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Sem título

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Sameer Makarius, Sem título (1953), Centro Cultural Banco do Brasil Rio de Janeiro. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv. Podívejte se na toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Zásadní informace

Autor
Sameer Makarius wahooart.com/cs/artists/sameer-makarius/
Datum vzniku díla
1924 – 2009
Malováno
1953
Původní rozměry
67 x 35 cm
Pohyb
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.
Místo konání
Centro Cultural Banco do Brasil Rio de Janeiro wahooart.com/cs/museums/centro-cultural-banco-do-brasil-rio-de-janeiro-rio-de-janeiro_cs/

V kontextu

Sem título — Sameer Makarius

Rozměry

Původní rozměry jsou 67 × 35 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 85 při smrti.

Vymalováno v době, kdy bylo umělci 29 let. Umělec dožil se 85 let. 1 z celkových 2 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Sameer Makarius (1924–2009) ▲ toto dílo, 1953 každý obraz s datem vzniku, dekáda po dekádě

Podobná díla

  • Untitled, 1950 wahooart.com/cs/art/sameer-makarius-untitled-AQSVJ5-en/

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/sameer-makarius-sem-titulo-D935Q9-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Gray #807c59

    Uložená paleta

    • #807C59
    • #4A452C
    • #24080C
    • #5A5D3C

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Název hlavní barvy
    Gray
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Gentle Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Umělec

    Sameer Makarius

    The Nomadic Vision of Sameer Makarius

    The life of Sameer Makarius was a profound journey across borders, much like the layered and textured canvases he created. Born in Egypt in 1924, his early years were shaped by the shifting tides of mid-century Europe. Moving between Egypt, Germany, and Hungary during the turbulent decades of the 1930s and 1940s, Makarius developed a cosmopolitan perspective that would later define his artistic identity. It was in Budapest, amidst the shadows of World War II, that he truly found his voice as a painter. By 1944, he had emerged as a significant figure in the non-figurative movement, participating in the city's first exhibitions of abstract art and establishing himself as a founding member of the Hungarian Concrete Art Group. This period of intense experimentation within the European School instilled in him a lifelong commitment to the avant-garde, blending the precision of geometric abstraction with a deep, subconscious exploration of form.

    In 1953, a pivotal chapter began when Makarius settled in Buenos Aires, a move that would forever intertwine his Egyptian roots with Argentine culture. This transition marked more than just a change in geography; it was an immersion into a burgeoning scene of abstract experimentation. In Argentina, his work expanded to encompass not only the canvas but also the lens. As a photographer and historian, he became one of the most prolific chroniclers of Buenos Aires during the 1950s and 60s. Carrying his Leica and Olympus cameras through the bustling streets, he sought to capture the soul of his new home, treating photography not merely as documentation but as a high art form. His dedication to this medium led him to co-found the Grupo Forum, a collective dedicated to elevating photography's status within the artistic hierarchy.

    A Synthesis of Abstraction and Identity

    The aesthetic language of Makarius is a captivating dialogue between structure and emotion. His paintings are often characterized by complex, layered geometric forms that seem to emerge from and recede into textured surfaces. This technique creates a sense of depth and mystery, inviting the viewer to look beyond the surface into a realm of symbolic resonance. Influenced heavily by the Surrealist principles of André Breton and Joan Miró, his work often evokes dreamlike landscapes that grapple with themes of memory, identity, and the human psyche. There is a palpable tension in his oeuvre between the rigid discipline of Concrete Art and the fluid, evocative nature of his more atmospheric compositions.

    Beyond his personal practice, Makarius was a vital architect of the Argentine art scene. He was a co-founder of the influential Otra Figuración group, working alongside luminaries such as Jorge de la Vega, Ernesto Deira, Rómulo Macció, and Luis Felipe Noé. This involvement placed him at the heart of a movement that sought to redefine visual aesthetics through a more expressive, often visceral approach to painting. His scholarly contributions were equally significant; he authored essential texts on the history of Argentine photography, documenting the evolution of the medium from 1840 to 1981, and published works like Buenos Aires y su gente that captured the cultural pulse of his adopted city.

    The legacy of Sameer Makarius is preserved in some of the world's most prestigious institutions, ensuring that his nomadic spirit continues to inspire. His work serves as a bridge between the European avant-garde and Latin American modernism, representing a unique intersection of history and art. To study his life is to witness the power of movement and adaptation, seeing how an artist can take the fragments of a displaced life and weave them into a cohesive, enduring masterpiece of global significance.

    Key Artistic Movements: Concrete Art, Surrealism, Abstract Avant-Garde, Otra Figuración.

    Major Contributions: Co-founder of Grupo Forum and Otra Figuración; Author of foundational texts on Argentine photography.

    Notable Collections: The Museum of Modern Art (New York), Tate Modern (London), Centre Pompidou (Paris), and Museo Reina Sofía (Madrid).

    Muzeum

    Centro Cultural Banco do Brasil Rio de Janeiro

    Vystaveno v Rio de Janeiro, Brazílie

    A Jewel of Brazilian Culture: The Centro Cultural Banco do Brasil Rio de Janeiro

    Nestled within the historic heart of Rio de Janeiro, opposite the vibrant Largo da Candelária, stands a building that transcends its brick and mortar – it’s a living embodiment of Brazil's artistic soul. The Centro Cultural Banco do Brasil (CCBB) Rio de Janeiro isn’t merely a museum; it’s an immersive experience, a carefully curated journey through Brazilian art, theatre, cinema, and the very spirit of this captivating nation. Originally conceived as the headquarters for the Commercial Association of Rio de Janeiro in 1880, this architectural masterpiece underwent a dramatic transformation when acquired by Banco do Brasil in the 1920s, blossoming into the dynamic cultural center it is today – a testament to preservation and an embrace of evolving creativity.

