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Wili

Jméno Ročník Datum

olga švedė-dubeneckienė-kalpokienė, Wili (1931), Lithuanian Art Fund. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
olga švedė-dubeneckienė-kalpokienė wahooart.com/cs/artists/olga-svede-dubeneckiene-kalpokiene/
Datum vzniku díla
1891 – 1967
Malováno
1931
Původní rozměry
34 x 40 cm
Místo konání
Lithuanian Art Fund wahooart.com/cs/museums/lithuanian-art-fund-vilnius/

V kontextu

Wili — olga švedė-dubeneckienė-kalpokienė

Jak velký je?

Původní rozměry jsou 34 × 40 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Shaded: životopis olga švedė-dubeneckienė-kalpokienė (1891–1967) ▲ toto dílo, 1931

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    O tomto uměleckém díle

    Wili — olga švedė-dubeneckienė-kalpokienė

    The hard-toed ballet shoes (point shoes) and a three-quarter-length tutu (a bell-shaped skirt made of multiple-layered tulle), worn with a tight bodice, associate this scene with a romantic ballet, as ever since the legendary Marie Taglioni’s Sylph (La Sylphide premièred at the Paris Opera in 1832), the costume has been standard dress for ballerinas. The moonlit scene and the cross with the inscription ‘Giselle’ indicate that Giselle, probably the most famous Classical ballet of all time, inspired Olga Schwede-Dubeneckienė-Kalpokienė (1891–1967) to depict a weightless dancer fluttering over a flowering meadow and a forest stream. It is likely that in this decorative composition with its romantic mood, the painter expressed her impressions of the ballet’s Kaunas première after 1931 (the production artist was Mstislav Dobuzhinsky). She painted one of the virgins in the ballet, a Wili, probably the very same Giselle who died of unrequited love. From an iconographic and stylistic point of view, the work is closer to the scenery (1944) and costume (1947) sketches for the ballet La Sylphide made over a decade later by Dubeneckienė-Kalpokienė, which remained unused and ended up in the collection of the Lithuanian Theatre, Music and Cinema Museum.

    Umělec a muzeum

    Umělec

    olga švedė-dubeneckienė-kalpokienė

    Narozen v Saint Petersburg, Russia

    early life and career

    olga švedė-dubeneckienė-kalpokienė, also known as olga dubeneckienė-kalpokienė, was a lithuanian ballet artist, ballet master, painter, and educator. she was born on may 30, 1891, in saint petersburg, russia, and died on september 8, 1967, in kaunas, lithuania. dubeneckienė-kalpokienė was one of the most prominent figures in the lithuanian theatre, ballet, and art history.

    artistic career

    as a painter, dubeneckienė-kalpokienė was known for her modern approach towards dance and her unique photographic collection, which showcases a new concept of the connection between modern dance and the human body. her photographic images are divided into two main themes: dance portraits and photographs of the seaside. she was also a well-known russian-lithuanian artist, ballet teacher, choreographer, and set designer. dubeneckienė-kalpokienė's ballet career began in saint petersburg, where she studied dance and performed in various theatres. in 1918, she moved to lithuania with her husband, architect vladimiras dubeneckis.

    notable works and collections

    some of her notable works can be found in the kharkov museum of art in ukraine, which features a collection of paintings by prominent ukrainian artists such as sergei arsenievich vinogradov, nikolai pimonenko, and konstantin yakovlevich kryzhitsky. the museum's collection includes over 20,000 works of art, including paintings, sculptures, and graphics from various periods and styles. for more information on the kharkov museum of art and its collection, visit kharkov museum of art.

    legacy and impact

    dubeneckienė-kalpokienė's work as a ballet master and educator has had a lasting impact on the lithuanian ballet scene. she was also a painter and pedagogue, and her contributions to the development of ballet in lithuania are still celebrated today. her legacy can be seen in the many influential artists and dancers who have followed in her footsteps. for more information on olga švedė-dubeneckienė-kalpokienė and her work, visit sergei arsenievich vinogradov.

    some of her notable works include dance portraits and photographs of the seaside.

    her ballet career began in saint petersburg, where she studied dance and performed in various theatres.

    she was also a well-known russian-lithuanian artist, ballet teacher, choreographer, and set designer.

    dubeneckienė-kalpokienė's contributions to the world of ballet and art are a testament to her dedication and passion for her craft. her legacy continues to inspire artists and dancers around the world. for more information on the saryan museum and its collection, visit nikolai pimonenko.

