Formát papíru

Průvodce studentskou tvorbou

Sculpture Architecturale

Jméno Ročník Datum

otto freundlich, Sculpture Architecturale (1935), Lehmbruck Museum. Právo veřejné domény

Zásadní informace

Autor
otto freundlich wahooart.com/cs/artists/otto-freundlich/
Datum vzniku díla
1878 – 1943
Malováno
1935
Původní rozměry
69 x 128 cm
Místo konání
Lehmbruck Museum wahooart.com/cs/museums/lehmbruck-museum-dusseldorf/

V kontextu

Sculpture Architecturale — otto freundlich

Jak velký je?

Původní rozměry jsou 69 × 128 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Shaded: životopis otto freundlich (1878–1943) ▲ toto dílo, 1935

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    Umělec a muzeum

    Umělec

    otto freundlich

    Narozen v Stolp, Germany

    otto freundlich was a german painter and sculptor of jewish origin. he was born on july 10, 1878, in stolp, germany (now poland) and died on march 9, 1943, in the majdanek concentration camp in german-occupied poland. freundlich was a part of the first generation of abstract painters in western art and was a great admirer of cubism. he was murdered during the holocaust. freundlich's work was condemned by the nazis as degenerate and removed from public display. some works were seized and displayed at the infamous nazi exhibition of degenerate art, including his monumental sculpture 'der neue mensch' which was used as the cover illustration of the exhibition catalogue. freundlich was also known as otto frenkiel.

    Muzeum

    Lehmbruck Museum

    Vystaveno v Düsseldorf, Germany

    A Sanctuary of Emotion: The Soul of the Lehmbruck Museum

    In the heart of Duisburg, nestled within the verdant embrace of Kantpark, lies a destination that transcends the traditional boundaries of a gallery. The Stiftung Wilhelm Lehmbruck Museum is not merely a repository for stone and bronze; it is a profound testament to the human condition, a space where the weight of history meets the lightness of modern form. For the discerning art lover or the collector seeking works that resonate with existential depth, this institution offers an intimate encounter with the spirit of Wilhelm Lehmbruck, one of the most poignant voices of German Expressionism. To step inside is to enter a realm of quiet contemplation, where every elongated silhouette and melancholic curve invites the viewer to confront themes of vulnerability, longing, and the fragile beauty of existence.

    The museum’s collection serves as a powerful dialogue between the physical and the metaphysical. At its core are the masterpieces of Lehmbruck himself, whose ability to translate collective trauma into tangible form remains unparalleled. His iconic Fallen Man (1915-16) stands as a haunting sentinel of the post-World War I era, capturing not just physical collapse, but a spiritual devastation that echoed across a fractured Europe. Alongside these monumental works, one finds Lehmbruck’s numerous female nudes—figures characterized by graceful yet sorrowful lines that explore the inner world of quiet desperation. This sculptural narrative is beautifully complemented by an extraordinary array of 20th-century masters, including the raw emotionality of Käthe Kollwitz and Ernst Barlach, the geometric innovations of Alexander Archipenko, and the surrealist wonders of Pablo Picasso and Salvational Dalí. For the interior designer, these works offer a masterclass in how form and texture can imbue a space with profound emotional resonance.

    The architectural setting of the museum is as much a work of art as the sculptures it houses. Designed by Lehmbruck’s son, the architect Manfred Lehmbruck, the complex is a triumph of post-war modernism. The ensemble is characterized by a harmonious blend of clean lines and expansive, light-filled volumes that foster a seamless connection between the art and its environment. The structure consists of an earthbound concrete wing dedicated to the permanent collection, paired with a breathtaking glass hall that invites the shifting natural light to dance across the surfaces of the sculptures. This architectural transparency extends beyond the walls into the seven-hectare Kantpark sculpture park, where monumental works by artists such as Henry Moore and Magdalena Abakanowicz reside under the open sky, blurring the distinction between the curated interior and the natural world.

    What truly distinguishes the Lehmbruck Museum is its role as a living, breathing cultural hub. It does not merely preserve the past; it actively engages with the pulse of contemporary sculpture through rotating exhibitions that challenge and inspire. By showcasing both historical legends and emerging talents, the museum ensures that the trajectory of sculptural innovation remains a continuous, unfolding story. Whether one is drawn by the historical significance of the German Expressionist movement or the aesthetic allure of modern abstraction, the Lehmbruck Museum offers an unparalleled experience—a place where art possesses the transformative power to touch not only our surroundings but the very depths of our inner lives.

    Více informací zde

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    QR kód odkazující na stránku ke stažení Sculpture Architecturale

    wahooart.com/cs/art/download/otto-freundlich-sculpture-architecturale-D66HAU-en/

    Citace tohoto díla

    MLA
    freundlich, otto. Sculpture Architecturale. 1935, Lehmbruck Museum. https://wahooart.com/cs/art/otto-freundlich-sculpture-architecturale-D66HAU-en/
    APA
    freundlich, otto (1935). Sculpture Architecturale [Painting]. Lehmbruck Museum. https://wahooart.com/cs/art/otto-freundlich-sculpture-architecturale-D66HAU-en/
    Chicago
    otto freundlich. Sculpture Architecturale. 1935. Lehmbruck Museum. https://wahooart.com/cs/art/otto-freundlich-sculpture-architecturale-D66HAU-en/
    Harvard
    freundlich, otto (1935) Sculpture Architecturale. Lehmbruck Museum. Available at: https://wahooart.com/cs/art/otto-freundlich-sculpture-architecturale-D66HAU-en/

    Podívejte se pozorně

    Sculpture Architecturale — otto freundlich

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. otto freundlich bylo při vzniku tohoto díla ve věku přibližně 57. Co v něm vypadá jako práce umělce v této životní fázi?
    4. Co by vás umělec mohl chtít vyvolat?
    5. Kdybyste mohli umělci položit o tomto díle jednu jedinou otázku, co by to bylo?

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