Papír

Průvodce studentskou tvorbou

Figure Study

Jméno Třída Datum

Roger Cecil, Figure Study, University of South Wales Art Collection Museum. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Roger Cecil wahooart.com/cs/artists/roger-cecil/
Datum vzniku díla
1942 – 2015
Původní rozměry
75 x 53 cm
Koná se v
University of South Wales Art Collection Museum wahooart.com/cs/museums/university-of-south-wales-art-collection-museum-pontypridd/

V kontextu

Figure Study — Roger Cecil

Jak velké je?

Původní rozměry jsou 75 × 53 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 73 při smrti.

Shaded: životopis Roger Cecil (1942–2015) každý obraz s datem vzniku, dekáda po dekádě

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/roger-cecil-figure-study-ARANJJ-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Walnut #935017

    Katalogizovaná paleta

    • #935017
    • #5F3A18
    • #F65303
    • #C14405

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Walnut
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Serene Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Unified Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Vivid Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Roger Cecil za posledních dvanáct měsíců — celkem 1 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 100,0%

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 2 nejvíce prohlížených děl umělce Roger Cecil

    1. 1 Winter Night with Angharad, 2005 100,0%
    2. — Figure Study tento obraz 0,0%

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 6 děl tohoto umělce, z nichž 1 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Roger Cecil

    Roger Cecil: A Visionary of Industrial Landscapes

    Born in Abertillery, South Wales, in 1942, Roger Cecil’s artistic journey was inextricably linked to the rugged beauty and industrial heritage of his birthplace. His early life, marked by a close relationship with his mother and a quiet, introspective nature, profoundly shaped his artistic sensibility. Unlike many artists who seek inspiration in grand landscapes or classical themes, Cecil found his muse within the gritty reality of the valleys he called home – the scarred earth, the towering slag heaps, and the weathered faces of the men who toiled within them. This intimate connection with a landscape often overlooked fueled a uniquely powerful and deeply personal body of work.

    Cecil’s formal artistic training began at Newport College of Art in 1959, where he honed his skills under the guidance of influential instructors like John Wright and Thomas Rathmell. He quickly demonstrated an aptitude for draughtsmanship and a willingness to experiment with materials, traits that would become hallmarks of his distinctive style. However, a pivotal moment arrived when he was offered a place at the Royal College of Art in London. While initially excited by the prospect, Cecil soon found himself disillusioned with the academic environment and the prevailing artistic trends. Rejecting the pressures of conformity, he returned to Abertillery, choosing instead to pursue his own path, working as a manual laborer – mining and construction – alongside his art practice. This dual existence, seamlessly blending physical labor with creative exploration, proved crucial to the development of his unique visual language.

    The Language of Scars: Cecil’s Artistic Techniques

    Cecil's artistic process was characterized by a deliberate rejection of traditional painting techniques and a fascination with the textures and materials available in his immediate surroundings. He eschewed pristine canvases and elaborate brushstrokes, instead embracing a raw, almost brutal approach. His works frequently incorporated everyday materials – sandpaper, primer, Polyfilla, grit, and even coal dust – transforming them into layers of texture and surface. This wasn’t simply about adding visual interest; it was a deliberate attempt to capture the essence of his subject matter—the scars and imperfections of the industrial landscape.

    He employed techniques such as rubbing, scraping, burnishing, and scratching to reveal underlying layers and create dynamic surfaces. His palette was predominantly dark – ochres, browns, grays, and blacks – mirroring the muted tones of his surroundings. Yet, within these somber hues, he skillfully introduced flashes of color—often achieved through the use of red oxide or other industrial pigments—to draw attention to specific details and imbue his paintings with a sense of drama and intensity. As critic Sarah Bradford noted, “He is very matter-of-fact about procedure and materials. To him painting is a very practical thing. The making is important.”

    Shaman Secret & Beyond: Themes and Symbolism

    Cecil’s paintings are often described as dreamlike landscapes infused with spiritual and psychological depth. While he resisted easy categorization, his work frequently explores themes of isolation, memory, and the relationship between humanity and the natural world. The recurring motif of the triangle—representing land or a piece of ground—and the cross—a symbol of remembrance—are prominent features in many of his compositions. These symbols, combined with fragmented forms and ambiguous narratives, invite viewers to engage in a deeply personal interpretation of the work.

    His most celebrated painting, “Shaman Secret,” exemplifies this approach. The image is dominated by a dark, almost impenetrable landscape punctuated by stark geometric shapes—a solitary figure standing before a vast expanse of earth. The painting’s power lies not in its literal depiction but in its evocation of a profound sense of mystery and the unknown. It's been suggested that Cecil was influenced by shamanic traditions, drawing on his own experiences and intuition to create works that resonate with primal imagery and spiritual symbolism.

    Legacy and Recognition

    Despite initially shunning the art world, Roger Cecil’s work gradually gained recognition throughout the 1980s and 1990s. He exhibited at Business Art Galleries in Newport and Abergavenny, receiving critical acclaim for his unique vision and technical skill. In 1995, a retrospective exhibition at the Hill Court Gallery in Abertillery provided a comprehensive overview of his career to date. Cecil’s work continues to be studied and appreciated for its raw emotional power, its innovative use of materials, and its profound engagement with the landscape of South Wales.

