Formát papíru

Průvodce studentskou tvorbou

Peonies

Jméno Ročník Datum

yamaguchi kayō, Peonies (1977). Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
yamaguchi kayō wahooart.com/cs/artists/yamaguchi-kayo/
Datum vzniku díla
1899 – 1984
Malováno
1977
Původní rozměry
54 x 66 cm

V kontextu

Peonies — yamaguchi kayō

Jak velký je?

Původní rozměry jsou 54 × 66 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Shaded: životopis yamaguchi kayō (1899–1984) ▲ toto dílo, 1977

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Rosy Brown #93a59b

    Uložená paleta

    • #93A59B
    • #A8A074
    • #D7D3CD
    • #872E3B
    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Rosy Brown
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Serene Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Discordant Palette Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Umělec

    yamaguchi kayō

    Narozen v Kyoto, Japan

    A Life Immersed in Nature: The World of Yamaguchi Kayō

    Yamaguchi Kayō, born Yonejiro Yamaguchi on October 3rd, 1899, in the historic Nakagyo ward of Kyoto, Japan, dedicated his life to capturing the delicate beauty and harmonious essence of the natural world through the refined art of Nihonga. His journey began not with formal instruction but with a childhood fascination for animals—a passion that would become the defining characteristic of his artistic career. Growing up in Kyoto, a city steeped in tradition and aesthetic sensibility, Kayō was surrounded by an environment that profoundly shaped his artistic vision. The temples, gardens, and seasonal festivals instilled within him a deep appreciation for classical Japanese aesthetics, laying the foundation for his future exploration of Nihonga painting.

    Apprenticeship and Early Development

    In 1912, at the young age of thirteen, Kayō embarked on his formal artistic training as a pupil of Goun Nishimura, a respected master of traditional Japanese painting techniques. This apprenticeship proved pivotal in shaping Kayō’s understanding of Nihonga—a style that emphasizes native Japanese materials and methods, often incorporating elements of Western realism while maintaining a distinctly Japanese sensibility. He entered the Kyoto City Specialist School of Painting in 1916, further honing his skills and developing his unique approach to representation. Kayō quickly distinguished himself, earning first prize at the prestigious Bunten Exhibition that same year—a testament to his burgeoning talent. In 1919, he joined Takeuchi Seho’s study group, a move facilitated by Nishimura's recommendation, broadening his artistic horizons and exposing him to diverse perspectives within the Nihonga tradition. His early works already hinted at the meticulous detail and evocative quality that would come to define his mature style.

    Forging a Harmonious Style

    Yamaguchi Kayō’s art is characterized by its harmonious blend of traditional Japanese techniques and a keen observational eye for nature. He specialized in portraying animals, imbuing them with a sense of life and personality rarely seen in contemporary painting. His approach wasn't merely about accurate depiction; it was about capturing the spirit of his subjects—their grace, their energy, and their connection to the surrounding environment. After Nishimura’s death in 1938, Kayō took on the responsibility of reviving Shinchosha, a private painting school and research group founded by his mentor. This act underscored his commitment to preserving and propagating the traditions he held dear while simultaneously fostering innovation within the Nihonga style. He also dedicated himself to teaching at various art schools in Kyoto, including Nagaoka Joshi Art School and Kyoto City Specialist School of Painting, nurturing the next generation of Japanese artists.

    Recognition and Legacy

    Throughout his six-decade career, Yamaguchi Kayō received numerous accolades for his contributions to the world of Japanese art. He won special awards at both the 8th and 9th Teiten Exhibitions in 1927 and 1928 respectively, solidifying his reputation as a rising star within the Nihonga community. In 1956, he was honored with the prestigious Japan Art Academy Prize, recognizing his exceptional artistic achievements. Further honors followed, including appointments to the Councilor of the Nitten in 1950 and membership in the Japan Art Academy in 1971. In 1981, Kayō received the highest honor bestowed upon an artist in Japan—the Order of Culture—a testament to his profound impact on the nation’s artistic landscape. His works, such as Clear Autumn Day (1977), Basking in the Sun (1949), and Illusion (1979), continue to captivate audiences with their delicate beauty and evocative power. Yamaguchi Kayō passed away on March 16th, 1984, leaving behind a rich legacy of paintings that celebrate the wonders of nature and embody the enduring spirit of Nihonga. His influence continues to be felt today, inspiring artists to embrace tradition while forging their own unique paths within the world of Japanese art.

    A Master of Space and Conception

    What truly sets Yamaguchi Kayō apart is his original conception of space and composition. He wasn’t simply painting animals in a landscape; he was creating an entire world around them, one that felt both realistic and dreamlike. His delicate hand and quality palette contributed to this effect, allowing him to create subtle gradations of color and texture that brought his subjects to life. He understood the importance of balance and harmony—elements deeply rooted in Japanese aesthetics—and used them to create paintings that were not only visually stunning but also emotionally resonant. His art is a testament to the power of observation, patience, and a deep reverence for the natural world. He was more than just a painter; he was a poet of nature, translating its beauty onto canvas with unparalleled skill and sensitivity. Yamaguchi Kayō’s work remains a vital part of Japan's artistic heritage, offering a timeless glimpse into the harmonious relationship between humanity and the natural world.

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    QR kód odkazující na stránku ke stažení Peonies

    wahooart.com/cs/art/download/yamaguchi-kayo-peonies-DD2AGB-en/

    Citace tohoto díla

    MLA
    kayō, yamaguchi. Peonies. 1977, https://wahooart.com/cs/art/yamaguchi-kayo-peonies-DD2AGB-en/
    APA
    kayō, yamaguchi (1977). Peonies [Painting]. https://wahooart.com/cs/art/yamaguchi-kayo-peonies-DD2AGB-en/
    Chicago
    yamaguchi kayō. Peonies. 1977. https://wahooart.com/cs/art/yamaguchi-kayo-peonies-DD2AGB-en/
    Harvard
    kayō, yamaguchi (1977) Peonies. Available at: https://wahooart.com/cs/art/yamaguchi-kayo-peonies-DD2AGB-en/

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    Peonies — yamaguchi kayō

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