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Sem título

Werner Mathias Goeritz Brunner, 1959

Jméno Třída Datum
Werner Mathias Goeritz Brunner, Sem título (1959), Centro Cultural Banco do Brasil Rio de Janeiro. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Werner Mathias Goeritz Brunner wahooart.com/cs/artists/werner-mathias-goeritz-brunner/
Datum vzniku díla
1915 – 1990
Malováno
1959
Technika
Acrylic On Canvas
Původní rozměry
70 x 70 cm
Pohyb
Emotional Architecture
Koná se v
Centro Cultural Banco do Brasil Rio de Janeiro wahooart.com/cs/museums/centro-cultural-banco-do-brasil-rio-de-janeiro-rio-de-janeiro_cs/
Artistic style
Abstract, Express.
Influences
Barragán, Ray
Notable elements
Honeycomb design
Subject or theme
Geometric pattern

Autorská práva Toto dílo je stále chráněno autorským právem. Werner Mathias Goeritz Brunner zemřel(a) v roce 1990; autorské právo trvá 70 let po smrti umělce, takže zůstává v platnosti až do 2060. Obraz je zde uveden pouze pro vzdělávací účely; veškerá práva zůstávají u vlastníka práv.

Zdroj: WahooArt.com — datum přístupu: 4. října 2026

Sem título — Werner Mathias Goeritz Brunner Část 1 · O díle

V kontextu

Sem título — Werner Mathias Goeritz Brunner

Jak velké je?

Původní rozměry jsou 70 × 70 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 75 při smrti.

Vymalováno v době, kdy bylo umělci 44 let. Umělec dožil se 75 let. 0 z celkových 2 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Werner Mathias Goeritz Brunner (1915–1990) ▲ toto dílo, 1959 každý obraz s datem vzniku, dekáda po dekádě

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/werner-mathias-goeritz-brunner-sem-titulo-D935GM-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Walnut #86541b

    Katalogizovaná paleta

    • #86541B
    • #3F190B
    • #A8782F
    • #663712

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Walnut
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Unified Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Clear Color Presence Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Zdroj: WahooArt.com — datum přístupu: 4. října 2026

    Sem título — Werner Mathias Goeritz Brunner Část 2 · V kontextu

    O tomto uměleckém díle

    Sem título — Werner Mathias Goeritz Brunner

    A Circular Echo: Exploring Werner Mathias Goeritz’s “Sem título”

    Werner Mathias Goeritz Brunner, known simply as Mathias Goeritz, was a profoundly influential figure in 20th-century art, bridging the gap between European Expressionism and the burgeoning abstract movements of Mexico. His work, often characterized by its dynamic energy and exploration of emotional resonance, continues to captivate viewers with its layered complexity. “Sem título” (Untitled), created in 1959, exemplifies this approach – a deceptively simple circular metal sculpture that belies a rich history and profound artistic intent.

    The piece itself is immediately striking: a perfectly formed circle rendered in a warm, golden hue. Crafted from metal, its surface isn’t smooth or polished; instead, it boasts an intricate, textured pattern reminiscent of a honeycomb or the delicate geometry of a beehive. This tactile quality invites close inspection, revealing subtle variations in color and form that suggest both precision and spontaneity. The size – 70 x 70 cm – is intimate enough for contemplation yet substantial enough to command attention within any space. It’s not merely an object; it's a carefully considered composition designed to evoke a specific feeling.

    The Roots of Emotional Architecture

    Goeritz’s artistic journey was deeply shaped by his experiences in Europe, particularly the turmoil of World War II and its aftermath. Following the collapse of Germany, he sought refuge in Morocco and Spain before finally settling in Mexico in 1949. This period of displacement profoundly influenced his work, leading him to develop what he termed “Emotional Architecture.” This concept moved beyond mere building design; it aimed to infuse architecture with a deeper sense of human experience – capturing the emotional landscape of a space through form and material.

    “Sem título” can be understood as a distilled expression of this philosophy. The circle itself is a potent symbol, representing wholeness, unity, and the cyclical nature of life. The textured surface mirrors the complexities of human emotion – suggesting both order and chaos, stability and movement. Goeritz’s background in art history, particularly his study of Ferdinand von Rayski, informed his approach to abstraction, seeking to convey ideas and feelings through non-representational forms.

