Dorofield Hardy, 1853 – 1937

Dorofield Hardy: 22 nejznámějších obrazů

Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900) je nejslavnější obrazem autora Dorofield Hardy. Elizabeth, wife of Bishop of Derry and her daughter Elizabeth (1909) a Edward Williams Byron Nicholson (1849–1912) (1927) jsou dalšími dvěma díly, která svět zná nejlépe. Z 23 děl umělce Dorofield Hardy v našem katalogu uvádíme 22 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Dorofield Hardy
Dorofield Hardy · 1853 – 1937
Narození · úmrtí
1853 – 1937
Díla v našem katalogu
23
Nejslavnější
Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900)
Nejvíce děl v muzeích
Ickworth

Top 10: nejznámější obrazy autora Dorofield Hardy

Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900) od Dorofield Hardy
1

Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman)

1900 · Oil On Canvas

This portrait, executed in 1900 by Dorofield Hardy, functions as a meticulous reproduction after the earlier work of John Downman. It captures Mary Curzon, Lady Stawell, and her daughter, Mary Legge, positioned within a pastoral field. A white horse occupies the center of the composition, acting as a focal point that anchors the figures to the natural environment. The arrangement of the subjects suggests a quiet, structured social order, reinforced…

Ručně malovaná olejná reprodukce od $181 35 × 28 cm Velikost jako originál $242 61 × 49 cm Objednat v originální velikosti →
Elizabeth, wife of Bishop of Derry and her daughter Elizabeth (1909) od Dorofield Hardy
2

Elizabeth, wife of Bishop of Derry and her daughter Elizabeth

1909 · Black and White Photography · Ickworth, Suffolk County

The portrait titled Elizabeth, wife of Bishop of Derry and her daughter Elizabeth is a work by Dorofield Hardy. This artist, born in the United Kingdom in 1853, spent his life observing the quiet textures of domestic life. His brush captured the stillness of a specific era, focusing on the intimate connections within a household. He remained active in his craft until his death in 1937.

Ručně malovaná olejná reprodukce od $181 38 × 26 cm Velikost jako originál $542 127 × 102 cm Objednat v originální velikosti →
Edward Williams Byron Nicholson (1849–1912) (1927) od Dorofield Hardy
3

Edward Williams Byron Nicholson (1849–1912)

1927 · Oil On Canvas · Bodleian Libraries, Oxford

In this portrait, we encounter a man who carries the weight of his intellect in his very posture. The subject, Edward Williams Byron Nicholson, is presented with a quiet authority that suggests a life spent among the archives and the hushed corridors of learning. He is positioned centrally, his form dominating the frame in a way that feels both grounded and dignified. The lighting is soft, diffusing across the contours…

Ručně malovaná olejná reprodukce od $181 28 × 36 cm Velikost jako originál $360 71 × 97 cm Objednat v originální velikosti →

Zbytek žebříčku Dorofield Hardy, od 11 do 22

Témata, která Dorofield Hardy maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Dorofield Hardy

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Dorofield Hardy Obrazy z tohoto seznamu
Ickworth, Suffolk CountyIckworth Suffolk County 2 Elizabeth, wife of Bishop of Derry and her daughter Elizabeth, Elizabeth Davers (1730–1800), Countess of Bristol, and Her Daughter Lady Louisa Theodosia Hervey (1770–1821), Later Countess of Liverpool (after Antonio de Bittio)
Government Art Collection, LondýnGovernment Art Collection Londýn 2 Robert Cecil, 3rd Marquess of Salisbury (1830–1903), Prime Minister (copy of George Richmond), Queen Victoria (1819–1901) (copy of Heinrich von Angeli)
Bodleian Libraries, OxfordBodleian Libraries Oxford 1 Edward Williams Byron Nicholson (1849–1912)
National Trust, GuildfordNational Trust Guildford 1 Lady Gwendolen (Florence Mary) Onslow (1881–1966), Countess of Iveagh
The Royal College of Surgeons of Edinburgh, EdinburghThe Royal College of Surgeons of Edinburgh Edinburgh 1 Joseph Lister (1827–1912), FRCSEd (1855) (after Walter William Ouless)
National Trust, NewtownardsNational Trust Newtownards 1 Hans Willem Bentinck (1649–1709), 1st Earl of Portland (after Hyacinthe Rigaud)
Chelsea And Westminster Hospital, LondonChelsea And Westminster Hospital London 1 Nottidge Charles MacNamara (1832–1918), FRCS
Royal College of Veterinary Surgeons, LondonRoyal College of Veterinary Surgeons London 1 Major General Sir Frederick Smith

