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Self Portrait

Jméno Třída Datum

Thomas Gainsborough, Self Portrait (1787). Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Thomas Gainsborough wahooart.com/cs/artists/thomas-gainsborough_cs/
Datum vzniku díla
1727 – 1788
Malováno
1787
Technika
Oil On Canvas
Původní rozměry
77 x 65 cm
Pohyb
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Období
19th Century
Artistic style
Rococo, Portraiture
Influences
British art
Notable elements
White hair, suit, tie
Subject or theme
Self-portraiture

V kontextu

Self Portrait — Thomas Gainsborough

Jak velké je?

Původní rozměry jsou 77 × 65 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 61 při smrti.

Vymalováno v době, kdy bylo umělci 60 let. Umělec dožil se 61 let. 473 z celkových 496 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Thomas Gainsborough (1727–1788) ▲ toto dílo, 1787 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1763 Hlavní období tvůrčí činnosti: 1763–1782 Pozdní díla: od 1782

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/thomas-gainsborough-self-portrait-ARJF3L-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Black #130905

    Katalogizovaná paleta

    • #130905
    • #73502A
    • #39210D
    • #B78E62

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Black
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Thomas Gainsborough za posledních dvanáct měsíců — celkem 43 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 48,4%
    2. 2 Spojené státy americké 9,7%
    3. 3 Francie 9,0%
    4. 4 Singapur 6,3%
    5. 5 Hongkong 4,6%
    6. 6 Rumunsko 2,8%
    7. 7 Spojené království 2,6%
    8. 8 Itálie 2,3%
    9. 9 Španělsko 1,5%
    10. 10 Německo 1,2%
    11. · 33 dalších zemí 11,6%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Thomas Gainsborough

    1. 1 Modrý chlapec (Jonathan Buttall) 14,1%
    2. 2 Conversation in a Park, 1740 6,8%
    3. 3 Mr. a Mme Andrews, 1748 2,4%
    4. 4 Conversation in a Park, 1740 1,6%
    5. 5 The Mall in St. James, 1783 1,2%
    6. 6 Imaginary Landscape (reworked by a 19th century English follower), 1920 1,2%
    7. 7 Gainsboroughův les (Cornard Wood), 1746 1,2%
    8. 8 Mr. and Mrs. Andrews, 1749 1,1%
    9. 9 Mrs Graham, 1777 1,0%
    10. 10 Portrait of a Lady in Blue, 1779 0,9%
    11. 11 The Gravenor Family, 1752 0,9%
    12. 12 Lambe Barry, 1759 0,9%
    13. 13 CONVERSATION DANS UN PARC 0,9%
    14. 14 Pomeranianka a štěně, 1777 0,9%
    15. 15 Mountain Landscape with Peasants Crossing a Bridge, 1784 0,8%
    16. 16 The Woodcutters' Return, 1772 0,7%
    17. 17 Mrs Mary Cobbold with Her Daughter Anne, 1752 0,7%
    18. 18 Letitia Leigh (1746–1838), Mrs Townley Balfour, 1771 0,7%
    19. 19 Lady Alston, 1767 0,7%
    20. 111 Self Portrait, 1787 tento obraz 0,2%

    Tyto práce společně si nárokují 38,9% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 623 děl tohoto umělce, z nichž 306 byla prohlédnuta alespoň jednou. Tento obraz se v tomto žebříčku nachází na 111 místě, přičemž si připravuje 0,2% této pozornosti. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Self Portrait — Thomas Gainsborough

    A Portrait of Reflection: Thomas Gainsborough’s Self-Portrait

    Thomas Gainsborough's 1787 self-portrait offers more than just a likeness; it is a poignant meditation on age, experience, and the enduring power of artistic dedication. Painted during a pivotal period in his career – a time when he was increasingly sought after for portrait commissions – this work reveals a man wrestling with both the successes and the inevitable passage of time. The image, rendered in Gainsborough’s signature oil on canvas technique, immediately draws the viewer into a direct confrontation, mirroring the subject's unwavering gaze.

    Subject & Composition: The central figure, a man estimated to be in his late 60s or early 70s, dominates the frame with an almost unsettling directness. His posture is upright, conveying a sense of dignity and self-assuredness despite the evident signs of aging – the white hair, the neatly trimmed mustache and sideburns. The composition itself is deceptively simple, relying on the power of observation to create a deeply affecting portrait.

    Technique & Style: Gainsborough’s mastery of light and shadow is immediately apparent. He employs a loose, expressive brushstroke characteristic of his later work, creating a textured surface that adds depth and realism to the figure. The blue jacket, white shirt, and dark tie – fashionable attire for the period – are rendered with meticulous detail, showcasing Gainsborough's skill in capturing textures and fabrics.

