Edward Steichen, 1900 – 1973

Obrazy autora Edward Steichen: 47 nejznámějších děl seřazených podle popularity

Nejslavnějším dílem umělce Edward Steichen je obraz Le Tournesol (The Sunflower) (1920) v muzeu National Gallery of Art v Washington. Díky Behind-the-scenes photograph, Paying the Piper (1921) a Portrait, Osgood Perkins (1923) tvoří celek tří děl, která každý rozpozná. Náš katalog obsahuje 47 děl umělce Edward Steichen; níže je 47 děl, na která se svět dívá nejčastěji, každé s uvedeným rokem vzniku, muzeem, které jej uchovává, a důvodem jeho významu.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.

Portrét Edward Steichen
Edward Steichen · 1900 – 1973
Narození · úmrtí
1900 – 1973, Bivange
Pohyb
Pictorialism
Díla v našem katalogu
47
Nejslavnější
Le Tournesol (The Sunflower) (1920)
Nejvíce děl v muzeích
Museum of the Moving Image

10 nejslavnějších obrazů autora Edward Steichen

Le Tournesol (The Sunflower) (1920) od Edward Steichen
1

Le Tournesol (The Sunflower)

1920 · Oil On Canvas · National Gallery of Art, Washington

The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…

Behind-the-scenes photograph, Paying the Piper (1921) od Edward Steichen
2

Behind-the-scenes photograph, Paying the Piper

1921 · Black and White Photography · Museum of the Moving Image, Astoria

To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…

Portrait, Osgood Perkins (1923) od Edward Steichen
3

Portrait, Osgood Perkins

1923 · Black and White Photography · Museum of the Moving Image, Astoria

Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…

Portrait of Clarence White (1905) od Edward Steichen
4

Portrait of Clarence White

1905 · Acrylic On Canvas · Denver Art Museum, Denver

To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…

Preview slide, The Kid (1921) od Edward Steichen
5

Preview slide, The Kid

1921 · Akryl na plátně · Museum of the Moving Image, Astoria

Edward Jean Steichen byl pozoruhodná osobnost, která překročila jednoduché kategorizace. Narodil se roku 1879 v malé vesnici Bivange, Luksembursko a jeho život se stal mimořádnou cestou od evropských kořenů k tomu stát se jedním z největších amerických umělců – nejen jako fotograf, ale také jako malíř, kurátor a vizionář, který změnil způsob našeho vnímání vizuální kultury. Jeho rané roky byly poznamenány významným přesunem; roku 1881 Steichenova rodina emigrovala do Hancocku,…

Fan magazine, Motion Picture Magazine, vol. 9, no. 6 (1915) od Edward Steichen
6

Fan magazine, Motion Picture Magazine, vol. 9, no. 6

1915 · Illustration · Museum of the Moving Image, Astoria

In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…

Herald, The Ten Commandments (1925) od Edward Steichen
7

Herald, The Ten Commandments

1925 · Print · Museum of the Moving Image, Astoria

This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…

Lobby card, Blood and Sand (1922) od Edward Steichen
8

Lobby card, Blood and Sand

1922 · Illustration · Museum of the Moving Image, Astoria

This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…

Lobby card, Blood and Sand (1922) od Edward Steichen
9

Lobby card, Blood and Sand

1922 · Photography · Museum of the Moving Image, Astoria

To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…

Preview slide, The Immigrant (1919) od Edward Steichen
10

Preview slide, The Immigrant

1919 · Illustration · Museum of the Moving Image, Astoria

In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…

Edward Steichen, obrazy od 11 do 47

Paul Robeson od Edward Steichen
#11

Paul Robeson

George Eastman House

In the quiet, silvered depths of Edward Steichen’s 1933 masterpiece, Paul Robeson as “The Emperor Jones”, we encounter more than a mere photographic record; we witness a profound…

Lobby card, The Love Special - Edvard Steichen (1921) od Edward Steichen
#12

Lobby card, The Love Special - Edvard Steichen

1921 · Museum of the Moving Image

The scene unfolds within Lobby card, The Love Special, a work that carries the unmistakable touch of Edward Steichen. Created in 1921, this piece captures a specific moment…

