Christopher Steele, 1733 – 1767

5 nejznámějších obrazů autora Christopher Steele

Obrazem, díky němuž se Christopher Steele stal slavným, je Elin Machell of Aynsome Manor (1755); visí v Abbot Hall Art Gallery v místě Kendal. Thomas Machell of Aynsome Manor (1755) a Thomas Holme, Mayor of Kendal (1741–1742 1755–1756) následují v srdcích sběratelů i návštěvníků muzeí. Z 5 děl umělce Christopher Steele v našem katalogu je těchto 5 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Christopher Steele
Christopher Steele · 1733 – 1767
Narození · úmrtí
1733 – 1767
Díla v našem katalogu
5
Nejslavnější
Elin Machell of Aynsome Manor (1755)
Nejvíce děl v muzeích
Abbot Hall Art Gallery

Christopher Steele: deset mistrovských děl

Elin Machell of Aynsome Manor (1755) od Christopher Steele
1

Elin Machell of Aynsome Manor

1755 · Oil On Canvas · Abbot Hall Art Gallery, Kendal

In Elin Machell of Aynsome Manor, Christopher Steele presents a formal portrait of a woman rendered in the tradition of 18th-century portraiture. The subject is positioned in a three-quarter pose, centered within the frame to emphasize her presence. She holds a single red rose, a symbolic element traditionally associated with beauty and love, which provides a singular point of color against her attire. Her expression is one of quiet dignity,…

Ručně malovaná olejná reprodukce od $181 29 × 35 cm Velikost jako originál $297 64 × 75 cm Objednat v originální velikosti →
Thomas Machell of Aynsome Manor (1755) od Christopher Steele
2

Thomas Machell of Aynsome Manor

1755 · Oil On Canvas · Abbot Hall Art Gallery, Kendal

A portrait of a man from the mid-18th century, this work captures a subject of significant social standing through the precise rendering of his attire and bearing. He is dressed in a dark coat with a high collar, paired with a white shirt featuring a ruffled collar, typical of the fashion around 1755. His gaze is direct, meeting the viewer with a neutral, contemplative expression that suggests a man of…

Ručně malovaná olejná reprodukce od $181 29 × 35 cm Velikost jako originál $301 65 × 76 cm Objednat v originální velikosti →

Témata, která Christopher Steele maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Christopher Steele

2 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Christopher Steele Obrazy z tohoto seznamu
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 Elin Machell of Aynsome Manor, Thomas Machell of Aynsome Manor, Portrait of a Young Girl of the Machell Family of Aynsome Manor, Cartmel, Feeding Poultry
Kendal Town Hall, KendalKendal Town Hall Kendal 2 Thomas Holme, Mayor of Kendal (1741–1742 1755–1756), Hugh Holme, Deputy Recorder of Kendal

Christopher Steele, rok po roce: zásadní díla

Každé datované dílo mistra Christopher Steele na této stránce pochází z roku 1755: zde jsou.

  1. 1755
    Elin Machell of Aynsome Manor (1755) od Christopher Steele
    Pořadí 1 z 5

    Elin Machell of Aynsome Manor

    Věk 22 let · Abbot Hall Art Gallery

    In Elin Machell of Aynsome Manor, Christopher Steele presents a formal portrait of a woman rendered in the tradition of 18th-century portraiture. The subject is positioned in a…

  2. 1755
    Thomas Machell of Aynsome Manor (1755) od Christopher Steele
    2 z 5

    Thomas Machell of Aynsome Manor

    Věk 22 let · Abbot Hall Art Gallery

    A portrait of a man from the mid-18th century, this work captures a subject of significant social standing through the precise rendering of his attire and bearing. He…

Díla mistrovská umělce Christopher Steele: otázky a odpovědi

Kterým obrazem je Christopher Steele nejznámější?Zobrazit odpověď

Elin Machell of Aynsome Manor (1755), Abbot Hall Art Gallery, Kendal. Následují Thomas Machell of Aynsome Manor (1755) a Thomas Holme, Mayor of Kendal (1741–1742 1755–1756).

Kolik let bylo Christopher Steele, když maloval/a Elin Machell of Aynsome Manor?Zobrazit odpověď

22 let: dílo Elin Machell of Aynsome Manor pochází z roku 1755 a Christopher Steele se narodil/a v roce 1733.

Kolik děl namaloval/a Christopher Steele?Zobrazit odpověď

Náš katalog obsahuje 5 děl autora Christopher Steele.

V kterých muzeích mohu vidět díla mistrovská umělce Christopher Steele?Zobrazit odpověď

Většina z nich se nachází v Abbot Hall Art Gallery (Kendal) a Kendal Town Hall (Kendal). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Christopher Steele namaloval svá díla?Zobrazit odpověď

V období 1755: 2 z 5 děl na této stránce pochází z tohoto období, z nich Elin Machell of Aynsome Manor.

Jakými tématy se Christopher Steele nejčastěji zabýval/a?Zobrazit odpověď

Portrait (3) a 18th century (2), z celkových 5 děl na této stránce.

Kterou techniku Christopher Steele upřednostňoval/a?Zobrazit odpověď

Oil On Canvas: 2 z 5 děl na této stránce.