    Technique and Materiality

    The creation of “Sem título” involved a meticulous process combining technical skill with artistic intuition. While the exact techniques employed by Goeritz remain somewhat elusive, it’s believed that he utilized metalworking techniques to achieve the intricate surface pattern. The choice of metal itself – likely steel or aluminum – speaks to the piece's durability and its ability to reflect light in a captivating manner. The golden hue adds warmth and richness, further enhancing the sculpture’s visual impact.

    It is important to note that Goeritz was also deeply influenced by his time in Mexico, particularly the work of architect Luis Barragán. Barragán's use of color and texture to create emotionally resonant spaces undoubtedly informed Goeritz’s approach to sculpture. The interplay of light and shadow on the textured surface of “Sem título” echoes this emphasis on sensory experience.

    A Legacy of Emotional Resonance

    “Sem título” is more than just a decorative object; it's a testament to Goeritz’s artistic vision and his exploration of the human condition. It invites viewers to engage with their own emotions, prompting reflection on themes of unity, complexity, and the search for meaning. His work continues to be studied and appreciated for its innovative blend of art, architecture, and emotional expression. Reproductions offer a wonderful opportunity to bring this powerful piece into your home or office, allowing you to experience firsthand the enduring legacy of Mathias Goeritz.

    Zdroj: WahooArt.com — datum přístupu: 4. října 2026

    Sem título — Werner Mathias Goeritz Brunner Část 3 · O tomto díle

    Umělec a muzeum

    Autor

    Werner Mathias Goeritz Brunner

    Narozen(a) v Danzig, Germany

    Early Life and Education

    Born: April 4, 1915, Danzig, Germany (now Gdańsk, Poland)

    Died: August 4, 1990, Mexico City

    Origin: German-Mexican

    Early life was spent in Berlin after his birth in Danzig.

    Studied philosophy and art history at Friedrich-Wilhelm-Universität (Humboldt University of Berlin) from 1934.

    Received a doctorate in art history in 1940 with a dissertation on Ferdinand von Rayski.

    Trained as an artist at the Kunstgewerbe- und Handwerkerschule in Berlin-Charlottenberg, studying drawing with Max Kaus and Hans Orlowski.

    Career Development and Artistic Style

    Worked at Berlin's Nationalgalerie (Alte Nationalgalerie) under Paul Ortwin Rave.

    Left Germany in 1941, settling initially in Tetuan, Morocco.

    Married photographer Marianne Gast in 1942 and settled in Granada, Spain.

    First solo exhibition held in Madrid in 1946.

    Immigrated to Mexico in 1949.

    Collaborated with architect Luis Barragán on monumental abstract sculptures in reinforced concrete (e.g., El Animal del Pedregal, Torres de la Ciudad Satélite).

    Artistic style influenced by Expressionism, emphasizing subjective experience and emotional impact through distorted forms.

    Notable Works and Contributions

    Sculptures: El Eco (Experimental Museum, Mexico City), Los Amantes (Hotel Presidente, Acapulco), La Mano Divina, La Mano Codiciosa (reliefs in the Iglesia de San Lorenzo, Mexico City).

    Developed the concept of "Emotional Architecture," emphasizing emotional and spiritual aspects in building design.

    His work visually and conceptually influenced contemporary architects.

    Recognition and Legacy

    Received the Pritzker Prize in 1980, a significant recognition for his contributions to architecture.

    Goeritz's legacy extends beyond individual artworks; he significantly impacted architectural theory and practice through Emotional Architecture.

    His work continues to be studied and appreciated for its innovative blend of art, architecture, and emotional expression.

    Further Information

    Wikipedia: Mathias Goeritz - Wikipedia

    Tate: Mathias Goeritz 1915–1990 | Tate

    Muzeum

    Centro Cultural Banco do Brasil Rio de Janeiro

    Vystaveno v Rio de Janeiro, Brazílie

    A Jewel of Brazilian Culture: The Centro Cultural Banco do Brasil Rio de Janeiro

    Nestled within the historic heart of Rio de Janeiro, opposite the vibrant Largo da Candelária, stands a building that transcends its brick and mortar – it’s a living embodiment of Brazil's artistic soul. The Centro Cultural Banco do Brasil (CCBB) Rio de Janeiro isn’t merely a museum; it’s an immersive experience, a carefully curated journey through Brazilian art, theatre, cinema, and the very spirit of this captivating nation. Originally conceived as the headquarters for the Commercial Association of Rio de Janeiro in 1880, this architectural masterpiece underwent a dramatic transformation when acquired by Banco do Brasil in the 1920s, blossoming into the dynamic cultural center it is today – a testament to preservation and an embrace of evolving creativity.