In Memoriam (1906) od Edward Steichen
#13

In Memoriam

1906 · Denver Art Museum

In the quietude of Edward Steichen’s “In Memoriam,” one does not merely observe a photograph; one enters a sanctuary of shared sorrow. Created in 1906, this profound work…

Lobby card, The Heart of the North (1921) od Edward Steichen
#14

Lobby card, The Heart of the North

1921 · Museum of the Moving Image

Edward Jean Steichen (1879–1973), francouzsko-americký fotograf, malíř a kurátor, byl skutečným průkopníkem své doby. Jeho život nebyl jen cestou mezi světy – stal se jednou z největších osobností…

Sunflower (1920) od Edward Steichen
#16

Sunflower

1920 · George Eastman House

Edward Steichen’s 1920 painting, "Sunflower," isn’t merely a depiction of a flower; it's a poignant distillation of memory, displacement, and the enduring search for belonging. Born in the…

Náhled snímku, Lov velkých zvěří v Africe (1922) od Edward Steichen
#17

Náhled snímku, Lov velkých zvěří v Africe

1922 · Museum of the Moving Image

Preview slide, Hunting Big Game in Africa – A Cinematic Echo of Pictorialism Edward Steichen’s “Hunting Big Game in Africa,” created in 1922, transcends the boundaries of mere…

Isadora Duncan in the Parthenon, Athens (1921) od Edward Steichen
#18

Isadora Duncan in the Parthenon, Athens

1921 · Toledo Museum of Art

Isadora Duncan in the Parthenon, Athens is a photograph by Edward Steichen. Captured in 1921, the work features the dancer Isadora Duncan positioned against the architectural ruins of…

Lobby card, The Green Temptation (1922) od Edward Steichen
#19

Lobby card, The Green Temptation

1922 · Museum of the Moving Image

This evocative lobby card for "The Green Temptation" transports us directly into the vibrant, dramatic atmosphere of early 20th-century cinema. It is more than a mere advertisement; it…

Film still, Footlights - Filmový záběr, Podpětníky (1921) od Edward Steichen
#20

Film still, Footlights - Filmový záběr, Podpětníky

1921 · Museum of the Moving Image

Edward Steichenův Film Still: Světlo pozornosti a melancholie Film Still z roku 1921 od Edwarda Steichena není jen fotografie; je to obraz, který vypráví příběh o izolaci, osobním…

Lobby card, Java Head (1923) od Edward Steichen
#24

Lobby card, Java Head

1923 · Museum of the Moving Image

This evocative lobby card for "Java Head," dating back to 1923, transports us directly into the vibrant, dramatic heart of early cinema. It is more than just a…

Advertising slide, Paramount Pictures (1915) od Edward Steichen
#25

Advertising slide, Paramount Pictures

1915 · Museum of the Moving Image

To gaze upon the Advertising slide, Paramount Pictures is to step through a temporal portal, transported back to the vibrant, flickering dawn of the motion picture era. This…

Herald, The Kid Brother (1927) od Edward Steichen
#26

Herald, The Kid Brother

1927 · Museum of the Moving Image

The poster presents Harold Lloyd seated upon a metal bucket, his legs crossed with a quiet stillness. He wears glasses and a red shirt that pulls the eye…

Lobby card, The Blue Fox, Episode 10 (1921) od Edward Steichen
#27

Lobby card, The Blue Fox, Episode 10

1921 · Museum of the Moving Image

Lobby card, The Blue Fox, Episode 10 is a photographic work by Edward Steichen. This piece dates to 1921. It captures a frozen moment of cinematic tension, a…

Special message slide, (1915) od Edward Steichen
#28

Special message slide,

1915 · Museum of the Moving Image

Visual Composition and Physicality Special message slide, is a vintage slide dating from 1915. The image presents a dark background that provides a high-contrast setting for the central…

