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Sunderland Point

Jméno Třída Datum

Reginald Aspinwall, Sunderland Point (1910), Judges' Lodgings. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Reginald Aspinwall wahooart.com/cs/artists/reginald-aspinwall/
Datum vzniku díla
1855 – 1921
Malováno
1910
Původní rozměry
50 x 58 cm
Koná se v
Judges' Lodgings wahooart.com/cs/museums/judges-lodgings-lancaster/

V kontextu

Sunderland Point — Reginald Aspinwall

Jak velké je?

Původní rozměry jsou 50 × 58 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 66 při smrti.

Vymalováno v době, kdy bylo umělci 55 let. Umělec dožil se 66 let. 27 z celkových 30 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Reginald Aspinwall (1855–1921) ▲ toto dílo, 1910 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1886 Hlavní období tvůrčí činnosti: 1886–1908 Pozdní díla: od 1908

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/reginald-aspinwall-sunderland-point-AQV5RH-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Putty #cbcab5

    Katalogizovaná paleta

    • #CBCAB5
    • #9C8F73
    • #443A23
    • #716142

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Putty
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Reginald Aspinwall za posledních dvanáct měsíců — celkem 1 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 100,0%1 500 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 15 nejvíce prohlížených děl umělce Reginald Aspinwall

    1. 1 Home on the Morning Tide, 1886 15,0%300 visits
    2. 2 Grassyard Park, Caton, 1908 15,0%300 visits
    3. 3 Landscape – Rain O'er the Common, 1906 10,0%200 visits
    4. 4 Falls of Ogwen, Nant Ffrancon, 1881 5,0%100 visits
    5. 5 Fairy Glen, Betws y Coed, 1876 5,0%100 visits
    6. 6 Sunderland Point, 1910 tento obraz 5,0%100 visits
    7. 7 Fairy Glen, Betws y Coed, 1876 5,0%100 visits
    8. 8 A Dream of the Crook O'Lune, 1880 5,0%100 visits
    9. 9 Springtime on the Wyre, Dolphinholme, 1906 5,0%100 visits
    10. 10 Landscape with Sheep, 1906 5,0%100 visits
    11. 11 Heysham Shore, 1908 5,0%100 visits
    12. 12 Cottage by the Sea, 1880 5,0%100 visits
    13. 13 Haymaking, Twilight, Caton, 1906 5,0%100 visits
    14. 14 Marshland 5,0%100 visits
    15. 15 Home on the Morning Tide, 1886 5,0%100 visits

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 36 děl tohoto umělce, z nichž 15 byla prohlédnuta alespoň jednou. This painting ranks 6 of them, with 5,0% of that attention (100 visits). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Sunderland Point — Reginald Aspinwall

    The Sunderland Point painting, crafted by the skilled artist Reginald Aspinwall, is a captivating piece that showcases the beauty of a serene landscape. Created in 1910, this oil on canvas work measures 50 x 58 cm and is currently housed at the Judges' Lodgings museum in Lancaster, United States.

    A Glimpse into the Painting's Details

    The painting depicts a scene of people walking on a dirt road near the water's edge, with a group of sheep grazing in the foreground. The presence of boats in the background adds to the tranquility of the scene, creating a sense of depth and atmosphere. The use of oil on canvas allows for a rich texture and vibrant colors, making the painting a true masterpiece. Key Features of the painting include:

    The serene landscape, which invites the viewer to step into the peaceful world of Sunderland Point

    The use of oil on canvas, which adds depth and texture to the painting

    The presence of sheep and boats, which creates a sense of life and movement in the scene

    Discovering More about Reginald Aspinwall and his Works

    For those interested in learning more about Reginald Aspinwall and his works, visit the AllPaintingsStore website to explore his paintings, including A Dream of the Crook O'Lune. The Judges' Lodgings museum is also home to other notable works, such as John Satterthwaite by George Romney.

    The Sunderland Point painting is a testament to the skill and artistry of Reginald Aspinwall, and its beauty continues to captivate audiences today. To learn more about this painting and other works by Reginald Aspinwall, visit the AllPaintingsStore website.

    Umělec a muzeum

    Autor

    Reginald Aspinwall

    The Soul of the Lancashire Landscape

    Born amidst the industrious atmosphere of Preston, Lancashire, on January 3, 1855, Reginald Aspinwall was destined to translate the quiet majesty of the British countryside into enduring visual poetry. The son of John Aspinwall, a respected editor for the Preston Guardian, Reginald grew up in an environment steeped in intellectual curiosity and local narrative. This early exposure to the rhythms of northern England provided the foundational palette for his later works, as he began to develop a profound sensitivity to the light, mist, and topography of his homeland. His formal artistic journey commenced at the Preston Art School, where his innate talent was nurtured through rigorous classical training, setting the stage for a career defined by an unwavering devotion to the landscape genre.

