Formát papíru

Průvodce studentskou tvorbou

Jaosokor

Jméno Ročník Datum

solano, susana, Jaosokor (1997), Guggenheimovo muzeum Bilbao. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
solano, susana wahooart.com/cs/artists/solano-susana/
Datum vzniku díla
1946 – ?
Malováno
1997
Původní rozměry
113 x 424 cm
Pohyb
Contemporary
Místo konání
Guggenheimovo muzeum Bilbao wahooart.com/cs/museums/guggenheimovo-muzeum-bilbao-bilbao_cs/

V kontextu

Jaosokor — solano, susana

Rozměry

Původní rozměry jsou 113 × 424 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Shaded: životopis solano, susana (1946–?) ▲ toto dílo, 1997

Podobná díla

  • Untitled, 2004 wahooart.com/cs/art/solano-susana-untitled-D66RVL-en/

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/solano-susana-jaosokor-D92KVN-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    White #eaeae8

    Uložená paleta

    • #EAEAE8
    • #AD966A
    • #D6BC92
    • #856F42
    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    White
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Unified Palette Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Jaosokor — solano, susana

    Jaosokor features a canoe-shaped iron armature covered with strips of transparent, colorless plastic knotted at regular intervals. Animated by the ambient light of the gallery, the surface of the sculpture subtly evokes the properties of water, an element Solano has alluded to elsewhere in her work. Although it is made from industrial materials, this structure suggests a tribal handicraft, an association strengthened by the accompanying photograph, hung on a nearby wall, of the face of a South Sea Islander. Solano was inspired to produce this work by a sojourn in Irian Jaya, the western, Indonesian part of the island of New Guinea, where she spent time in the small village of Jaosokor. With its juxtaposition of indigenous forms and motifs with synthetic, Western materials, Jaosokor stages a confrontation between two worlds. According to the curator Teresa Blanch, who has written extensively on Solano, the piece

    Umělec a muzeum

    Umělec

    solano, susana

    Narozen(a) v Barcelona, Spain

    The Architecture of Memory: The Sculptural World of Susana Solano

    Born in the vibrant cultural landscape of Barcelona in 1946, Susana Solano has spent a lifetime translating the intangible textures of memory into the enduring weight of metal. Her artistic journey did not begin with the heavy strike of a hammer against iron, but rather with the delicate application of pigment to canvas. As a painter, she explored the nuances of color and form, yet it was in the late 1970s that she underwent a profound metamorphosis, moving away from the two-dimensional plane to embrace the physical presence of sculpture. This transition allowed her to engage directly with the concept of space, creating works that do not merely occupy a room but actively redefine the architectural boundaries within it.

    Solano’s early education at the Real Acadèmia Catalana de Bellas Artes de San Jorge provided her with a rigorous foundation in art history and technique, yet her true inspiration was often found far from the classroom. Her childhood excursions through the Catalan landscape—from the family estate of "El Palau" in Falset to the sun-dasting Mediterranean coast—instilled in her a deep sensitivity to how light, terrain, and enclosure interact. These formative experiences became the silent protagonists of her later work, imbuing her monumental structures with a sense of place and a palpable, quiet solitude.

    Materiality and the Language of Iron

    In the mid-1980s, Solano’s practice underwent a definitive shift toward geometric minimalism, a movement that saw her adopting sheet iron as her primary medium. This choice was not merely aesthetic but deeply rooted in the Catalan artisanal forging traditions that have long defined the region's craftsmanship. By working with industrial materials like iron, steel, lead, and wire mesh, she established a dialogue between the rugged strength of metal and the ephemeral nature of light and shadow. Her sculptures often feature large-scale enclosures that evoke the feeling of bridges, tables, or even ancient thermal baths—spaces designed for ritual, transformation, and reflection.

    The brilliance of Solano’s technique lies in her ability to manipulate heavy, imposing materials to achieve a sense of weightlessness. Through the clever use of wire mesh and glass, she creates surfaces that appear both fragile and enduring. One can observe this duality in works such as Jaosokor, where an iron armature is draped in transparent plastic, creating a surface that mimics the shimmering properties of water. This mastery over contrast allows her to explore complex themes:

    Containment and Liberation: The tension between enclosed metal structures and the open space they frame.

    The Organic and the Industrial: Blending synthetic, modern materials with forms that suggest tribal or natural origins.

    Light as a Sculptural Element: Using transparency and mesh to allow ambient light to animate and transform the metal surfaces.

    A Legacy of Presence and Permanence

    The historical significance of Susana Solano lies in her ability to bridge the gap between the abstract traditions of Spanish masters like Julio González, Jorge Oteiza, and Eduardo Chillida and a more contemporary, personal narrative. While she shares their fascination with the philosophical implications of materiality, her work is uniquely marked by an emotional intimacy—a way of sculpting the "inner landscape" of the human psyche. Her sculptures do not just stand as objects; they act as thresholds, inviting the viewer to step into a space of contemplation and spiritual inquiry.

    Throughout her prolific career, Solano’s work has been exhibited extensively across Europe, Spain, and the United States, earning her a place in prestigious collections such as the Guggenheim Museum and MACBA. As she continues to live and work in Barcelona, her legacy remains one of profound resilience. She has proven that even the coldest, most industrial materials can be imbued with the warmth of memory, the softness of light, and the eternal human search for meaning within the spaces we inhabit.