Lobby card, The Man from Lost River (1921) od Edward Steichen
#29

Lobby card, The Man from Lost River

1921 · Museum of the Moving Image

In the delicate, sepia-toned realm of early twentieth-century cinema, few artifacts capture the evocative essence of storytelling quite like this lobby card for The Man from Lost River.…

The Lotus Screen, S.S.S (1909) od Edward Steichen

In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…

Herald, Blood and Sand (1922) od Edward Steichen
#32

Herald, Blood and Sand

1922 · Museum of the Moving Image

The image presents a central figure of a man positioned in the foreground, looking directly forward. He wears a dark suit and a tie, topped with a wide-brimmed…

Portrait, Constance Talmadge (1920) od Edward Steichen
#33

Portrait, Constance Talmadge

1920 · Museum of the Moving Image

In this mesmerizing black and white portrait from 1920, the legendary photographer Edward Steichen captures more than just a face; he captures the very essence of an era.…

Preview slide, Cleopatra (1917) od Edward Steichen
#34

Preview slide, Cleopatra

1917 · Museum of the Moving Image

In this mesmerizing preview slide for the 1917 production of Cleopatra, we are transported not merely to an ancient era, but to the dawn of cinematic spectacle. The…

Film still, Behind the Scenes (1914) od Edward Steichen
#37

Film still, Behind the Scenes

1914 · Museum of the Moving Image

In this evocative film still from 1914, titled Behind the Scenes, we are transported into the golden, flickering era of early cinema. Captured through the lens of the…

Program Orpheum Theatre, Filadelfie (1915) od Edward Steichen
#44

Program Orpheum Theatre, Filadelfie

1915 · Museum of the Moving Image

Program, Orpheum Theatre, Philadelphia, PA – Dokument z Épou Filmových Divadel Jedná se o fascinující dokument z období zlatého věku kinematografie a teatralní kultury amerického východu. Tento program…

Aerial View of Trenches (37) (1918) od Edward Steichen
#45

Aerial View of Trenches (37)

1918 · New Orleans Museum of Art

In the hauntingly silent expanse of Edward Steichen’s Aerial View of Trenches (37), the viewer is transported back to the visceral landscape of 1918. This profound photographic composition…

Lobby karta, Rosita (1923) od Edward Steichen
#46

Lobby karta, Rosita

1923 · Museum of the Moving Image

Poznávací zážitek z minulosti: Lobby karta filmu „Rosita“ od Edwarda Steichena Edward Steichenův obraz „Lobby karta filmu „Rosita““ není jen dekorativní dílo; je to vstupenka do světa evropské…

Fotografie studia, Thomas H. Ince Studios, Culver City, Kalifornie (1922) od Edward Steichen

Studio Fotografické Výstavní Domů Thomas H. Ince, Culver City, Kalifornie – Dokument obrazu Edwarda Steichena Fotografie „Studia Výstavního Domu Thomas H. Ince“ od Edwarda Steichena představuje fascinující okamžik…

Obrazy umělce Edward Steichen podle období

Témata, která Edward Steichen maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Edward Steichen

6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Edward Steichen Obrazy z tohoto seznamu
Museum of the Moving Image, AstoriaMuseum of the Moving Image Astoria 32 Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Preview slide, The Kid
Denver Art Museum, DenverDenver Art Museum Denver 2 Portrait of Clarence White, In Memoriam
George Eastman House, RochesterGeorge Eastman House Rochester 2 Paul Robeson, Sunflower
New Orleans Museum of Art, New OrleansNew Orleans Museum of Art New Orleans 2 Aerial View of Trenches, Aerial View of Trenches (37)
National Gallery of Art, WashingtonNational Gallery of Art Washington 1 Le Tournesol (The Sunflower)
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Isadora Duncan in the Parthenon, Athens

Nejslavnější obraz každého desetiletí umělce Edward Steichen

  1. 1900s
    The Lotus Screen, S.S.S (1909) od Edward Steichen
    30 z 47

    The Lotus Screen, S.S.S

    Věk 0 – 9

    In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to…

  2. 1910s
    Fan magazine, Motion Picture Magazine, vol. 9, no. 6 (1915) od Edward Steichen
    6 z 47