    Muzeum

    Lithuanian Art Fund

    Vystaveno v Vilnius, Lithuania

    A Sanctuary of Soulful Heritage: The Lithuanian Art Fund

    Nestled within the historic heart of Vilnius, the Lithuanian Art Fund offers far more than a mere exhibition of objects; it provides an intimate portal into the very essence of Lithuania’s artistic soul. Unlike the sweeping, monumental narratives found in grand national galleries, this private collection, established by the visionary Dr. Jaunius Gumbis, invites a profound personal connection. It is a place where history does not feel like a distant memory, but a living, breathing presence. The museum serves as a delicate bridge to the era of the Grand Duchy of Lithuania, a period of unparalleled cultural flourishing where the influences of Poland, Russia, and Western Europe converged to create a unique, multifaceted identity.

    The collection itself is a tapestry of diverse traditions, woven with threads of folk art, sculpture, and rare literature. Visitors find themselves wandering through layers of time, encountering handcrafted treasures that whisper stories of ancient spiritual beliefs and the rhythmic pulse of daily Lithuanian life. The museum’s strength lies in its curated intimacy, prioritizing the emotional resonance of each piece over sheer volume. From the intricate patterns of traditional folk crafts to the evocative power of oil paintings, every item has been selected to foster a sense of discovery, allowing the observer to lose themselves in the nuanced beauty of a bygone era.

    Among the collection's most captivating highlights are the works that capture the shifting light and spirit of the Lithuanian landscape and its people. The watercolor landscapes of Józef Bałzukiewicz offer a masterful glimpse into 18th-century life, where every brushstroke reconstructs the dignity of a nobleman or the quiet bustle of a street corner with historical precision. This sense of nostalgia is echoed in the delicate, translucent layers of Helena Römer-Ochenkowska’s views of Vilnius, which transport the viewer to the pastoral serenity of 1900. For those drawn to deeper spiritual symbolism, the collection presents the profound emotive depth of Stanislovas Grigalauskas (Daunoras), particularly his hauntingly beautiful ‘St Peter Weeping,’ alongside the dreamy, Symbolist landscapes of Kazimierz Stabrowski.

    The architecture of the Lithuanian Art Fund further enhances this immersive experience. Housed in a beautifully preserved historic building, the museum provides a contemplative atmosphere that is rare in the modern age. The setting itself acts as a silent curator, its aged walls and quiet corners encouraging a slow, meditative approach to art appreciation. For collectors and interior designers seeking inspiration, the Fund offers a masterclass in how art can transform a space into a sanctuary of culture. It remains a singular destination for those who seek to understand not just the history of Lithuanian art, but the enduring spirit that continues to define its creative legacy.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Wili

    wahooart.com/cs/art/download/olga-svede-dubeneckiene-kalpokiene-wili-D8D8SP-en/

    Citace tohoto díla

    MLA
    švedė-dubeneckienė-kalpokienė, olga. Wili. 1931, Lithuanian Art Fund. https://wahooart.com/cs/art/olga-svede-dubeneckiene-kalpokiene-wili-D8D8SP-en/
    APA
    švedė-dubeneckienė-kalpokienė, olga (1931). Wili [Painting]. Lithuanian Art Fund. https://wahooart.com/cs/art/olga-svede-dubeneckiene-kalpokiene-wili-D8D8SP-en/
    Chicago
    olga švedė-dubeneckienė-kalpokienė. Wili. 1931. Lithuanian Art Fund. https://wahooart.com/cs/art/olga-svede-dubeneckiene-kalpokiene-wili-D8D8SP-en/
    Harvard
    švedė-dubeneckienė-kalpokienė, olga (1931) Wili. Lithuanian Art Fund. Available at: https://wahooart.com/cs/art/olga-svede-dubeneckiene-kalpokiene-wili-D8D8SP-en/

    Podívejte se pozorně

    Wili — olga švedė-dubeneckienė-kalpokienė

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. olga švedė-dubeneckienė-kalpokienė bylo při vzniku tohoto díla ve věku přibližně 40. Co v něm vypadá jako práce umělce v této životní fázi?
    4. Co by vás umělec mohl chtít vyvolat?
    5. Kdybyste mohli umělci položit o tomto díle jednu jedinou otázku, co by to bylo?

    Vaše odpověď

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