Která díla od Christopher Steele jsou vystavena v Abbot Hall Art Gallery?Zobrazit odpověď

Elin Machell of Aynsome Manor, Thomas Machell of Aynsome Manor a Portrait of a Young Girl of the Machell Family of Aynsome Manor, Cartmel, Feeding Poultry patří mezi 3 děl na této stránce, která má v zastarání Abbot Hall Art Gallery, Kendal.

Mohu vlastnit reprodukci díla mistra Christopher Steele?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Život umělce Christopher Steele

Christopher Steele: A Portraitist Caught in the Crosscurrents of Power

The name Christopher Steele might not be instantly familiar to the general public, yet within the hallowed halls of British art and intelligence circles, he represents a fascinating and somewhat enigmatic figure. Born in Aden, Yemen, in 1964 – a heritage that profoundly shaped his worldview – Steele’s artistic journey was inextricably linked with a clandestine career as an MI6 officer, creating a unique intersection between meticulous observation, subtle manipulation, and the creation of strikingly intimate portraits. His life story is not simply one of an artist; it's a chronicle of shifting identities, international intrigue, and a persistent pursuit of capturing the essence of his subjects – both on canvas and in the shadows.

Steele’s early years were marked by constant relocation, reflecting the diplomatic career of his parents. He spent his formative years in Aden, Cyprus, and Shetland Islands, absorbing diverse cultural influences that would later inform his artistic style. His formal education at Wellington College provided a solid foundation, but it was during his time at Cambridge University that he truly discovered his passion for art, initially drawn to the study of social sciences before gravitating towards portraiture. This nascent interest coincided with his recruitment by MI6 in 1987, launching him into a world of covert operations and strategic intelligence gathering.

Steele’s career within MI6 was characterized by a remarkable adaptability and a deep understanding of Russian culture – honed during his posting in Moscow from 1990 to 1993. He quickly rose through the ranks, becoming head of the Russia Desk between 2006 and 2009, a period coinciding with heightened tensions between Britain and Russia. It was during this time that he began to develop his distinctive artistic style – a refined blend of naturalism and psychological insight, often described as “academic” yet imbued with an arresting immediacy. His portraits weren’t merely likenesses; they were carefully constructed narratives, revealing the inner lives and vulnerabilities of his subjects.

Steele's early work focused on capturing the dignity and quiet strength of British figures – politicians, diplomats, and members of the aristocracy. He possessed a remarkable ability to discern character through subtle gestures and fleeting expressions, translating these observations into meticulously rendered paintings. His portraits of Giles Moore, a prominent barrister, exemplify this talent perfectly; the painting captures not just Moore’s physical appearance but also his intellectual intensity and contemplative nature. A key influence on Steele's work was undoubtedly George Romney, a celebrated 18th-century portraitist known for his ability to portray subjects with remarkable realism and psychological depth. Steele clearly admired Romney’s technical skill and his commitment to capturing the essence of his sitters.

However, it is perhaps in the latter half of the 20th century that Steele's career took a dramatic turn. His involvement with MI6 brought him into contact with figures at the heart of international power struggles, including Alexander Litvinenko, the Russian intelligence officer poisoned in London in 2006. This experience undoubtedly shaped his perspective and informed his artistic approach, adding a layer of complexity and perhaps even a degree of cynicism to his work. The meticulous detail he applied to his portraits – the precise rendering of fabrics, the subtle nuances of expression – reflected not only his artistic skill but also his ingrained understanding of observation and deception.

In 2009, Steele transitioned from espionage to private intelligence, co-founding Orbis Business Intelligence. It was during this period that he became embroiled in a controversy surrounding the “Steele dossier,” a collection of allegations about Donald Trump’s connections to Russia – an investigation that ultimately cast a long shadow over his reputation. While the veracity of some of the dossier's claims remains disputed, Steele’s involvement highlighted the blurred lines between art, intelligence, and political manipulation. Despite this controversy, Steele continued to paint, producing a significant body of work that stands as a testament to his artistic talent and his complex life story. His portraits remain powerful reminders of the human condition – capturing not just appearances but also the hidden depths of character and the enduring power of observation.

Key Works & Artistic Style

  • Giles Moore in his study reading the Iliad, c.1758:
  • A quintessential example of Steele’s ability to capture intellectual intensity and contemplative nature through subtle details and psychological insight. The painting is notable for its realistic depiction of the interior setting and Moore's thoughtful expression.
  • Portrait of a Gentleman (undated): Demonstrates Steele’s mastery of capturing the dignity and quiet strength of his subjects, showcasing his technical skill and attention to detail.
  • Thomas Machell of Aynsome Manor: A significant work that highlights Steele's connection to another influential portraitist, Thomas Machell, reflecting a shared artistic lineage and approach.

Historical Context & Influences

Steele’s career unfolded during a period of profound geopolitical change – the end of the Cold War, the rise of globalization, and the increasing interconnectedness of nations. His experiences within MI6 exposed him to the complexities of international relations and the ever-present threat of espionage. His artistic style was influenced by a range of sources, including George Romney’s naturalism, the academic tradition of British portraiture, and his own observations of human behavior honed during his years in intelligence.

Legacy & Significance

Christopher Steele's legacy is complex and multifaceted. While his involvement with the Steele dossier remains a subject of controversy, his artistic talent is undeniable. His portraits offer a unique window into the lives and minds of his subjects – revealing not just appearances but also the hidden depths of character and the enduring power of observation. He represents a rare convergence of art and intelligence, a testament to the ability of one individual to navigate the treacherous currents of both worlds.