    Fan magazine, Motion Picture Magazine, vol. 9, no. 6

    Věk 10 – 19 · Museum of the Moving Image

    In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to…

  3. 1920s
    Le Tournesol (The Sunflower) (1920) od Edward Steichen
    1 z 47

    Le Tournesol (The Sunflower)

    Věk 20 – 29 · National Gallery of Art

    The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting…

Otázky k obrazům autora Edward Steichen

Který obraz je nejznámější dílem Edward Steichen?Zobrazit odpověď

Le Tournesol (The Sunflower) (1920), National Gallery of Art, Washington. Následují Behind-the-scenes photograph, Paying the Piper (1921) a Portrait, Osgood Perkins (1923).

Kolik let bylo Edward Steichen, když byl/a namalován/a dílo Le Tournesol (The Sunflower)?Zobrazit odpověď

20 let: dílo Le Tournesol (The Sunflower) pochází z roku 1920 a Edward Steichen se narodil/a v roce 1900.

Jakých je 10 nejlepších obrazů autora Edward Steichen?Zobrazit odpověď

Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Preview slide, The Kid, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand a Preview slide, The Immigrant. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik obrazů vytvořil/a Edward Steichen?Zobrazit odpověď

Náš katalog obsahuje 47 děl autora Edward Steichen z let 1909 až 1927.

Kde se nacházejí nejznámější obrazy umělce Edward Steichen?Zobrazit odpověď

Většina z nich se nachází v Museum of the Moving Image (Astoria), Denver Art Museum (Denver) a George Eastman House (Rochester). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Edward Steichen namaloval svá nejznámější díla?Zobrazit odpověď

V období 1920s: 29 z 47 děl na této stránce pochází z tohoto období, z nich Le Tournesol (The Sunflower).

Jaká jsou nejstarší a nejnovější slavná díla umělce Edward Steichen?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z The Lotus Screen, S.S.S (1909), nejnovější z Herald, The Kid Brother (1927).

Co nejčastěji maloval/a Edward Steichen?Zobrazit odpověď

Black and white (8), Early 20th century (7) a Photography (7), z celkových 47 děl na této stránce.

Jakou techniku používal(a) Edward Steichen nejčastěji?Zobrazit odpověď

Black and White Photography: 8 z 47 děl na této stránce.

K kterému uměleckému směru patří Edward Steichen?Zobrazit odpověď

Pictorialism, jak dokazují obrazy na této stránce.

Která díla Edward Steichen mohu vidět v Museum of the Moving Image?Zobrazit odpověď

Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins a Preview slide, The Kid patří mezi 32 děl na této stránce, která má v zastarání Museum of the Moving Image, Astoria.

O umělci Edward Steichen

A Life Bridging Worlds: The Artistic Odyssey of Edward Steichen

Edward Steichen, later known as Edward Jean Steichen, was a figure who transcended simple categorization. Born in 1879 in the small village of Bivange, Luxembourg, his life became an extraordinary journey from European roots to becoming one of America’s most influential artists – not merely as a photographer, but as a painter, curator, and visionary who reshaped how we perceive visual culture. The early years were marked by a significant relocation; in 1881, the Steichen family emigrated to Hancock, Michigan, seeking new opportunities. This move instilled in young Edward a sense of displacement and perhaps, a heightened sensitivity to observation – qualities that would profoundly shape his artistic vision. Even as a child, an innate talent for drawing was evident, nurtured by supportive parents who recognized and encouraged his creative inclinations. The pivotal moment arrived at sixteen when he received his first camera, initiating a period of largely self-directed learning through relentless experimentation. This wasn’t merely about mastering technique; it was about discovering a new language, a way to capture the world with an immediacy and intimacy previously unattainable. A subsequent move to Milwaukee saw him apprenticed as a lithographer, providing valuable technical skills while simultaneously allowing his artistic pursuits to flourish.

