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At Lake Geneva
Ručně malovaná olejná reprodukce od $181 37 × 27 cm
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Nejslavnější obrazem autora Frédéric Fregevize je At Lake Geneva (1830). Náš katalog obsahuje 1 děl umělce Frédéric Fregevize; níže je 1 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
Všechna díla umělce Frédéric Fregevize s uvedeným datem na této stránce pocházejí z roku 1830: zde jsou jejich nejznámější.
At Lake Geneva (1830)
60 let: dílo At Lake Geneva pochází z roku 1830 a Frédéric Fregevize se narodil/a v roce 1770.
Náš katalog obsahuje 1 děl autora Frédéric Fregevize.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
Born in Geneva in 1770, Frédéric Fregevize lived a life shaped by the movement between the quiet landscapes of his home and the academic rigor of Germany. He came from a family of Huguenots who had settled in Berlin, a connection that would later bridge his Swiss roots with his professional success abroad. His early years were defined by the delicate work of an enameler in Geneva, a craft that required immense patience and a steady hand. This foundation in enamel painting stayed with him throughout his life.
The precision he learned while working with porcelain and enamel became the hallmark of his later paintings. In 1809, he began working for the Royal Porcelain Manufacture, an experience that deepened his technical skill. His career eventually led him to Berlin, where his talent was recognized by his peers. By 1820, he had been elected a member of the Prussian Academy of Arts and was appointed as a professor there. This period in Berlin marked a significant chapter of professional achievement, even as his heart remained tied to the scenery of Switzerland.
Fregevize found his true subject matter in the natural world surrounding Lake Geneva and the Rhone Valley. His paintings often focused on these specific regions, capturing the mountains and water with a meticulousness that mirrored his early training. He had a particular talent for idyllic views, where the landscape felt both peaceful and clearly defined. The care he took with every line and detail allowed him to recreate the atmosphere of the Swiss Alps with great clarity.
His work often featured specific locations that are still remembered through his brushwork:
While he spent many years in Berlin and later visited Dessau in 1839, his artistic focus remained anchored to these landscapes. The National Gallery in Berlin holds several of his views, preserving his vision of the Swiss terrain for others to see. His ability to translate the scale of the mountains into a precise, detailed format made him a specialist in the genre of mountain and lake scenery.
After years of academic life and teaching in Berlin, Fregevize eventually returned to his birthplace. In 1829, he settled back in Geneva, bringing with him the prestige of his Prussian Academy membership. This return allowed him to live closer to the landscapes that had inspired his most significant works. He continued to paint with the same diligence that characterized his early days as an enameler, maintaining a standard of precision that defined his entire body of work.
His life came to an end in Geneva in 1849. Though he moved between different cities and held various professional titles, from porcelain worker to professor, the core of his identity remained tied to the landscapes of his youth. He left behind a legacy of detailed observations that continue to offer a window into the nineteenth-century beauty of the Swiss Alps.