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Záznam v katalogu

Záznam v katalogu: The Mirror

Objednejte The Mirror za ručně malovaná olejová reprodukce

Jméno Třída Datum

Robert Lewis Reid, The Mirror (1910), Smithsonian American Art Museum. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Robert Lewis Reid wahooart.com/cs/artists/robert-lewis-reid_cs/
Datum vzniku díla
1862 – 1929
Malováno
1910
Koná se v
Smithsonian American Art Museum wahooart.com/cs/museums/smithsonian-american-art-museum-washington-d-c_cs/

V kontextu

The Mirror — Robert Lewis Reid

Kdy bylo toto dílo namalováno?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 67 při smrti.

Vymalováno v době, kdy bylo umělci 48 let. Umělec dožil se 67 let. 18 z celkových 34 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Robert Lewis Reid (1862–1929) ▲ toto dílo, 1910 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1899 Hlavní období tvůrčí činnosti: 1899–1912 Pozdní díla: od 1912

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/robert-lewis-reid-the-mirror-8DP9DA-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Gray #5a6976

    Katalogizovaná paleta

    • #5A6976
    • #353739
    • #A69E7A
    • #D5D0BB

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Název hlavní barvy
    Gray
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Discordant Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Bright Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Robert Lewis Reid za posledních dvanáct měsíců — celkem 9 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 49,2%3 000 návštěv
    2. 2 Ukrajina 27,9%1 700 návštěv
    3. 3 Spojené státy americké 8,2%500 návštěv
    4. 4 Rusko 4,9%300 návštěv
    5. 5 Singapur 3,3%200 návštěv
    6. 6 Kanada 1,6%100 návštěv
    7. 7 Německo 1,6%100 návštěv
    8. 8 Alžírsko 1,6%100 návštěv
    9. 9 Francie 1,6%100 návštěv

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Robert Lewis Reid

    1. 1 Fleur-De-LIs, 1899 26,2%1 600 návštěv
    2. 2 In the Flower Garden, 1900 8,2%500 návštěv
    3. 3 Lady with a Parasol 4,9%300 návštěv
    4. 4 Landscape with Waterfall, 1890 3,3%200 návštěv
    5. 5 Spring, 1910 3,3%200 návštěv
    6. 6 Portrait of a Young Girl, 1919 3,3%200 návštěv
    7. 7 Portrait of a Boy, 1885 3,3%200 návštěv
    8. 8 The Bathers 3,3%200 návštěv
    9. 9 Two Women Reading 3,3%200 návštěv
    10. 10 Her First Born 3,3%200 návštěv
    11. 11 Daphne 3,3%200 návštěv
    12. 12 Bathing in a Stream 3,3%200 návštěv
    13. 13 Study_for_-Polly- 3,3%200 návštěv
    14. 14 The White Parasol, 1907 1,6%100 návštěv
    15. 15 The Furs, 1910 1,6%100 návštěv
    16. 16 A Woodland Stream 1,6%100 návštěv
    17. 17 Reminiscing 1,6%100 návštěv
    18. 18 The Miniature, 1912 1,6%100 návštěv
    19. 19 Autumn Sunlight 1,6%100 návštěv
    20. — The Mirror, 1910 tento obraz 0,0%0 návštěv

    Tyto práce společně si nárokují 81,9% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 79 děl tohoto umělce, z nichž 30 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    The Mirror — Robert Lewis Reid

    The Robert Lewis Reid painting, The Mirror, is a stunning example of American Impressionism. Created in 1910, this oil on canvas masterpiece showcases the artist's unique style and technique. The painting is currently housed at the Smithsonian American Art Museum in Washington D.C.

    Artistic Style and Technique

    Robert Lewis Reid's work is characterized by its decorative and intimate nature, often featuring young women surrounded by flowers. In The Mirror, the artist employs a range of colors and brushstrokes to create a sense of depth and texture. The woman's face is turned away from the viewer, adding an air of mystery to the painting. Key Features of the painting include:

    A beautiful woman with long hair, wearing a blue dress with a floral pattern

    A mirror in the background, reflecting the woman's image

    Two birds visible in the background, adding a touch of whimsy to the painting

    Artist and Museum Information

    Robert Lewis Reid was an American Impressionist painter and muralist, known for his decorative and intimate works. The Smithsonian American Art Museum is one of the premier art museums in the United States, featuring a vast collection of American art from the colonial period to the present. You can find more information about the museum and its collections on AllPaintingsStore.com and Wikipedia.

    The The Mirror painting is a must-see for art lovers and enthusiasts of American Impressionism. With its beautiful colors, intricate details, and captivating subject matter, it is a true masterpiece of the genre. Whether you are interested in purchasing a handmade oil painting reproduction or simply learning more about the artist and his work, AllPaintingsStore.com is the perfect resource.

    Umělec a muzeum

    Autor

    Robert Lewis Reid

    Narozen(a) v Stockbridge, Spojené státy americké

    Robert Reid (1862–1929): A Pioneer of American Impressionism

    Early Life and Education

    European Influences and Artistic Formation

    Return to New York and Portraiture

    Murals and Public Art Commissions

    Legacy and Enduring Impact

    Early Life and Education

    Robert Lewis Reid was born in Stockbridge, Massachusetts, into a family of New England clergymen. His paternal grandmother helped found the first female anti-slavery society in North America—a testament to his family’s progressive values from an early age. He attended Phillips Academy in Andover from 1880 to 1884, honing foundational skills in draftsmanship and preparing for a life dedicated to artistic pursuits. Reid’s formal education continued at Boston’s Museum of Fine Arts under Otto Grundmann, where he immersed himself in Düsseldorf’s academic approach toward portraiture—a crucial influence shaping his early stylistic sensibilities. This grounding in classical technique would later inform his explorations of Impressionism.

