Formát papíru

Průvodce studentskou tvorbou

Interventions in Situations-II_SECTION-2

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Jméno Ročník Datum
Rathin Barman, Interventions in Situations-II_SECTION-2 (2013), Devi Art Foundation. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
Rathin Barman wahooart.com/cs/artists/rathin-barman/
Datum vzniku díla
1981 – ?
Malováno
2013
Místo konání
Devi Art Foundation wahooart.com/cs/museums/devi-art-foundation-gurugram/

In context

Interventions in Situations-II_SECTION-2 — Rathin Barman

Kdy bylo toto dílo vytvořeno?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Shaded: životopis Rathin Barman (1981–?) ▲ toto dílo, 2013

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/rathin-barman-interventions-in-situations-ii-section-2-D5DFWZ-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Gray #7b6d57

    Uložená paleta

    • #7B6D57
    • #25232D
    • #C2C0B0
    • #A19379
    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Gray
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Brilliant Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Interventions in Situations-II_SECTION-2 — Rathin Barman

    Umělec

    Rathin Barman

    Born in Tripura, India

    Rathin Barman: Exploring Fluidity Through Architectural Landscapes

    Rathin Barman, born in Tripura, India in 1981, is a prolific artist whose work transcends traditional boundaries, delving into the complexities of sociopolitical narratives through innovative sculptural and architectural explorations. His artistic journey began with formal education in 2010, shaping his perspective on how art can serve as a conduit for understanding historical contexts. Barman’s core preoccupation lies in examining architecture not merely as static structures but as dynamic entities that embody and communicate history—a deliberate challenge to the conventional notion of permanence.

    Early Influences: Barman's artistic sensibilities were nurtured by a fascination with urban environments and their role in shaping human experience.

    Conceptual Framework: He operates under a conceptual framework that prioritizes fluidity and evolution, recognizing that buildings are constantly adapting to social forces and cultural shifts.

    Medium Exploration: Primarily focused on sculpture, Barman utilizes materials like concrete and steel to create monumental pieces that engage with spatial dimensions and provoke contemplation about societal structures.

    His sculptural work, notably “Interventions in Situations-II_SECTION 1” (2013), exemplifies this approach.

    Muzeum

    Devi Art Foundation

    On show in Gurugram, India

    A Sanctuary of South Asian Vision: The Devi Art Foundation

    In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.

    The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s

    “Durga Confronts the Buffalo Demon Mahisha,”

    where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Interventions in Situations-II_SECTION-2

    wahooart.com/cs/art/download/rathin-barman-interventions-in-situations-ii-section-2-D5DFWZ-en/

    Citace tohoto díla

    MLA
    Barman, Rathin. Interventions in Situations-II_SECTION-2. 2013, Devi Art Foundation. https://wahooart.com/cs/art/rathin-barman-interventions-in-situations-ii-section-2-D5DFWZ-en/
    APA
    Barman, Rathin (2013). Interventions in Situations-II_SECTION-2 [Painting]. Devi Art Foundation. https://wahooart.com/cs/art/rathin-barman-interventions-in-situations-ii-section-2-D5DFWZ-en/
    Chicago
    Rathin Barman. Interventions in Situations-II_SECTION-2. 2013. Devi Art Foundation. https://wahooart.com/cs/art/rathin-barman-interventions-in-situations-ii-section-2-D5DFWZ-en/
    Harvard
    Barman, Rathin (2013) Interventions in Situations-II_SECTION-2. Devi Art Foundation. Available at: https://wahooart.com/cs/art/rathin-barman-interventions-in-situations-ii-section-2-D5DFWZ-en/

    Look closely

    Interventions in Situations-II_SECTION-2 — Rathin Barman

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Home, and a Home, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Rathin Barman was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.