    Cecil's life was marked by both artistic achievement and personal struggles. He suffered from dementia in his later years, ultimately passing away in February 2015 at the age of 72. His legacy endures as a testament to the power of art to transform ordinary experiences into extraordinary expressions of vision and emotion—a reminder that beauty can be found even in the most unexpected places.

    Muzeum

    University of South Wales Art Collection Museum

    Vystaveno v Pontypridd, United Kingdom

    A Window into South Wales’ Artistic Soul

    Nestled within the architectural embrace of the Ty Crawshay Building at the Treforest Campus,

    Oriel y Bont

    – The University of South Wales Art Collection Museum serves as a profound sanctuary for the visual heritage of the region. To step into this space is to embark on an immersive journey through time, where the landscapes and cultural narratives of South Wales are meticulously preserved. Since its establishment, this institution has functioned as much more than a mere repository for static objects; it is a living, breathing chronicle of evolution, capturing the very essence of Welsh identity and the shifting tides of social history. The museum holds a fully accredited status, a testament to its rigorous commitment to safeguarding over 310 diverse pieces that resonate with those who seek to understand the region's rugged beauty and quiet, pastoral moments.

    The collection itself is a masterful tapestry of mediums, though it is predominantly defined by the evocative power of painting. Visitors are often drawn first to the architectural grandeur found within the frames, most notably the celebrated depictions of

    William Edwards' Bridge

    . These works do more than document a landmark; they breathe life into the historical significance of the structure, conveying its social weight and aesthetic majesty through varied artistic lenses. Beyond these iconic landmarks, the museum celebrates the profound connection between the artist and the land. The landscapes housed here are imbued with a palpable sense of place, reflecting the distinctive topography of South Wales with an intimacy that captures both the industrial spirit and the natural splendor of the area.

    A Dialogue Between Tradition and Modernity

    What truly distinguishes Oriel y Bont is its seamless dialogue between the historical and the contemporary. While much of the collection honors the traditions of the past, the museum remains a vital stage for modern artistic exploration. A striking example of this is found in

    Philip Nicol’s ‘Home’ (2004)

    , an oil painting that breaks from classical tradition through its use of bold color palettes and striking geometric forms. This inclusion of cutting-edge art alongside historical treasures ensures that the museum remains a dynamic space for scholarship and discovery, offering a sophisticated narrative of continuity where the weight of history meets the vibrant energy of the present.

    For the collector or interior designer, the works within this collection offer more than mere decoration; they provide a window into a specific cultural lineage. The technical mastery on display ranges from the delicate, impressionistic textures found in the works of

    Penry Williams

    to the exquisite watercolor precision of

    William Payne

    . As part of the global Art UK network, the museum’s reach extends far beyond the borders of Pontypridd, allowing the spirit of South Wales to be appreciated by an international audience. Whether one is moved by the industrial landscapes or the serene coastal scenes, every brushstroke within these walls tells a story of heritage, resilience, and the enduring beauty of the Welsh landscape.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Figure Study

    wahooart.com/cs/art/download/roger-cecil-figure-study-ARANJJ-en/

    Jak citovat toto dílo

    MLA
    Cecil, Roger. Figure Study. n.d., University of South Wales Art Collection Museum. https://wahooart.com/cs/art/roger-cecil-figure-study-ARANJJ-en/
    APA
    Cecil, Roger (n.d.). Figure Study [Painting]. University of South Wales Art Collection Museum. https://wahooart.com/cs/art/roger-cecil-figure-study-ARANJJ-en/
    Chicago
    Roger Cecil. Figure Study. n.d. University of South Wales Art Collection Museum. https://wahooart.com/cs/art/roger-cecil-figure-study-ARANJJ-en/
    Harvard
    Cecil, Roger (n.d.) Figure Study. University of South Wales Art Collection Museum. Available at: https://wahooart.com/cs/art/roger-cecil-figure-study-ARANJJ-en/

    Zaměřte se pozorně

    Figure Study — Roger Cecil

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu Summer Mist (2001), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Co by vás umělec mohl chtít vyvolat?
    5. Kdybyste mohli umělci o tomto díle položit jedinou otázku, co byste se ho zeptali?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Jak si mohu prohlédnout náhled reprodukce „Figure Study“ od Roger Cecil?

    Stránka Náhled v prostoru díla „Figure Study“ vám umožňuje prohlédnout si umělecké dílo před objednávkou.

    Jak "Figure Study" vyvažuje světlo a stín?

    U díla „Figure Study“ od Roger Cecil je zaznamenána jasnost balanced při luminanci Soft Shadow.

    Jakou saturaci a intenzitu má dílo „Figure Study“ od Roger Cecil?

    Barvy díla „Figure Study“ od Roger Cecil vykazují Vivid Color saturaci s Vivid intenzitou.