Dorofield Hardy v průběhu desetiletí: jeden unikátní dílo pro každé období

  1. 1900s
  2. 1910s
  3. 1920s
    Edward Williams Byron Nicholson (1849–1912) (1927) od Dorofield Hardy
    Pořadí 3 z 22

    Edward Williams Byron Nicholson (1849–1912)

    Věk 67 – 76 · Bodleian Libraries

    In this portrait, we encounter a man who carries the weight of his intellect in his very posture. The subject, Edward Williams Byron Nicholson, is presented with a…

  4. 1930s

Obrazy umělce Dorofield Hardy: nejčastější dotazy

Který obraz má nejznámější Dorofield Hardy?Zobrazit odpověď

Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900). Následují Elizabeth, wife of Bishop of Derry and her daughter Elizabeth (1909) a Edward Williams Byron Nicholson (1849–1912) (1927).

V jakém věku namaloval(a) Dorofield Hardy dílo Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman)?Zobrazit odpověď

47 let: dílo Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) pochází z roku 1900 a Dorofield Hardy se narodil/a v roce 1853.

Kterých 10 nejslavnějších obrazů má Dorofield Hardy?Zobrazit odpověď

Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman), Elizabeth, wife of Bishop of Derry and her daughter Elizabeth, Edward Williams Byron Nicholson (1849–1912), Mary Curzon, Lady Stawell (1760 -1804) and Daughter, Mary Legge (1780- 1864), later Wife of John, 2nd Lord Sherborne (1779 - 1862) (after John Downman), Lady Gwendolen (Florence Mary) Onslow (1881–1966), Countess of Iveagh, Joseph Lister (1827–1912), FRCSEd (1855) (after Walter William Ouless), Called 'Cecil Matthews, Mrs Talbot', but Probably 'Mary de Cardonnel, Lady Talbot (c.1719–1787)', The Ballroom, Londonderry House, 1912 (copy of John Lavery), Elizabeth Davers (1730–1800), Countess of Bristol, and Her Daughter Lady Louisa Theodosia Hervey (1770–1821), Later Countess of Liverpool (after Antonio de Bittio) a The Honourable Elizabeth Hervey (c.1610 1620–1700), The Honourable Mrs John Hervey (after Anthony van Dyck). Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik obrazů má Dorofield Hardy?Zobrazit odpověď

Náš katalog obsahuje 23 děl autora Dorofield Hardy z let 1900 až 1934.

Kde mohu vidět nejznámější obrazy autora Dorofield Hardy?Zobrazit odpověď

Většina z nich se nachází v Ickworth (Suffolk County), Government Art Collection (Londýn) a Bodleian Libraries (Oxford). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

V jakém období vytvořil/a Dorofield Hardy svá nejznámější díla?Zobrazit odpověď

V období 1900s: 6 z 22 děl na této stránce pochází z tohoto období, z nich Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman).

Který je nejstarší a který nejnovější slavný obraz autora Dorofield Hardy?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Mary Curzon (1760–1804), Lady Stawell and Her Daughter, Mary Legge (1780–1864) (copy after John Downman) (1900), nejnovější z Alderman P. M. Bright, Mayor of Bournemouth (1927–1931) (1934).

Na čem a jakými prostředky mal Dorofield Hardy?Zobrazit odpověď

Oil On Canvas: 2 z 22 děl na této stránce.

Jaká díla Dorofield Hardy má v obsluze Ickworth?Zobrazit odpověď

Elizabeth, wife of Bishop of Derry and her daughter Elizabeth a Elizabeth Davers (1730–1800), Countess of Bristol, and Her Daughter Lady Louisa Theodosia Hervey (1770–1821), Later Countess of Liverpool (after Antonio de Bittio) patří mezi 2 děl na této stránce, která má v zastarání Ickworth, Suffolk County.