    Muzeum

    Guggenheimovo muzeum Bilbao

    Vystaveno v Bilbao, Španělsko

    A Symphony of Titanium and Light: The Guggenheim Museum Bilbao

    Rising from the banks of the Nervión River in Bilbao, Spain, the Guggenheim Museum is more than just a building; it’s an audacious declaration, a testament to urban rebirth, and an experience that has fundamentally reshaped this Basque city. Designed by the visionary Frank Gehry, this extraordinary structure – clad in shimmering titanium – appears to have sprung organically from its riverside setting, mirroring the vibrant spirit of Bilbao itself. Its creation is inextricably linked to a bold vision: transforming a once-struggling industrial port into a thriving cultural center, and the museum stands as a potent symbol of that remarkable transformation.

    The story begins in the early 1990s, when the Guggenheim Foundation approached the Basque government with an ambitious proposal – to construct a world-class art museum within the heart of Bilbao’s decaying docklands. Recognizing the potential for profound change and eager to revitalize their region, the Basque authorities enthusiastically embraced this idea, committing significant resources and establishing a partnership that would bring international recognition and artistic prestige to Bilbao. Gehry, already celebrated for his innovative and often deconstructivist style, was selected to design the building, tasked with creating something truly unique – a structure that wouldn’t just house art but actively contribute to economic growth and instill a sense of civic pride.

    A Collection Reflecting a New Era

    Stepping inside the Guggenheim Museum Bilbao is like entering a world transformed. The museum boasts an impressive collection spanning the 20th and 21st centuries, with a particular focus on large-scale installations and works that interact directly with space. While you’ll undoubtedly find iconic pieces from the Solomon R. Guggenheim Foundation's holdings – including the evocative canvases of Mark Rothko, the bold explorations of Andy Warhol, and the playful sculptures of Jeff Koons – the museum also champions Spanish and Basque artists, providing a vital platform for regional talent to gain international recognition. It’s not a static collection; rotating exhibitions ensure that visitors are consistently presented with fresh perspectives and challenging narratives, reflecting the museum's commitment to engaging with contemporary art trends.

    One particularly captivating permanent installation is Yoko Ono’s “Wish Tree for Bilbao,” a mesmerizing interactive artwork inviting guests to write their hopes and dreams on tags and attach them to a sprawling tree. This living tapestry of collective aspirations – a vibrant, ever-changing testament to human longing – serves as a powerful reminder of the museum's role not just as a repository of art but as a space for reflection, connection, and shared experience. The galleries themselves are integral to the overall experience; soaring ceilings, expansive views of the river, and carefully considered lighting all contribute to an atmosphere that elevates the emotional impact of each artwork.

    The Heart of the Museum: “The Flower”

    At the very core of the Guggenheim Bilbao lies “The Flower,” a monumental atrium bathed in natural light. This breathtaking space – a swirling vortex of titanium and glass – is more than just a passageway; it’s a destination, a place for contemplation and connection. From "The Flower," visitors can access all of the galleries, each offering a unique perspective on the art within. The interplay of light and shadow throughout the building is masterful, creating an ethereal atmosphere that heightens the emotional impact of the artwork. It's a space designed to disorient and delight, drawing you into the museum’s artistic heart.

    Beyond the Building: A Catalyst for Change

    The Guggenheim Museum Bilbao represents far more than just a remarkable architectural achievement; it’s a powerful symbol of urban renewal. Its construction coincided with a period of significant economic and social transformation in Bilbao, and its success has been inextricably linked to the city's revitalization. The museum drew millions of visitors each year, boosting tourism revenue, stimulating local businesses, and fostering a renewed sense of civic pride – a phenomenon now famously known as the “Bilbao Effect.” This remarkable example demonstrates how art and architecture can be potent catalysts for positive change, breathing new life into struggling communities and inspiring a shared sense of identity. The Guggenheim continues to be a vital cultural hub, attracting artists, collectors, and visitors from around the world, solidifying Bilbao’s position as a leading destination for culture and innovation.

    Additional Research:

    Wikipedia Search:

    Guggenheimovo muzeum Bilbao

    – Provides detailed information on the museum’s architecture, collection, and history.

    Bilbao City Website:

    Bilbao

    – Offers insights into the city's revitalization efforts and its connection to the Guggenheim Museum.

    Guggenheim Museum Official Site (English):

    The Guggenheim Museum Bilbao

    – Provides current exhibitions, information about visiting, and a deeper dive into the museum’s collection.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Jaosokor

    wahooart.com/cs/art/download/solano-susana-jaosokor-D92KVN-en/

    Citace tohoto díla

    MLA
    susana, solano,. Jaosokor. 1997, Guggenheimovo muzeum Bilbao. https://wahooart.com/cs/art/solano-susana-jaosokor-D92KVN-en/
    APA
    susana, solano, (1997). Jaosokor [Painting]. Guggenheimovo muzeum Bilbao. https://wahooart.com/cs/art/solano-susana-jaosokor-D92KVN-en/
    Chicago
    solano, susana. Jaosokor. 1997. Guggenheimovo muzeum Bilbao. https://wahooart.com/cs/art/solano-susana-jaosokor-D92KVN-en/
    Harvard
    susana, solano, (1997) Jaosokor. Guggenheimovo muzeum Bilbao. Available at: https://wahooart.com/cs/art/solano-susana-jaosokor-D92KVN-en/

    Zaměřte se pozorně

    Jaosokor — solano, susana

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Kolik tváří dokážete najít? ____ (náš katalog jich počítá 1 — souhlasíte?)
    4. V našem katalogu je toto dílo zařazeno pod: metal sculpture, iron art, tribal motifs. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    5. Vraťte se k dílu Untitled (2004), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.