    As the 1870s unfolded, Aspinwall’s ambitions led him to Lancaster, a move that would prove pivotal for both his professional development and his artistic identity. Serving as a student teacher at the Lancaster School of Art under the mentorship of the esteemed Art Master Herbert Gilbert, Aspinwall flourished within a structured academic setting. His excellence was not merely noted but celebrated; by 1876, he had earned top honors and a special prize for general study, a feat that signaled his arrival as a formidable talent in the regional art scene. This period of mentorship instilled in him a technical precision that would allow him to master both the fluid transparency of watercolours and the rich, textured depth of oils, enabling him to capture the ephemeral qualities of nature with remarkable fidelity.

    A Mastery of Light and Atmosphere

    The oeuvre of Reginald Aspinwall is characterized by an evocative ability to capture the atmospheric nuances of the British Isles. His works often transcend mere topographical recording, instead offering a romanticized glimpse into the heart of the landscape. Whether depicting the dramatic, cascading waters of the Falls of Ogwen in Nant Francon or the tranquil, sun-dappled serenity of a Fairy Glen in Betws y Coed, Aspinwall possessed a unique gift for rendering light as a living element within his compositions. His paintings frequently explore the interplay between shadow and brilliance, using soft transitions and rich color palettes to evoke the damp, misty air of Wales and the coastal breezes of Morecambe Bay.

    Aspinwall’s technical versatility allowed him to navigate various moods within the landscape genre:

    Coastal Serenity: In works such as Morecambe Bay, he captured the vast, shifting textures of the shoreline, emphasizing the rhythmic beauty of the tides.

    Romanticized Woodlands: His depictions of glens and forests utilized lush greens and deep ochres to create a sense of enchantment and seclusion.

    Rural Nostalgia: Through scenes of haymaking and pastoral life, he celebrated the enduring traditions of the English countryside, imbuing them with a sense of timelessness.

    Legacy Amidst Shadow and Light

    Despite his immense talent and early accolades, the later years of Aspinwall’s life were marked by profound personal tragedy. The very sensitivity that allowed him to perceive the subtle beauty of the world also left him vulnerable to the hardships of life. As he faced increasing financial instability and the struggles of alcohol dependence, the brilliance of his output began to fluctuate, reflecting a turbulent inner landscape. His later years were spent in the shadows of the Lancaster Workhouse and eventually the Lancaster County Asylum, where he passed away on February 26, 1921. This poignant decline adds a layer of melancholy to his legacy, transforming his bright landscapes into a bittersweet testament to a lost brilliance.

    Yet, the historical significance of Reginald Aspinwall remains undiminished by his personal struggles. As an Associate of the Royal Cambrian Academy and a frequent exhibitor at the prestigious Royal Academy in London, he secured a place within the canon of Victorian and Edwardian landscape painters. His contributions are preserved in significant public collections, including the Harris Museum & Art Gallery and the Lancaster City Museum, ensuring that his vision of a tranquil, evocative Britain continues to inspire. Today, his work stands as a vital link to a vanished era of English pastoralism, offering viewers a window into a world of breathtaking natural splendor and quiet, enduring grace.

    Muzeum

    Judges' Lodgings

    Vystaveno v Lancaster, United States of America

    A Legacy of Craftsmanship: Unveiling the Judges’ Lodgings

    Nestled within the historic heart of Lancaster, a city steeped in tales of justice and folklore, lies the Judges’ Lodgings – a remarkably preserved townhouse that offers an unparalleled glimpse into England's past. More than just a museum, it’s a living narrative woven through centuries, its very stones echoing with the voices of assize judges, Victorian children, and the whispers of a region grappling with both grandeur and darkness. Originally constructed in 1625 as a private residence, the building’s evolution—from stately home to public institution—has imbued it with layers of significance, creating an immersive experience for visitors seeking to connect with history on a profoundly human level. The Judges' Lodgings stands as a testament to architectural adaptation and a poignant reminder of how spaces can absorb and reflect the lives they have sheltered.

    A Foundation of History:

    The building’s origins trace back even further, with foundations suggesting Roman occupation – a subtle but powerful connection to Lancaster’s long and complex past.

    Judicial Residence:

    From 1826 onwards, the Judges' Lodgings served as accommodation for travelling judges presiding over court cases at nearby Lancaster Castle, transforming it into a hub of legal proceedings.

    Architectural Evolution:

    The building’s design reflects evolving architectural styles, showcasing elements from the Elizabethan era through to the Regency period, offering a tangible record of changing tastes and construction techniques.

    The Gillow Collection: A Symphony of Georgian Elegance

    At the heart of the Judges' Lodgings lies an extraordinary collection of furniture crafted by Gillows of Lancaster and London – a firm renowned throughout the 18th and 19th centuries for their unparalleled skill, innovation, and dedication to quality. These weren’t merely functional pieces; they were works of art, embodying the pinnacle of Georgian and Regency design. The museum houses an impressive array of mahogany tables, intricately carved chairs, and exquisitely constructed cabinets – each a testament to the meticulous craftsmanship of Gillow artisans. What truly sets this collection apart is its integration into the period rooms themselves, allowing visitors to experience how these furnishings would have graced elegant homes, enhancing daily life with their beauty and sophistication. Studying these pieces offers invaluable insight into historical styles, techniques, and the evolving aesthetic sensibilities of the era. The sheer scale and quality of the Gillow collection represent a remarkable investment in artistry and a lasting legacy of British furniture making.