    Historical Context: A Master at Work

    Created in 1787, this self-portrait provides a valuable window into the life of one of Britain’s most important artists during the Georgian era. Gainsborough was at the height of his career, having already established himself as a leading portrait painter and landscape artist. The Royal Academy of Arts exhibition where this work was initially displayed served as a crucial platform for showcasing artistic talent and attracting wealthy patrons. The painting reflects the societal emphasis on status and self-representation that characterized the period – a desire to immortalize one's identity through art.

    Georgian Portraiture: Gainsborough’s portraits were highly sought after by the aristocracy and gentry, who commissioned him to capture their likenesses for posterity. His style evolved over time, moving from the more formal, classical influences of his early work towards a looser, more naturalistic approach that emphasized character and personality.

    The Royal Academy: The Royal Academy, founded in 1789, played a significant role in shaping British art. Gainsborough’s self-portrait was one of the first works exhibited at the Academy's annual exhibition, marking a new era for artistic presentation and patronage.

    Symbolism & Emotional Impact

    Beyond its technical brilliance, this self-portrait is laden with symbolic meaning. The direct gaze of the subject invites introspection, prompting viewers to consider their own mortality and legacy. The white hair, often associated with wisdom and experience, suggests a lifetime dedicated to artistic pursuits. The painting’s emotional impact lies in its raw honesty – a glimpse into the soul of a man confronting his age and reflecting on his life's work. It is a powerful reminder of the human condition, inviting us to contemplate our own place within time.

    Age & Reflection: The prominent display of aging in the portrait speaks to the themes of mortality and reflection that were prevalent during Gainsborough’s lifetime.

    The Artist's Identity: By portraying himself, Gainsborough elevates his own status as an artist, asserting his importance within the artistic community.

    A Timeless Masterpiece – A Hand-Painted Reproduction

    WahooArt offers a meticulously crafted hand-painted reproduction of this iconic work by Thomas Gainsborough. Each reproduction is created by skilled artisans who painstakingly recreate Gainsborough’s technique and style, ensuring an unparalleled level of detail and authenticity. This isn't merely a print; it's a genuine artwork that will grace your walls with the timeless beauty and profound emotion of one of Britain’s greatest portrait painters. Perfect for collectors, interior designers seeking to infuse their spaces with artistic heritage, or anyone captivated by Gainsborough’s vision.

    Umělec a muzeum

    Autor

    Thomas Gainsborough

    Narozen(a) v Sudbury, Spojilováno

    A Suffolk Beginning: The Early Life and Artistic Awakening

    The story of Thomas Gainsborough, one of Britain’s most celebrated artists, unfolds not within the confines of a grand academy or bustling metropolis, but in the tranquil market town of Sudbury, Suffolk. Born in 1727, the youngest son of John Gainsborough, a weaver and wool merchant, young Thomas displayed an innate artistic sensibility from a remarkably early age. While his siblings pursued more conventional paths, Thomas’s world rapidly became consumed by drawing and painting – miniature self-portraits and delicate landscapes blossoming from his hand even before he reached ten years old. This precocious talent wasn't merely a childhood pastime; it was the burgeoning of a vision that would reshape British art. His father, recognizing this unique gift, encouraged its development, setting young Thomas on a path diverging sharply from the family trade. The Suffolk countryside itself became his first studio, imbuing his later works with a deep and abiding love for the natural world – a characteristic that would distinguish him throughout his career. This early immersion in landscape wasn’t simply about replicating what he saw; it was about feeling the essence of the English countryside, an emotional resonance that would permeate his canvases for decades to come.

    London and the Shaping of a Style: Influences and Early Commissions

    In 1740, at the age of thirteen, Gainsborough journeyed to London, embarking on formal artistic training under Hubert Gravelot, a French engraver renowned for his elegant rococo style. This exposure proved pivotal, introducing him to refined techniques and fashionable aesthetics. However, it was his association with William Hogarth and the St Martin’s Lane Academy that truly began to mold his artistic identity. Initially influenced by Hogarth's narrative approach – his satirical depictions of London life – Gainsborough soon charted his own course, developing a distinctive style characterized by its lightness of touch, fluid brushwork, and subtle color palettes. He absorbed lessons from various masters, including the Dutch landscape painters whose influence on his early works is evident in their atmospheric perspective and use of light. Returning to Sudbury after marrying Margaret Burr in 1746, Gainsborough established himself as a portrait painter for the local gentry. This period honed his skills in capturing likenesses and character, but it was during his subsequent move to Ipswich, and later Bath, that he began attracting a more sophisticated clientele – individuals who appreciated not just accurate representation, but also artistic flair and emotional depth.

