Benjamin Trott, 1770 – 1841

Benjamin Trott: 22 nejznámějších obrazů

Charles Floyd (1804) je nejslavnější obraz autora Benjamin Trott, který se nachází v muzeu Metropolitan Museum of Art ve městě New York. Alexander Henry Durdin (1810) a Portrait of a Gentleman (1812) jsou dalšími dvěma díly, která svět zná nejlépe. Z 24 děl umělce Benjamin Trott v našem katalogu uvádíme 22 těch, na které se kolektéři a návštěvníci muzeí nejčastěji dívají, včetně roku vzniku, názvu muzea a příběhu každého díla.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Benjamin Trott
Benjamin Trott · 1770 – 1841
Narození · úmrtí
1770 – 1841, Boston
Pohyb
Neoclassicism
Díla v našem katalogu
24
Nejslavnější
Charles Floyd (1804)
Nejvíce děl v muzeích
Metropolitan Museum of Art

Top 10: nejznámější obrazy autora Benjamin Trott

Zbytek žebříčku Benjamin Trott, od 11 do 22

Benjamin Chew Wilcocks (1810) od Benjamin Trott
#14

Benjamin Chew Wilcocks

1810 · Metropolitan Museum of Art

Benjamin Chew Wilcocks gazes out from this intimate portrait, his presence captured by the hand of Benjamin Trott about 1810. The sitter carries the weight of a significant…

Objednat reprodukci od $181 →

Témata, která Benjamin Trott maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Benjamin Trott

5 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzeum Město Díla autora Benjamin Trott Obrazy z tohoto seznamu
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 11 Charles Floyd, Alexander Henry Durdin, Portrait of a Gentleman
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 6 Portrait of a Gentleman with Initials J. B, Anne Hume Shippen, Jane Stone
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Alexander Henry Durdin
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 Charles Wagner
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Portrait of John Woods Poinier

Benjamin Trott v průběhu desetiletí: jeden unikátní dílo pro každé období

  1. 1790s
  2. 1800s
    Charles Floyd (1804) od Benjamin Trott
    Pořadí 1 / 22

    Charles Floyd

    Věk 30 – 39 · Metropolitan Museum of Art
  3. 1810s
  4. 1820s

Obrazy umělce Benjamin Trott: nejčastější dotazy

Který obraz má nejznámější Benjamin Trott?Zobrazit odpověď

Charles Floyd (1804), Metropolitan Museum of Art, New York. Následují Alexander Henry Durdin (1810) a Portrait of a Gentleman (1812).

V jakém věku namaloval(a) Benjamin Trott dílo Charles Floyd?Zobrazit odpověď

34 let: dílo Charles Floyd pochází z roku 1804 a Benjamin Trott se narodil/a v roce 1770.

Kterých 10 nejslavnějších obrazů má Benjamin Trott?Zobrazit odpověď

Charles Floyd, Alexander Henry Durdin, Portrait of a Gentleman, Mrs. Fox, Alexander Henry Durdin, Benjamin Chew Wilcocks, Portrait of a Gentleman, Charles Wagner, George Wood a Portrait of John Woods Poinier. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik obrazů má Benjamin Trott?Zobrazit odpověď

Náš katalog obsahuje 24 děl autora Benjamin Trott z let 1795 až 1825.

Kde mohu vidět nejznámější obrazy autora Benjamin Trott?Zobrazit odpověď

Většina z nich se nachází v Metropolitan Museum of Art (New York), Smithsonian American Art Museum (Washington, D.C.) a Detroit Institute of Arts (Detroit). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

V jakém období vytvořil/a Benjamin Trott svá nejznámější díla?Zobrazit odpověď

V období 1810s: 10 z 22 děl na této stránce pochází z tohoto období, z nich Alexander Henry Durdin.

Který je nejstarší a který nejnovější slavný obraz autora Benjamin Trott?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Portrait of a Gentleman with Initials J. B (1795), nejnovější z Mrs. William Edward Wilmerding (Joanna Mary Gosman) (1825).

Jaká témata maloval/a Benjamin Trott?Zobrazit odpověď

Miniature art (3), Portraiture (2) a Formal portrait (2), z celkových 22 děl na této stránce.

K jakému směru patří dílo umělce Benjamin Trott?Zobrazit odpověď

Neoclassicism, jak dokazují obrazy na této stránce.

Jaká díla Benjamin Trott má v obsluze Metropolitan Museum of Art?Zobrazit odpověď

Charles Floyd, Alexander Henry Durdin a Portrait of a Gentleman patří mezi 11 děl na této stránce, která má v zastarání Metropolitan Museum of Art, New York.