    Notable Pieces Include:

    A magnificent mahogany dining table, showcasing intricate marquetry and hand-carved details.

    Elegant Regency chairs upholstered in luxurious silk brocade.

    Exquisitely crafted cabinets displaying the hallmarks of Gillow’s signature style – precision, elegance, and attention to detail.

    Echoes of Childhood & The Victorian World

    Beyond the grandeur of the Gillow furniture, the Judges' Lodgings offers a poignant journey through time with its captivating Museum of Childhood. This delightful section transports visitors back to bygone eras, displaying an enchanting collection of Victorian toys, games, and educational materials – from delicate porcelain dolls to intricate mechanical trains. These objects offer a glimpse into the lives of children from different social backgrounds, revealing how play and learning have evolved over generations. The museum doesn’t shy away from portraying both the joys and hardships of childhood in the past, providing a nuanced perspective on societal norms and family life. Contrasting this intimate view of domesticity are the meticulously preserved Regency Rooms, which transport visitors to an era defined by elegance, refinement, and social grace – showcasing richly patterned wallpapers, luxurious fabrics, and decorative details that reflect the prevailing aesthetic sensibilities of the period.

    A Tapestry of Lancashire History: Pendle & Beyond

    The Judges’ Lodgings is inextricably linked to the rich and often turbulent history of Lancashire. Exhibits delve into the region's past, exploring significant events such as the infamous Pendle Witch Trials – a dark chapter in English folklore where local women were accused of witchcraft and subjected to harrowing persecution. The museum doesn’t merely recount these events; it contextualizes them within the broader social and political landscape of the time, shedding light on the beliefs, fears, and prejudices that fueled such injustices. Further exhibits trace the evolution of Victorian life in Lancashire, examining the impact of industrialization, urbanization, and social reform. The museum's commitment to preserving and interpreting local history makes it a vital cultural resource for both residents and visitors, fostering a deeper understanding of the region’s unique identity and heritage. The Judges’ Lodgings stands as a powerful reminder that history is not simply a collection of dates and facts but a complex web of human experiences – triumphs, tragedies, and enduring legacies.

    A Unique Cultural Beacon: Engaging with the Past

    What truly sets the Judges' Lodgings apart is its ability to seamlessly blend historical scholarship with engaging presentation. The museum isn’t simply a static display of artifacts; it’s a dynamic space that encourages exploration, interaction, and reflection. From informative guided tours to interactive exhibits, visitors are invited to immerse themselves in the past and connect with the stories behind the objects on display. The preservation of the Gillow furniture collection is particularly significant, safeguarding a vital part of England’s artistic heritage for future generations. The Judges' Lodgings stands as a testament to the power of museums to not only preserve history but also to bring it to life, inspiring curiosity, fostering appreciation for craftsmanship, and enriching our understanding of the human experience.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Sunderland Point

    wahooart.com/cs/art/download/reginald-aspinwall-sunderland-point-AQV5RH-en/

    Jak citovat toto dílo

    MLA
    Aspinwall, Reginald. Sunderland Point. 1910, Judges' Lodgings. https://wahooart.com/cs/art/reginald-aspinwall-sunderland-point-AQV5RH-en/
    APA
    Aspinwall, Reginald (1910). Sunderland Point [Painting]. Judges' Lodgings. https://wahooart.com/cs/art/reginald-aspinwall-sunderland-point-AQV5RH-en/
    Chicago
    Reginald Aspinwall. Sunderland Point. 1910. Judges' Lodgings. https://wahooart.com/cs/art/reginald-aspinwall-sunderland-point-AQV5RH-en/
    Harvard
    Aspinwall, Reginald (1910) Sunderland Point. Judges' Lodgings. Available at: https://wahooart.com/cs/art/reginald-aspinwall-sunderland-point-AQV5RH-en/

    Zaměřte se pozorně

    Sunderland Point — Reginald Aspinwall

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu Fairy Glen, Betws y Coed (1876), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Reginald Aspinwall bylo při vzniku tohoto díla ve věku přibližně 55. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Kde si mohu prohlédnout náhled díla "Sunderland Point"?

    Chcete-li si prohlédnout náhled reprodukce díla „Sunderland Point“ od Reginald Aspinwall, otevřete stránku Náhled v prostoru tohoto díla.

    Jaké barvy dominují dílu „Sunderland Point“ od Reginald Aspinwall?

    Dílo „Sunderland Point“ od Reginald Aspinwall využívá paletu Neutrals, přičemž hlavní barvou je Putty (#cbcab5).

    Je u díla „Sunderland Point“ od Reginald Aspinwall povoleno vytvářet reprodukce z důvodu autorského práva?

    Autorskoprávní status díla „Sunderland Point“ od Reginald Aspinwall je jasný: toto dílo spadá do v rámci volného užití – autorská práva vypršela. Jeho umístění v instituci Judges' Lodgings tento stav nemění.