early days of the United States Mint. As the designated First Draughtsman & Diesinker, Wright was tasked with giving a face to American currency. His designs for the Liberty Cap Half-Cent and Large Cent introduced a symbolic visual language of freedom that would circulate in the hands of citizens across the expanding frontier. Through his engravings, the abstract concept of liberty became a tangible, circulating reality, etched into the very copper and silver that fueled the young economy.
The depth of Wright's influence can be seen through the various facets of his creative output:
The life of Joseph Wright was as dramatic and brief as the era he helped define. His career was a meteoric rise through the highest circles of international diplomacy and American politics, yet it was cut short by the very volatility that characterized his time. In the summer of 1793, while Philadelphia was gripped by the terror of a yellow fever epidemic, Wright began work on a deeply personal family portrait—a tender depiction of himself, his wife Sarah, and their three children. It was a project intended to capture domestic peace amidst a period of profound national sickness. Tragically, the fever claimed him at the age of only 37, with his wife passing away mere days later.
Though his life ended in tragedy, Wright’s impact remained etched in the foundations of American culture. He left behind a body of work that served as a visual cornerstone for a country searching for its own image. From the halls of Congress to the pockets of common citizens, his hand was present in the creation of a national identity. Today, when we look upon the portraits of the Founders or the early coins of the Republic, we see the enduring vision of an artist who, despite his short time on earth, succeeded in capturing the soul of a rising nation.