    Bath and Beyond: Portraiture, Landscape, and Royal Patronage

    The years spent in Bath (1759-1774) marked a significant turning point in Gainsborough’s career. The city was a hub of fashionable society, providing him with ample opportunities to paint portraits of the wealthy and influential. He quickly gained renown for his ability to capture not only physical resemblance but also the personality and social standing of his sitters. His portraits weren't merely depictions; they were statements about identity and status. He experimented with new techniques, incorporating elements of chiaroscuro – dramatic contrasts between light and dark – to create a sense of depth and drama. However, even amidst the demands of portraiture, Gainsborough never abandoned his passion for landscape painting. In fact, he often seamlessly integrated landscapes into his portraits, creating compositions that celebrated both human subjects and the beauty of the natural world. This innovative approach – a hallmark of his style – set him apart from many of his contemporaries. The culmination of his success came with his move to London in 1774, where he established a studio on Pall Mall and became a founding member of the Royal Academy. He also secured royal patronage, becoming a favorite painter of King George III and Queen Charlotte, further solidifying his position as one of Britain’s leading artists. *Mrs. Thomas Gainsborough*, painted in 1785, exemplifies this period – an elegant portrait showcasing rococo style and muted tones.

    A Legacy of Innovation: Enduring Appeal and Influence

    Thomas Gainsborough died in 1788, leaving behind a body of work that continues to captivate audiences today. His influence on subsequent generations of British artists is undeniable. He liberated portraiture from rigid formality, infusing it with spontaneity and emotional resonance. His loose brushwork and atmospheric effects paved the way for the Impressionists, while his lyrical landscapes inspired artists like John Constable, who deeply admired Gainsborough’s ability to capture the spirit of the English countryside. Gainsborough's legacy extends beyond technique; it lies in his profound understanding of human character and his unwavering commitment to artistic expression. He wasn’t simply a painter of portraits or landscapes; he was a storyteller, a poet of light and color, and a visionary who transformed British art. His paintings are a testament to the power of observation, imagination, and the enduring allure of the English landscape.

    Exploring Gainsborough's World Today

    Fortunately, the opportunity to experience Gainsborough’s genius firsthand remains readily available. Gainsborough’s House, in his birthplace of Sudbury, stands as a testament to his life and work, offering visitors an intimate glimpse into his early influences and artistic development. Christchurch Mansion in Ipswich houses a significant collection of Gainsborough paintings alongside works by Constable and other masters. Numerous museums across the United Kingdom and internationally display his masterpieces, including the National Gallery in London and the Metropolitan Museum of Art in New York. His work continues to be studied, analyzed, and celebrated, ensuring that his artistic vision will endure for generations to come. The enduring appeal of Gainsborough’s art lies not only in its technical brilliance but also in its timeless beauty and emotional depth – qualities that resonate with viewers across centuries.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Self Portrait

    wahooart.com/cs/art/download/thomas-gainsborough-self-portrait-ARJF3L-en/

    Jak citovat toto dílo

    MLA
    Gainsborough, Thomas. Self Portrait. 1787, https://wahooart.com/cs/art/thomas-gainsborough-self-portrait-ARJF3L-en/
    APA
    Gainsborough, Thomas (1787). Self Portrait [Painting]. https://wahooart.com/cs/art/thomas-gainsborough-self-portrait-ARJF3L-en/
    Chicago
    Thomas Gainsborough. Self Portrait. 1787. https://wahooart.com/cs/art/thomas-gainsborough-self-portrait-ARJF3L-en/
    Harvard
    Gainsborough, Thomas (1787) Self Portrait. Available at: https://wahooart.com/cs/art/thomas-gainsborough-self-portrait-ARJF3L-en/

    Zaměřte se pozorně

    Self Portrait — Thomas Gainsborough

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: self-portrait, thomas gainsborough, oil on canvas. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Znovu se podívejte na dílo Modrý chlapec (Jonathan Buttall), které jste v tomto průvodci viděli dříve. Jmenujte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Kde v tomto díle můžete tento prvek spatřit?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Jak mohu získat digitální kopii díla „Self Portrait“ od Thomas Gainsborough?

    Digitální kopii díla „Self Portrait“ od Thomas Gainsborough si můžete objednat jako stažení digitálního obrazu ve vysokém rozlišení na jeho stránce Digitální snímek.

    Jakou náladu by do prostoru přineslo dílo "Self Portrait"?

    Dílo „Self Portrait“ od Thomas Gainsborough má Classic atmosféru a doporučujeme jej do Living Room. Nálada představuje to, co dílo vnáší do okolního prostoru.

    Kdo vytvořil dílo "Self Portrait" a kdy?

    Dílo "Self Portrait" vytvořil/a Thomas Gainsborough v roce 1787.