Johannes Hannot, 1633 – 1685

Obrazy autora Johannes Hannot: 3 nejznámějších děl seřazených podle popularity

Nejslavnější obrazem autora Johannes Hannot je Sumptuous Still Life with Lobster, Fruit, Silver Saltcellar, and Wine Glass in a Niche (1650). Díky Still Life with Fruit, Johannes Hannot, 1668 (1668) a Still Life tvoří celek tří děl, která každý rozpozná. Náš katalog obsahuje 3 děl umělce Johannes Hannot; níže je 3 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Johannes Hannot
Johannes Hannot · 1633 – 1685
Narození · úmrtí
1633 – 1685, Leiden
Díla v našem katalogu
3
Nejslavnější
Sumptuous Still Life with Lobster, Fruit, Silver Saltcellar, and Wine Glass in a Niche (1650)
Nejvíce děl v muzeích
Rijksmuseum

10 nejslavnějších obrazů autora Johannes Hannot

Kde vidět obrazy autora Johannes Hannot

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Johannes Hannot Obrazy z tohoto seznamu
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Still Life with Fruit, Johannes Hannot, 1668
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Still Life

Nejslavnější obrazy umělce Johannes Hannot rok po roce

19 let tvorby umělce Johannes Hannot, od 1650 do 1668, rok po roce: nejznámější obrazy každého roku v chronologickém pořadí.

  1. 1650
  2. 1668
    Still Life with Fruit, Johannes Hannot, 1668 (1668) od Johannes Hannot
    Pořadí 2 / 3

    Still Life with Fruit, Johannes Hannot, 1668

    Věk 35 let · Rijksmuseum

    Still life with fruit. On the corner of a table is a tin plate on which are a peeled lemon and a branch with cherries, behind it a…

Otázky k obrazům autora Johannes Hannot

Který obraz je nejznámější dílem Johannes Hannot?Zobrazit odpověď

Sumptuous Still Life with Lobster, Fruit, Silver Saltcellar, and Wine Glass in a Niche (1650). Následují Still Life with Fruit, Johannes Hannot, 1668 (1668) a Still Life.

Kolik let bylo Johannes Hannot, když byl/a namalován/a dílo Sumptuous Still Life with Lobster, Fruit, Silver Saltcellar, and Wine Glass in a Niche?Zobrazit odpověď

17 let: dílo Sumptuous Still Life with Lobster, Fruit, Silver Saltcellar, and Wine Glass in a Niche pochází z roku 1650 a Johannes Hannot se narodil/a v roce 1633.

Kolik obrazů vytvořil/a Johannes Hannot?Zobrazit odpověď

Náš katalog obsahuje 3 děl autora Johannes Hannot z let 1650 až 1668.

Kde se nacházejí nejznámější obrazy umělce Johannes Hannot?Zobrazit odpověď

Většina z nich se nachází v Rijksmuseum (Amsterdam) a Palais des Beaux-Arts de Lille (Lille). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Jaká jsou nejstarší a nejnovější slavná díla umělce Johannes Hannot?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Sumptuous Still Life with Lobster, Fruit, Silver Saltcellar, and Wine Glass in a Niche (1650), nejnovější z Still Life with Fruit, Johannes Hannot, 1668 (1668).

Mohu si koupit reprodukci obrazu od Johannes Hannot?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

O umělci Johannes Hannot

A Quiet Master of Dutch Still Life: The World of Johannes Hannot

Johannes Hannot, a name perhaps less celebrated than his contemporaries like Willem Kalf or Jan Davidsz. de Heem, nevertheless occupies an important and delicate niche within the pantheon of 17th-century Dutch still life painters. Born in Leiden in 1633, Hannot’s life remains shrouded in a certain obscurity—a common fate for artists working outside the immediate orbit of major artistic centers or prolific workshops. What we do know paints a picture of a dedicated craftsman who absorbed the lessons of Antwerp and translated them into works characterized by refined detail, subtle color harmonies, and an almost meditative stillness. His death in Leiden in 1685 marked the end of a career that, while not extensive in output, left behind a legacy of quiet beauty.

Early Training and the Influence of Jan Davidsz. de Heem

The formative years of Hannot’s artistic development led him to Antwerp, where he became a pupil of the renowned Jan Davidsz. de Heem. This apprenticeship proved pivotal. De Heem was a master of opulent still life compositions—lavish displays of fruit, flowers, silver and glass, often imbued with symbolic meaning relating to mortality and earthly pleasures. Hannot clearly absorbed de Heem’s technical prowess; his early works demonstrate a similar attention to the textures of velvet peaches, the gleam of polished pewter, and the delicate translucence of wine glasses. However, Hannot wasn't merely an imitator. While he initially embraced the grandeur of de Heem’s style, he gradually moved towards a more restrained aesthetic—a simplification of form and a softening of palette that would become hallmarks of his mature work. The influence is undeniable, yet Hannot began to forge his own distinct artistic voice, one less concerned with ostentatious display and more focused on the inherent beauty of individual objects.

A Restrained Palette and Symbolic Undercurrents

Hannot’s still lifes typically feature arrangements of fruit—often grapes, peaches, plums, and melons—interspersed with nuts, oysters, bread, and occasionally a single flower or insect. Unlike some of his contemporaries who favored dramatic chiaroscuro effects, Hannot employed a softer, more diffused light that gently illuminates the surfaces of his subjects. His color palette is similarly subdued, dominated by warm browns, ochres, and muted greens—a deliberate choice that contributes to the overall sense of tranquility. While overt symbolism isn’t always immediately apparent in his work, careful observation reveals subtle allusions to themes of abundance, transience, and the fleeting nature of life. A partially peeled lemon might represent decay, while a scattering of nuts could symbolize wealth or fertility. These symbolic elements are not presented with heavy-handed didacticism but rather woven into the fabric of the composition, inviting contemplation rather than explicit interpretation.

Legacy and Historical Significance

Although Johannes Hannot’s career was relatively short and his documented output limited, his work holds a significant place within the broader context of Dutch Golden Age painting. His paintings offer a compelling example of how artists could adapt and refine established styles to create something uniquely their own. The Rijksmuseum in Amsterdam includes examples of his work in its collection, attesting to the enduring quality and artistic merit of his oeuvre. While he may not have achieved the widespread fame of some of his peers, Hannot’s still lifes continue to captivate viewers with their quiet elegance, technical skill, and subtle emotional resonance. He represents a quieter strand within the Dutch still life tradition—a testament to the power of observation, craftsmanship, and the enduring beauty of everyday objects. His work serves as a reminder that artistic excellence doesn’t always require grand scale or overt drama; sometimes, it resides in the delicate balance of light, color, and form. The appreciation for Hannot's paintings has grown steadily over time, with realized prices at auction ranging from $1,388 to $10,000, indicating a rising recognition of his talent among collectors and art enthusiasts.

Further Research

  • Explore the collection of Dutch still life paintings at the Rijksmuseum for comparative examples.
  • Investigate the works of Jan Davidsz. de Heem to understand Hannot’s primary influence.
  • Research the symbolism associated with fruit and other objects commonly depicted in 17th-century Dutch still lifes.