Obrazem, díky němuž se A. Patrick stal slavným, je Mrs. Benajah Johnson (1830); visí v Smithsonian American Art Museum v místě Washington, D.C.. Z 2 děl umělce A. Patrick v našem katalogu je těchto 2 nejoblíbenějších, z nichž každé je uvedeno s datem vzniku, muzeem a unikátními rysy.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026.
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora A. Patrick | Obrazy z tohoto seznamu |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Každé datované dílo mistra A. Patrick na této stránce pochází z roku 1830: zde jsou.
Mrs. Benajah Johnson (1830)
Náš katalog obsahuje 2 děl autora A. Patrick.
Většina z nich se nachází v Smithsonian American Art Museum (Washington, D.C.). V tabulce výše jsou jednotlivé muzea uvedeny postupně.
V období 1830: 2 z 2 děl na této stránce pochází z tohoto období, z nich Mrs. Benajah Johnson.
Mrs. Benajah Johnson a Benajah Johnson patří mezi 2 děl na této stránce, která má v zastarání Smithsonian American Art Museum, Washington, D.C..
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.