From Pictorialism to Modern Vision: Steichen’s Artistic Evolution

Steichen's emergence coincided with the burgeoning Pictorialist movement, an attempt to elevate photography to the status of fine art. He quickly became a central figure, embracing soft focus and painterly effects to create images that evoked mood and atmosphere rather than simply documenting reality. This pursuit led him to Alfred Stieglitz, a kindred spirit who recognized Steichen’s exceptional talent. Together, they co-founded the Photo-Secession in 1902, a group dedicated to promoting photography as a legitimate art form. The publication of *Camera Work*, a highly influential photographic journal, became their platform for disseminating ideas and showcasing groundbreaking work. The establishment of the 291 gallery in New York City further cemented their influence, providing a space where avant-garde European art – Picasso, Matisse, Cézanne – was exhibited alongside photography, fostering cross-cultural dialogue and challenging conventional artistic boundaries. However, Steichen’s artistic journey wasn't one of static adherence to a single style. The upheaval of World War I proved catalytic. He abandoned the ethereal qualities of Pictorialism, embracing instead a “Straight Photography” aesthetic – characterized by sharp focus, precise detail, and an unadorned representation of reality. This shift reflected a broader cultural move towards modernity and a rejection of sentimentality in favor of clarity and directness.

A Master of Many Mediums: Fashion, Film, and the Human Condition

Steichen’s versatility was remarkable. He didn't confine himself to one artistic domain; he seamlessly transitioned between photography, painting, and even filmmaking. His foray into fashion photography during the 1920s and 30s revolutionized the industry. Working for *Vogue* and *Vanity Fair*, he moved beyond mere documentation of clothing to create images that were sophisticated, glamorous, and imbued with a sense of narrative. He understood how to use light, pose, and composition to convey not just style but also personality and emotion. This period established him as a pioneer in the field, setting standards for generations of fashion photographers to come. During World War II, Steichen served his adopted country by directing *The Fighting Lady* (1944), an acclaimed documentary film for the U.S. Navy that offered a compelling glimpse into aerial combat. But perhaps his most enduring legacy lies in *The Family of Man*, curated at the Museum of Modern Art in 1955. This monumental exhibition, featuring photographs from sixty-eight countries, was a powerful statement about universal human experiences – love, birth, death, joy, sorrow – transcending cultural and geographical boundaries. Recognized by UNESCO’s Memory of the World Register, it remains a testament to Steichen's belief in the unifying power of photography.

Notable Works

  • The Pond–Moonlight (1904): A landmark Pictorialist photograph celebrated for its atmospheric depth and tonal richness; a record-breaking auction price attests to its enduring appeal.
  • The Flatiron (1904): Another significant early work showcasing his mastery of photographic technique and composition, also achieving a remarkable price at auction.
  • Portraits of Celebrities: A vast collection capturing the essence of prominent figures in art, literature, and entertainment with insightful sensitivity.
  • The Fighting Lady (1944): An acclaimed World War II documentary film offering a compelling glimpse into aerial combat.
  • The Family of Man (1955): A groundbreaking exhibition at MoMA, featuring photographs from around the globe that explored universal human experiences and earned UNESCO recognition.

Legacy and Influence: A Lasting Impact on Visual Culture

Edward Steichen died in 1973, leaving behind an extraordinary body of work that continues to inspire and provoke. His influence is multifaceted. He fundamentally altered perceptions of photography, elevating it from a purely technical process to a recognized art form. His pioneering work in fashion photography not only defined the aesthetic of an era but also established new standards for visual storytelling within the industry. The 291 gallery, through its championing of European modernism, played a crucial role in introducing American audiences to groundbreaking artistic movements. And *The Family of Man*, with its message of shared humanity, remains profoundly relevant in an increasingly fragmented world. His ability to seamlessly navigate between commercial and artistic pursuits demonstrated that creativity could thrive in diverse contexts. Steichen’s career was a testament to the power of experimentation, innovation, and a relentless pursuit of artistic vision. He wasn't simply documenting the world; he was interpreting it, shaping it, and ultimately, changing how we see it.