    European Influences and Artistic Formation

    Reid embarked on a transformative journey to Paris in 1884, driven by an ambition to surpass the artistic standards of his peers at Phillips Academy and Boston’s Museum School. He studied at the Académie Julian under Gustave Boulanger and Jules Lefebvre—artists who championed bold color palettes and expressive brushwork—marking a decisive break from traditional academic conventions. During this period, he absorbed inspiration from Titian's masterful use of light and color, recognizing its profound impact on artistic expression. His travels through Italy further solidified his fascination with Italian art and architecture, fostering an appreciation for beauty and grandeur that would permeate his subsequent works.

    Return to New York and Portraiture

    Upon returning to New York City in 1889, Reid established himself as a portraitist—a profession he pursued diligently throughout his life. He accepted teaching positions at the Art Students League and Cooper Union, nurturing young talent and disseminating knowledge about Impressionistic principles. His portraits captured not only likenesses but also psychological depth, reflecting his keen understanding of human emotion and character. The influence of Whistler’s harmonious color schemes is palpable in many of Reid's canvases—a stylistic hallmark that distinguished him from contemporaries and cemented his reputation as a master of tonal subtlety.

    Murals and Public Art Commissions

    Reid’s artistic ambitions extended beyond easel painting; he achieved considerable acclaim as a muralist, undertaking large-scale commissions for prominent institutions across the United States. He contributed to the “White City” in Chicago during the 1893 World's Columbian Exposition—a project that showcased his mastery of composition and narrative storytelling—and adorned the walls of buildings including the Boston State House and the American Pavilion at the 1900 Exposition Universelle in Paris. His most ambitious undertaking was his monumental mural for the Library of Congress, where he skillfully blended classical influences with Impressionistic techniques to create a breathtaking visual experience.

    Legacy and Enduring Impact

    Robert Reid’s artistic legacy transcends his own prolific output—a testament to his enduring influence on American art history. As an educator, he nurtured generations of artists, encouraging them to embrace innovation while honoring tradition. Among his notable pupils was Nan Sheets, who carried forward Reid's commitment to Impressionistic painting and figurative representation. His work continues to captivate viewers with its beauty, grace, and technical brilliance—a legacy secured by the enduring admiration of critics and collectors alike. Reid stands as a pivotal figure in bridging the gap between European Impressionism and the burgeoning American artistic landscape—a voice that celebrated both elegance and accessibility, forever shaping the course of modern art.

    Muzeum

    Smithsonian American Art Museum

    Vystaveno v Washington, D.C., Spojené státy americké

    A Chronicle of American Identity: The Smithsonian American Art Museum

    Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is far more than a mere repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.

    The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.

    Architectural Echoes and Contemporary Dialogue

    The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.

    Current Explorations: Stories in Every Frame

    Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.

    A Legacy of Access and Engagement

    Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.

    Kde si přečíst více informací

    Prozkoumejte si ho na vlastní stěně: The Mirror by Robert Lewis Reid jako ručně malovaná olejová reprodukce, vyrobeno na míru

    Najděte si online

    QR kód odkazující na stránku ke stažení The Mirror

    wahooart.com/cs/art/download/robert-lewis-reid-the-mirror-8DP9DA-en/

    Jak citovat toto dílo

    MLA
    Reid, Robert Lewis. The Mirror. 1910, Smithsonian American Art Museum. https://wahooart.com/cs/art/robert-lewis-reid-the-mirror-8DP9DA-en/
    APA
    Reid, Robert Lewis (1910). The Mirror [Painting]. Smithsonian American Art Museum. https://wahooart.com/cs/art/robert-lewis-reid-the-mirror-8DP9DA-en/
    Chicago
    Robert Lewis Reid. The Mirror. 1910. Smithsonian American Art Museum. https://wahooart.com/cs/art/robert-lewis-reid-the-mirror-8DP9DA-en/
    Harvard
    Reid, Robert Lewis (1910) The Mirror. Smithsonian American Art Museum. Available at: https://wahooart.com/cs/art/robert-lewis-reid-the-mirror-8DP9DA-en/

    Zaměřte se pozorně

    The Mirror — Robert Lewis Reid

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: mirrors. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Fleur-De-LIs (1899), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Robert Lewis Reid bylo při vzniku tohoto díla ve věku přibližně 48. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Jak výrazné jsou barvy díla „The Mirror“?

    Dílo „The Mirror“ od Robert Lewis Reid je zachyceno s Subtle Color saturací a Balanced intenzitou.

    Mohu si prohlédnout "The Mirror" v celoplátno formátu slideshow?

    Dílo „The Mirror“ od Robert Lewis Reid si můžete prohlédnout v podobě diaporamy na stránce Slideshow.

    Je dílo „The Mirror“ od Robert Lewis Reid spíše světlé, nebo tmavé?

    Zaznamenané hodnoty pro dílo „The Mirror“ od Robert Lewis Reid jsou: jas bright, luminance Gentle Luminance.