Kde si mohu koupit reprodukci Dorofield Hardy?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Dorofield Hardy: biografie

A Chronicler of Victorian Domesticity: The Life and Art of Dorofield Hardy

Frederick Daniel Hardy, known professionally as Dorofield Hardy, occupies a unique and charming niche in the pantheon of 19th-century British genre painters. Born in London in 1853, his life unfolded against the backdrop of a rapidly changing society – a Victorian era steeped in sentimentality, moralizing narratives, and an increasing fascination with everyday life. While not achieving the widespread renown of some of his contemporaries, Hardy’s work offers a particularly poignant glimpse into the interiors and intimacies of middle-class homes, capturing fleeting moments of domesticity with remarkable skill and warmth. His paintings weren't grand historical statements; they were quiet observations, imbued with a gentle humor and an affectionate understanding of human relationships.

Early Influences and Artistic Development

Hardy’s artistic journey began with formal training at the South Kensington Art School, then a leading institution fostering a revival in British painting focused on meticulous detail and realistic representation. This academic foundation is readily apparent in his early works, which demonstrate a proficiency in capturing textures, light, and form. However, Hardy quickly diverged from purely academic styles, drawn instead to the burgeoning genre tradition popularized by artists like William Powell Frith and Luke Fildes. These painters elevated scenes of ordinary life to the level of high art, and Hardy embraced this approach wholeheartedly. He wasn’t interested in depicting idealized beauty or heroic deeds; he sought to portray the realities – and often the small joys – of Victorian family life. His early subjects frequently featured children engaged in playful activities, reflecting a broader cultural fascination with childhood innocence during the period. The influence of Dutch Golden Age painting is also discernible in his careful attention to interior details and atmospheric lighting, echoing the works of masters like Johannes Vermeer and Pieter de Hooch.

The Cranbrook Colony and a Distinctive Style

A pivotal moment in Hardy’s career came with his involvement in the Cranbrook Colony, established by Sir Walter Besant in 1884. This unique artistic community aimed to provide opportunities for artists to live and work rurally, fostering a sense of collaboration and shared inspiration. The colony's setting in Kent proved particularly conducive to Hardy’s evolving style. He found ample subject matter in the surrounding countryside and the lives of local families. It was during this period that his paintings began to develop their distinctive character – characterized by a warm palette, meticulous detail, and a narrative quality that often hinted at underlying stories. His depictions of children became increasingly central, not merely as subjects but as active participants in scenes brimming with life and energy. Hardy’s ability to capture the fleeting expressions and gestures of his young models is particularly noteworthy, lending an authenticity and immediacy to his work.

Major Themes and Iconic Works

Hardy's oeuvre consistently revolves around themes of family, childhood, and domesticity. He masterfully depicted scenes of everyday life – children playing games, families gathered for meals, quiet moments of reading or conversation. “The Sweep”, perhaps his most recognizable work, exemplifies these characteristics. The painting portrays a young chimney sweep boy momentarily pausing during his arduous task, captivated by the antics of a playful kitten. It’s a scene that simultaneously acknowledges the harsh realities of Victorian child labor and celebrates the resilience and innocence of youth. Other notable works include depictions of children engaged in various domestic activities – making mischief in the kitchen, tending to pets, or simply enjoying each other's company. These paintings are not merely sentimental portrayals; they offer a nuanced commentary on Victorian social dynamics and the changing roles of women and children. Hardy’s skill lay in his ability to imbue these scenes with a sense of warmth, humor, and genuine affection.

Legacy and Historical Significance

While Dorofield Hardy may not be as widely celebrated as some of his more famous contemporaries, his work remains significant for its insightful portrayal of Victorian life. He captured a specific moment in time – a period characterized by both progress and social inequality – with remarkable sensitivity and skill. His paintings offer a valuable glimpse into the interiors and intimacies of middle-class homes, revealing the values, aspirations, and everyday realities of Victorian families.
  • His meticulous attention to detail provides a rich visual record of Victorian material culture.
  • His sympathetic depictions of children challenge conventional representations of childhood during the period.
  • His work continues to resonate with audiences today, offering a nostalgic and evocative glimpse into a bygone era.
Hardy’s legacy lies in his ability to elevate the ordinary to the level of art, reminding us that beauty and meaning can be found in the simplest moments of everyday life. He was a chronicler of Victorian domesticity, and his paintings continue to offer a poignant and enduring testament to the lives and experiences of those who lived during this fascinating period.