1
A Roman street letter-writer writing a letter for a young girl
Ručně malovaná olejná reprodukce od $406 34 × 30 cm
Velikost jako originál $507 69 × 62 cm Objednat v originální velikosti →
A Roman street letter-writer writing a letter for a young girl (1827) je nejslavnější obraz autora Ernst Meyer, který se nachází v muzeu Thorvaldsen Museum ve městě Kodaň. A little Italian girl by a fountain (1826) a Two friends (1835) jsou dalšími dvěma díly, která svět zná nejlépe. Z 11 děl umělce Ernst Meyer v našem katalogu uvádíme 11 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.
3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.
| Muzeum | Město | Díla autora Ernst Meyer | Obrazy z tohoto seznamu |
|---|---|---|---|
 Statens Museum for Kunst |
Kodaň | 8 | A little Italian girl by a fountain, Two Friends. A Boy Sleeping beside a Pig, A Little Boy is Taken to the Monastery by His Parents |
 Nivaagaards Malerisamling |
Nibe | 2 | Two friends, Two Italian boys |
 Thorvaldsen Museum |
Kodaň | 1 | A Roman street letter-writer writing a letter for a young girl |
A Roman street letter-writer writing a letter for a young girl (1827), Thorvaldsen Museum, Kodaň. Následují A little Italian girl by a fountain (1826) a Two friends (1835).
30 let: dílo A Roman street letter-writer writing a letter for a young girl pochází z roku 1827 a Ernst Meyer se narodil/a v roce 1797.
A Roman street letter-writer writing a letter for a young girl, A little Italian girl by a fountain, Two friends, Two Friends. A Boy Sleeping beside a Pig, A Little Boy is Taken to the Monastery by His Parents, A Little Boy being Presented to a Priest, A Neapolitan Fisherman, A Roman Alley, Udsigt mod Mammellerne (Monti Ruffi) nær Olevano a Bjerglandskab ved Civitella. Výše uvedené pořadí uvádí rok a muzeum každého díla.
Náš katalog obsahuje 11 děl autora Ernst Meyer z let 1826 až 1846.
Většina z nich se nachází v Statens Museum for Kunst (Kodaň), Nivaagaards Malerisamling (Nibe) a Thorvaldsen Museum (Kodaň). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1830s: 5 z 11 děl na této stránce pochází z tohoto období, z nich Two friends.
Nejstarší dílo na této stránce pochází z A little Italian girl by a fountain (1826), nejnovější z A Little Boy being Presented to a Priest (1846).
A little Italian girl by a fountain, Two Friends. A Boy Sleeping beside a Pig a A Little Boy is Taken to the Monastery by His Parents patří mezi 8 děl na této stránce, která má v zastarání Statens Museum for Kunst, Kodaň.
Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.
Born Ahron Meyer on 11 May 1797 in Altona, the man who would become known as Ernst Meyer began his life far from the Mediterranean light that eventually defined his career. His early years were marked by a fractured family structure; following his parents' divorce, he moved to Copenhagen with his mother. While his father, a broker, initially intended for him to follow a path in business, a clear interest in art emerged by 1812. This divergence led to a period of hardship when his father withdrew financial support, forcing the young man to find new footing under the care of a family associate.
His formal training began at the Royal Danish Academy of Fine Arts in 1816. During this period, he earned two silver medals, yet his ambitions were met with significant resistance. He sought the academy's gold medal for history painting, attempting to prove himself through grander, more classical subjects like the story of Joseph and Pharaoh. However, repeated failures in 1819 and 1821 prompted a profound shift. He removed his works from the academy gallery and abandoned the pursuit of historical narratives entirely.
The trajectory of his life changed in 1824 when he traveled to Rome, accompanied by the sculptor Herman Wilhelm Bissen. It was here, amidst the street life of Naples and the coastal landscapes of Southern Italy, that he found a new purpose. The colorful reality of local populations provided the inspiration that historical subjects had lacked. He turned his attention to genre painting, capturing the quiet, domestic rhythms of Mediterranean life.
His work began to find an audience beyond the borders of Denmark. In 1833, a portrait of a Neapolitan fishing family caught the attention of Crown Prince Christian VIII, who purchased the piece. His depictions of sailors on Capri and the coastal life of Naples became widely recognized through various reproductions. This period marked his transition from a struggling student of history to a specialist in the observation of everyday human interaction.
The later years of Meyer's life were shaped by physical struggle. Around 1841, he began suffering from a debilitating illness, likely rheumatoid arthritis, which progressively deformed his hands and made it impossible to continue working in oils. Rather than retreating from art, he taught himself the delicate medium of watercolor. This necessity led to a refinement of his technique, as he developed a palette of subtle hues that many found superior to his earlier, heavier works.
Despite the use of crutches and the physical limitations imposed by his condition, he continued to travel and create until his death. He passed away in Rome on 31 January 1861, following a stroke during a morning walk. He was laid to rest in the Jewish section of Campo Verano, leaving behind a body of work that moved from the rigid structures of academic history to the soft, precise observations of Italian life.