    The building itself immediately commands attention. Designed by the visionary architect Francisco Joaquim Béthencourt da Silva, it’s a symphony in stone and light, a masterful blend of Art Deco elegance and Brazilian Modernism. Soaring columns reach towards the heavens, intricately ornamented facades hint at the treasures within, and a breathtaking marble staircase – seemingly ascending into the very clouds – invites visitors to step back in time. The geometric patterns adorning the exterior are not merely decorative; they’re a reflection of the building's rich past and a promise of the creative experiences awaiting inside. The CCBB Rio de Janeiro stands as a powerful symbol of Brazilian cultural heritage, an invitation to connect with the nation’s artistic legacy and witness its ongoing evolution.

    A Kaleidoscope of Artistic Expressions

    The heart of the CCBB lies in its remarkably diverse programming, catering to a vast spectrum of interests. At its core resides a truly impressive collection of Brazilian and international art exhibitions – from established masters whose works have shaped generations to emerging talents pushing the boundaries of contemporary expression. But the center’s offerings extend far beyond visual arts; it's a genuine multidisciplinary hub. Throughout the year, visitors can immerse themselves in captivating theatrical performances ranging from grand-scale productions that fill the space with drama and emotion, to intimate experimental shows offering unique perspectives on art and life. A vibrant cinema screens everything from independent Brazilian films that capture the essence of local stories, to internationally acclaimed blockbusters. And a comprehensive library provides access to a wealth of knowledge, fostering a deeper understanding of both artistic movements and individual creative visions.

    Notably, the CCBB Rio de Janeiro has consistently hosted exhibitions that have garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” stands as a shining example – it achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries – a commitment to ambitious projects, large-scale retrospectives, and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    Echoes of Brazilian Masters

    Delving deeper into the collection reveals a fascinating array of Brazilian artists whose work reflects the nation’s diverse cultural landscape. The museum's holdings include significant works by Francisco Togni, known for his evocative depictions of industrial São Paulo – particularly “Utilitário Centro Cultural (lado B),” which masterfully captures the city’s essence through geometric forms and cool tones, reflecting a unique perspective on urban life. Equally compelling are pieces by Hélio Oiticica, a pioneering Neo-Concrete artist whose innovative use of color, environmental art, and immersive installations pushed the boundaries of artistic expression, inviting viewers to engage with art in entirely new ways. Rubens Teixeira Scavone, a celebrated novelist and artist, is also represented, showcasing his unique blend of creativity and wit – often incorporating literary themes into his visual works.

    These artists, alongside many others, contribute to a rich tapestry of Brazilian artistic heritage. The CCBB Rio de Janeiro serves as a vital platform for showcasing their work, ensuring that their legacies continue to inspire future generations. The museum’s commitment to representing diverse voices within the Brazilian art world is a testament to its dedication to cultural inclusivity and preservation – a conscious effort to ensure that all facets of Brazil's artistic identity are celebrated.

    A Legacy Forged in Landmark Exhibitions

    Beyond individual artists, the CCBB Rio de Janeiro has consistently hosted exhibitions that have captivated audiences and garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    More Than a Museum: A Cultural Heartbeat

    What truly sets the CCBB Rio de Janeiro apart is its accessibility and comprehensive approach to culture. It’s not simply a place for passive observation; it's an immersive environment designed to engage, inspire, and foster a deeper appreciation for the arts. Its central location near Largo da Candelária ensures easy access for both locals and tourists alike, making cultural enrichment readily available to all. The CCBB is a space where one can lose themselves in the brushstrokes of a masterpiece, be moved by a powerful theatrical performance, or discover new perspectives through independent cinema – all under one magnificent roof. It embodies the vibrant soul of Rio de Janeiro and serves as a vital cultural landmark for Brazil as a whole. It’s a place where art breathes, lives, and connects with the community on a profound level.