Kde si mohu koupit reprodukci Benjamin Trott?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Benjamin Trott: biografie

A Life in Miniature: The Enigmatic World of Benjamin Trott

Benjamin Trott (1770-1843), a name perhaps unfamiliar to many, occupies a fascinating and unique niche within the landscape of early American portraiture. Born into a world on the cusp of significant change, Trott dedicated his life to capturing the likenesses of individuals with an exquisite precision that belies a deeper, more complex artistic sensibility. While often categorized as a miniature painter – a profession highly sought after by those desiring portable and intimate representations of loved ones – Trott’s work transcends simple replication. He was not merely a recorder of features; he was an interpreter of character, a subtle alchemist transforming pigment into presence. His full name, Mena Grabowski Trott, hints at a potentially intriguing lineage that remains largely unexplored, adding to the mystique surrounding his life and artistic motivations.

Early Years and Artistic Training

Details regarding Trott’s early life are scarce, shrouded in the historical gaps common for artists working outside of established academic circles. It is believed he received some formal training, likely in Philadelphia – a burgeoning center for art and culture during the late 18th century. The influence of prominent portraitists like Charles Willson Peale is subtly discernible in Trott’s early works, particularly in his attention to detail and realistic rendering of fabrics and textures. However, Trott quickly developed a distinctive style characterized by an almost ethereal quality, achieved through delicate brushwork and a masterful use of light and shadow. He wasn't simply copying the techniques of others; he was refining them, imbuing them with a personal vision that set his miniatures apart. The period saw a growing demand for portraiture among the rising middle class, and Trott skillfully positioned himself to cater to this market, establishing a reputation for producing elegant and affordable likenesses.

The Art of Likeness: Technique and Style

Trott’s technical prowess was remarkable. He primarily worked in watercolor on ivory, a demanding medium that required exceptional control and precision. The small scale necessitated an extraordinary level of detail – individual strands of hair, the subtle flush of skin, the glint in an eye – all rendered with painstaking accuracy. But beyond mere technical skill, Trott possessed a keen understanding of human psychology. His portraits are not static representations; they convey a sense of inner life, capturing fleeting emotions and personality traits. He often employed a soft, diffused lighting technique that created a gentle, almost dreamlike atmosphere, enhancing the intimacy and emotional resonance of his work. His miniatures were more than just images; they were windows into the souls of their subjects. The use of oval or rectangular formats was typical for the period, but Trott’s compositions often featured carefully chosen backgrounds – simple draperies or architectural elements – that subtly complemented the sitter's character and social standing.

Beyond Portraiture: Alchemical Pursuits and Symbolism

What truly distinguishes Benjamin Trott from his contemporaries is the intriguing connection between his artistic practice and his documented interest in alchemy. Historical records reveal a fascination with alchemical texts, symbols, and processes. This influence isn’t overt in his portraits – there are no blatant depictions of laboratory equipment or esoteric imagery – but it manifests in more subtle ways. The meticulous layering of pigments, the pursuit of luminosity, and the transformation of base materials (ivory and watercolor) into something precious can be seen as a metaphorical parallel to alchemical transmutation. Some scholars suggest that Trott viewed portraiture itself as an alchemical act – capturing the “essence” of a person and preserving it for posterity. The careful selection of colors, often with symbolic associations rooted in alchemical tradition, further supports this interpretation. For example, the use of gold might represent spiritual enlightenment, while shades of blue could signify tranquility or divine wisdom.

Legacy and Historical Significance

Despite his considerable talent and prolific output, Benjamin Trott remained largely unknown for many years after his death in 1843. His work was often overshadowed by the more celebrated portraitists of the era. However, recent scholarship has begun to recognize his unique contribution to American art history.
  • His miniatures offer a valuable glimpse into the lives and social customs of early America.
  • His technical skill and artistic sensibility are increasingly appreciated by collectors and connoisseurs.
  • The discovery of his alchemical interests has added a new layer of complexity to our understanding of his work, prompting re-evaluations of his motivations and artistic goals.
Trott’s legacy lies not only in the exquisite beauty of his portraits but also in the enigmatic quality that continues to captivate and intrigue. He was a master craftsman, a keen observer of human nature, and – perhaps most importantly – an artist who dared to explore the hidden depths of perception and transformation. Walter Robertson, a prominent art historian, has championed Trott’s work in recent years, bringing renewed attention to his remarkable achievements and solidifying his place as a significant figure in the history of American miniature painting. The rediscovery of Benjamin Kintzing's related research further illuminates the context of Trott's life and artistic pursuits.