Obrazem, díky němuž se Johan Per (Per) Sodermark stal slavným, je Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); visí v Nationalmuseum v místě Stockholm. Portrait of Werner Holmberg (1853) a Christoffer Eichhorn (1837-1889), librarian, art historian (1889) následují v srdcích sběratelů i návštěvníků muzeí. Z 3 děl umělce Johan Per (Per) Sodermark v našem katalogu je těchto 3 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Johan Per (Per) Sodermark | Obrazy z tohoto seznamu |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Stockholm. Následují Portrait of Werner Holmberg (1853) a Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
26 let: dílo Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery pochází z roku 1848 a Johan Per (Per) Sodermark se narodil/a v roce 1822.
Náš katalog obsahuje 3 děl autora Johan Per (Per) Sodermark z let 1848 až 1889.
Většina z nich se nachází v Nationalmuseum (Stockholm) a Finnish National Gallery (Helsinki). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
Nejstarší dílo na této stránce pochází z Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), nejnovější z Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery a Christoffer Eichhorn (1837-1889), librarian, art historian patří mezi 2 děl na této stránce, která má v zastarání Nationalmuseum, Stockholm.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.