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    QR kód odkazující na stránku ke stažení Sem título

    wahooart.com/cs/art/download/werner-mathias-goeritz-brunner-sem-titulo-D935GM-en/

    Jak citovat toto dílo

    MLA
    Brunner, Werner Mathias Goeritz. Sem título. 1959, Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/werner-mathias-goeritz-brunner-sem-titulo-D935GM-en/
    APA
    Brunner, Werner Mathias Goeritz (1959). Sem título [Painting]. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/werner-mathias-goeritz-brunner-sem-titulo-D935GM-en/
    Chicago
    Werner Mathias Goeritz Brunner. Sem título. 1959. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/werner-mathias-goeritz-brunner-sem-titulo-D935GM-en/
    Harvard
    Brunner, Werner Mathias Goeritz (1959) Sem título. Centro Cultural Banco do Brasil Rio de Janeiro. Available at: https://wahooart.com/cs/art/werner-mathias-goeritz-brunner-sem-titulo-D935GM-en/

    Zdroj: WahooArt.com — datum přístupu: 4. října 2026

    Sem título — Werner Mathias Goeritz Brunner Část 4 · Umělec a muzeum

    Zaměřte se pozorně

    Sem título — Werner Mathias Goeritz Brunner

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: metalwork, geometric, circular. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Untitled (from the series Metachromatic Messages) (1959), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Werner Mathias Goeritz Brunner bylo při vzniku tohoto díla ve věku přibližně 44. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Zdroj: WahooArt.com — datum přístupu: 4. října 2026

    Sem título — Werner Mathias Goeritz Brunner Část 5 · Detailní pohled

    Artový kvíz

    Sem título — Werner Mathias Goeritz Brunner

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What is the primary subject depicted in the image of ‘Sem título’?

      • A A portrait of Werner Mathias Goeritz Brunner
      • B An abstract geometric pattern resembling a honeycomb or beehive
      • C A landscape scene from Morocco

    2. 2. In what year was the artwork ‘Sem título’ created?

      • A 1945
      • B 1959
      • C 1968

    3. 3. Werner Mathias Goeritz Brunner was primarily associated with which artistic movement?

      • A Impressionism
      • B Emotional Architecture
      • C Cubism

    4. 4. The artwork’s design incorporates elements reminiscent of what natural structure?

      • A A waterfall
      • B A honeycomb or beehive
      • C A mountain range

    5. 5. What country was Werner Mathias Goeritz Brunner born in?

      • A Mexico
      • B Germany
      • C Spain

    Můj výsledek: ____ z 5

    Klíč k odpovědím – pro učitele

    Tato část začíná na nové vytištěné straně, takže ji lze z kopií jednoduše vynechat.

    1A · 2B · 3B · 4B · 5A

    Ověřte jakoukoli odpověď v katalogovém záznamu tohoto obrazu

    Zdroj: WahooArt.com — datum přístupu: 4. října 2026

    Sem título — Werner Mathias Goeritz Brunner Část 6 · Artový kvíz

    Otázky a odpovědi

    Kdo prodává ručně malované kopie díla „Sem título“ od Werner Mathias Goeritz Brunner?

    Ručně malovanou reprodukci díla „Sem título“ od Werner Mathias Goeritz Brunner si můžete objednat přímo na jeho stránce Ručně malovaná reprodukce: ručně malovaná olejová reprodukce na lněném plátně, vyrábíme na zakázku.

    Je dílo "Sem título" typické pro to, co Werner Mathias Goeritz Brunner obvykle vytvářel/a?

    Mezi zaznamenaná témata umělce Werner Mathias Goeritz Brunner – tedy german expressionism, architectural abstraction, mexican identity, social commentary, post-war anxiety, emotional response, monumental scale, public spaces – přináší dílo „Sem título“ specifické zaměření na metalwork, geometric, circular, patterned, beehive, texture, modern.

    O jaký typ uměleckého díla se jedná u „Sem título“ od Werner Mathias Goeritz Brunner?

    Dílo „Sem título“ od Werner Mathias Goeritz Brunner je klasifikováno jako WallArt. Tato kategorie určuje typ uměleckého díla, kterým je originál.