Adèle Romany, 1769 – 1846

37 nejznámějších obrazů autora Adèle Romany

Obrazem, díky němuž se Adèle Romany stal slavným, je Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); visí v National Museum of Women in the Arts v místě Washington, D.C.. Madame Coury, Duhamel Widow (1811) a Portrait of a Young Woman (1804) následují v srdcích sběratelů i návštěvníků muzeí. Z 39 děl umělce Adèle Romany v našem katalogu je těchto 37 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.

Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každé dílo na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru.

Portrét Adèle Romany
Adèle Romany · 1769 – 1846
Narozen · zemřel
1769 – 1846, Paris
Směr
Neoclassicism
Díla v našem katalogu
39
Nejslavnější
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
Nejvíce děl v
Library-museum of the Comédie-Française

Adèle Romany: deset mistrovských děl

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) od Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Ručně malovaná olejná reprodukce od $181 27 × 36 cm Velikost jako originál $525 97 × 128 cm Objednat v originální velikosti →
Madame Coury, Duhamel Widow (1811) od Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Ručně malovaná olejná reprodukce od $181 28 × 36 cm Velikost jako originál $470 90 × 117 cm Objednat v originální velikosti →
Portrait of a Young Woman (1804) od Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Paříž

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Ručně malovaná olejná reprodukce od $181 29 × 35 cm Velikost jako originál $245 51 × 61 cm Objednat v originální velikosti →

Více děl mistrů Adèle Romany, od 11 do 37

Témata, která Adèle Romany maloval nejčastěji

Čtyři témata, která se v těchto dílech objevují nejčastěji, spolu s nejlepším příkladem každého z nich.

Kde vidět obrazy autora Adèle Romany

8 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

Muzea Město Díla autora Adèle Romany Obrazy z tohoto seznamu
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Muzeum umění v Bostonu, BostonMuzeum umění v Bostonu Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, PařížMusée Marmottan Monet Paříž 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, PařížMusée Jacquemart-André Paříž 1 Portrait of a woman

Adèle Romany, dekáda po dekádě: klíčové dílo každého období

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) od Adèle Romany
    3 z 37

    Portrait of a Young Woman

    Věk 31 – 40 · Musée Marmottan Monet

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) od Adèle Romany
    2 z 37

    Madame Coury, Duhamel Widow

    Věk 41 – 50 · Nationalmuseum

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s

Díla mistrovská umělce Adèle Romany: otázky a odpovědi

Kterým obrazem je Adèle Romany nejznámější?Zobrazit odpověď

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Následují Madame Coury, Duhamel Widow (1811) a Portrait of a Young Woman (1804).

Kolik let bylo Adèle Romany, když maloval/a Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Zobrazit odpověď

26 let: dílo Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou pochází z roku 1795 a Adèle Romany se narodil/a v roce 1769.

Jakých deset nejvýznamnějších obrazů má Adèle Romany?Zobrazit odpověď

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois a A young person hesitating to play the piano in front of her family. Výše uvedené pořadí uvádí rok a muzeum každého díla.

Kolik děl namaloval/a Adèle Romany?Zobrazit odpověď

Náš katalog obsahuje 39 děl autora Adèle Romany z let 1791 až 1836.

V kterých muzeích mohu vidět díla mistrovská umělce Adèle Romany?Zobrazit odpověď

Většina z nich se nachází v Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) a Muzeum umění v Bostonu (Boston). V tabulce výše jsou jednotlivé muzea uvedeny postupně.

Kdy Adèle Romany namaloval svá díla?Zobrazit odpověď

V období 1800s: 13 z 37 děl na této stránce pochází z tohoto období, z nich Portrait of a Young Woman.

Jaká jsou první a poslední slavná díla umělce Adèle Romany?Zobrazit odpověď

Nejstarší dílo na této stránce pochází z Portrait of Julie Candeille (1791), nejnovější z Portrait of Voltaire (1836).

Kterou techniku Adèle Romany upřednostňoval/a?Zobrazit odpověď

Oil On Canvas: 2 z 37 děl na této stránce.

K jakému uměleckému směru patří Adèle Romany?Zobrazit odpověď

Neoclassicism, jak dokazují obrazy na této stránce.

Která díla od Adèle Romany jsou vystavena v Library-museum of the Comédie-Française?Zobrazit odpověď

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine a Portrait of Fleury patří mezi 5 děl na této stránce, která má v zastarání Library-museum of the Comédie-Française, Paris.

Mohu vlastnit reprodukci díla mistra Adèle Romany?Zobrazit odpověď

Ano. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci v muzeální kvalitě nebo jako umělecký tisk v požadovaném rozměru přímo z jeho vlastní stránky.

Život umělce Adèle Romany

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.