    The building itself immediately commands attention. Designed by the visionary architect Francisco Joaquim Béthencourt da Silva, it’s a symphony in stone and light, a masterful blend of Art Deco elegance and Brazilian Modernism. Soaring columns reach towards the heavens, intricately ornamented facades hint at the treasures within, and a breathtaking marble staircase – seemingly ascending into the very clouds – invites visitors to step back in time. The geometric patterns adorning the exterior are not merely decorative; they’re a reflection of the building's rich past and a promise of the creative experiences awaiting inside. The CCBB Rio de Janeiro stands as a powerful symbol of Brazilian cultural heritage, an invitation to connect with the nation’s artistic legacy and witness its ongoing evolution.

    A Kaleidoscope of Artistic Expressions

    The heart of the CCBB lies in its remarkably diverse programming, catering to a vast spectrum of interests. At its core resides a truly impressive collection of Brazilian and international art exhibitions – from established masters whose works have shaped generations to emerging talents pushing the boundaries of contemporary expression. But the center’s offerings extend far beyond visual arts; it's a genuine multidisciplinary hub. Throughout the year, visitors can immerse themselves in captivating theatrical performances ranging from grand-scale productions that fill the space with drama and emotion, to intimate experimental shows offering unique perspectives on art and life. A vibrant cinema screens everything from independent Brazilian films that capture the essence of local stories, to internationally acclaimed blockbusters. And a comprehensive library provides access to a wealth of knowledge, fostering a deeper understanding of both artistic movements and individual creative visions.

    Notably, the CCBB Rio de Janeiro has consistently hosted exhibitions that have garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” stands as a shining example – it achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries – a commitment to ambitious projects, large-scale retrospectives, and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    Echoes of Brazilian Masters

    Delving deeper into the collection reveals a fascinating array of Brazilian artists whose work reflects the nation’s diverse cultural landscape. The museum's holdings include significant works by Francisco Togni, known for his evocative depictions of industrial São Paulo – particularly “Utilitário Centro Cultural (lado B),” which masterfully captures the city’s essence through geometric forms and cool tones, reflecting a unique perspective on urban life. Equally compelling are pieces by Hélio Oiticica, a pioneering Neo-Concrete artist whose innovative use of color, environmental art, and immersive installations pushed the boundaries of artistic expression, inviting viewers to engage with art in entirely new ways. Rubens Teixeira Scavone, a celebrated novelist and artist, is also represented, showcasing his unique blend of creativity and wit – often incorporating literary themes into his visual works.

    These artists, alongside many others, contribute to a rich tapestry of Brazilian artistic heritage. The CCBB Rio de Janeiro serves as a vital platform for showcasing their work, ensuring that their legacies continue to inspire future generations. The museum’s commitment to representing diverse voices within the Brazilian art world is a testament to its dedication to cultural inclusivity and preservation – a conscious effort to ensure that all facets of Brazil's artistic identity are celebrated.

    A Legacy Forged in Landmark Exhibitions

    Beyond individual artists, the CCBB Rio de Janeiro has consistently hosted exhibitions that have captivated audiences and garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    More Than a Museum: A Cultural Heartbeat

    What truly sets the CCBB Rio de Janeiro apart is its accessibility and comprehensive approach to culture. It’s not simply a place for passive observation; it's an immersive environment designed to engage, inspire, and foster a deeper appreciation for the arts. Its central location near Largo da Candelária ensures easy access for both locals and tourists alike, making cultural enrichment readily available to all. The CCBB is a space where one can lose themselves in the brushstrokes of a masterpiece, be moved by a powerful theatrical performance, or discover new perspectives through independent cinema – all under one magnificent roof. It embodies the vibrant soul of Rio de Janeiro and serves as a vital cultural landmark for Brazil as a whole. It’s a place where art breathes, lives, and connects with the community on a profound level.

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    QR kód odkazující na stránku ke stažení Sem título

    wahooart.com/cs/art/download/sameer-makarius-sem-titulo-D935Q9-en/

    Citace tohoto díla

    MLA
    Makarius, Sameer. Sem título. 1953, Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/sameer-makarius-sem-titulo-D935Q9-en/
    APA
    Makarius, Sameer (1953). Sem título [Painting]. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/sameer-makarius-sem-titulo-D935Q9-en/
    Chicago
    Sameer Makarius. Sem título. 1953. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/sameer-makarius-sem-titulo-D935Q9-en/
    Harvard
    Makarius, Sameer (1953) Sem título. Centro Cultural Banco do Brasil Rio de Janeiro. Available at: https://wahooart.com/cs/art/sameer-makarius-sem-titulo-D935Q9-en/

    Zaměřte se pozorně

    Sem título — Sameer Makarius

    Detailní pohled

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: abstract, geometric, texture. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Untitled (1950), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Kde v tomto díle můžete tento prvek spatřit?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Mohu si prohlédnout "Sem título" v celoplátno formátu slideshow?

    Dílo „Sem título“ od Sameer Makarius si můžete prohlédnout jako diaporama na stránce Diaporama daného díla.

    Má dílo „Sem título“ náhled v rozšířené realitě?

    Dílo „Sem título“ nabízí náhled v rozšířené realitě: na stránce Náhled v AR si jej můžete prohlédnout ve vlastním prostoru pomocí kompatibilního zařízení.

    Jakou intenzitu barev má „Sem título“ od Sameer Makarius?

    Barvy v díle „Sem título“ od Sameer Makarius mají Balanced intenzitu.