Obrazem, díky němuž se Adam Pendleton stal slavným, je History (Lab 1964 Grey) (2005); visí v Carnegie Museum of Art v místě Pittsburgh. Z 1 děl umělce Adam Pendleton v našem katalogu je těchto 1 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Adam Pendleton | Obrazy z tohoto seznamu |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Každé datované dílo mistra Adam Pendleton na této stránce pochází z roku 2005: zde jsou.
History (Lab 1964 Grey) (2005)
21 let: dílo History (Lab 1964 Grey) pochází z roku 2005 a Adam Pendleton se narodil/a v roce 1984.
Náš katalog obsahuje 1 děl autora Adam Pendleton.
Většina z nich se nachází v Carnegie Museum of Art (Pittsburgh). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: