Obrazem, díky němuž se John Amory Codman stal slavným, je Horses and Hunters by the Sea; visí v Muzeum umění v Bostonu v místě Boston. View of a Bay a Harbor Overlooked by a Mansion následují v srdcích sběratelů i návštěvníků muzeí. Z 6 děl umělce John Amory Codman v našem katalogu je těchto 6 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora John Amory Codman | Obrazy z tohoto seznamu |
|---|---|---|---|
 Muzeum umění v Bostonu |
Boston | 6 | Horses and Hunters by the Sea, View of a Bay, Harbor Overlooked by a Mansion |
Horses and Hunters by the Sea, Muzeum umění v Bostonu, Boston. Následují View of a Bay a Harbor Overlooked by a Mansion.
Náš katalog obsahuje 6 děl autora John Amory Codman.
Většina z nich se nachází v Muzeum umění v Bostonu (Boston). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
Horses and Hunters by the Sea, View of a Bay a Harbor Overlooked by a Mansion patří mezi 6 děl na této stránce, která má v zastarání Muzeum umění v Bostonu, Boston.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
Born in 1824, John Amory Codman lived a life shaped by the shifting tides of 19th-century commerce and the quiet rhythms of coastal Massachusetts. While he is remembered for his brushwork, his personal stability was tied to the lucrative Russian and China clipper trade, which provided the wealth necessary to support his lifestyle and his creative pursuits. He spent much of his time in Boston, establishing himself within the city's social and artistic circles during a period of significant growth.
His domestic life was centered around his marriage to Martha Pickman Rogers, who lived until 1905. Together, they had one surviving child, Martha Codman Karolik. The family's connection to the arts would continue through her, as she became a major benefactor to the arts, ensuring that the cultural landscape of her time remained supported. The legacy of the family was marked by both significant social standing and the complexities of private life, including legal disputes regarding his will and the distribution of his estate after his death in 1886.
Codman’s professional life was deeply rooted in the creative circles of Boston. He resided and worked in the city from 1849 through the 1860s, establishing himself within the local art community. During the 1850s, he maintained a studio in Amory Hall, a space that likely served as a central hub for his daily practice. His presence in the city was officially recognized in the Boston City Directory, which listed him as an artist from 1849 to 1855. He was also affiliated with the New England Art Union, connecting him to the broader artistic movements of the time.
His exhibitions began early in his career. In 1839, he showed his work with the Apollo Association, and by 1849, he was exhibiting with the American Art-Union. As his reputation grew, he became a regular participant in significant local venues. He exhibited with the Boston Athenaeum in 1856, contributing to the cultural life of the city during a period of significant growth. Later in his life, in 1873, he displayed two oil paintings at the Boston Art Club, continuing to share his vision with the public.