Formát papíru

Průvodce studentskou tvorbou

Carp Swimming up a Waterfall

Jméno Ročník Datum

maruyama ozui, Carp Swimming up a Waterfall, Museum of Oriental Art. Právo veřejné domény

Zásadní informace

Autor
maruyama ozui wahooart.com/cs/artists/maruyama-ozui/
Datum vzniku díla
1766 – 1829
Medium
Ink
Původní rozměry
48 x 185 cm
Pohyb
Sumi-e East Asian ink painting where a few confident brushstrokes must carry the whole image.
Období
19th Century
Místo konání
Museum of Oriental Art wahooart.com/cs/museums/museum-of-oriental-art-turin/
Artistic style
Sumi-e (ink wash painting)
Influences
Maruyama Ōkyo
Notable elements or techniques
Sumi-e ink wash, splash technique
Subject or theme
Perseverance and strength

V kontextu

Carp Swimming up a Waterfall — maruyama ozui

Jak velký je?

Původní rozměry jsou 48 × 185 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820

Shaded: životopis maruyama ozui (1766–1829)

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Rosy Brown #d2ac78

    Uložená paleta

    • #D2AC78
    • #1C1D21
    • #956741
    • #B5824F
    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Rosy Brown
    Sytost
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Strong Color Unity Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Balanced Soft Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Carp Swimming up a Waterfall — maruyama ozui

    Dipinto datato anno della Capra Kansei 11, corrispondente al 1799, nel mezzo dell

    Umělec a muzeum

    Umělec

    maruyama ozui

    Narozen v Kyoto, Japan

    A Legacy of Splashing Ink: The Life and Art of Maruyama Ozui

    Maruyama Ozui, born in Kyoto in 1766 and passing away in 1829, occupies a fascinating position within the landscape of Japanese painting. Though often overshadowed by his father, the celebrated Maruyama Ōkyo—the founder of the influential Maruyama school—Ozui carved out his own distinct artistic identity, becoming renowned for his dynamic depictions of fish, waterfalls, and landscapes imbued with a remarkable sense of energy. His work represents not merely imitation but a sensitive continuation and evolution of the family’s aesthetic principles, marked by a distinctive “splash” technique that brought an unprecedented vitality to traditional Japanese motifs.

    The Shadow of a Master: Early Life and Training

    Ozui's artistic journey was inextricably linked to his father’s towering presence. Maruyama Ōkyo had already revolutionized Japanese painting by the time Ozui came of age, challenging established conventions with his commitment to realistic representation—a style informed by both Western perspective techniques encountered through imported stereoscopes and a deep study of Chinese masters like Qian Xuan and Qiu Ying. Ozui benefited immensely from this environment, receiving rigorous training directly under Ōkyo’s tutelage. This apprenticeship instilled in him not only technical proficiency but also a profound understanding of the principles underpinning the Maruyama school: a focus on direct observation from nature (shasei), meticulous detail, and a rejection of overly stylized or formulaic approaches. However, Ozui wasn't simply a copyist; he absorbed these lessons and began to develop his own unique voice, one that embraced a more fluid and expressive handling of ink and color.

    A Distinctive Style: Fish, Waterfalls, and the ‘Splash’ Technique

    While Ōkyo’s work often featured detailed botanical studies and portraits, Ozui gravitated towards subjects that allowed him to showcase his burgeoning talent for capturing movement and atmosphere. He became particularly celebrated for his paintings of fish—carp, sweetfish, and other aquatic creatures rendered with astonishing realism and a palpable sense of life. These were not static representations; they seemed to shimmer and dart across the canvas, their scales catching the light, their fins trailing in the current. Central to this effect was Ozui’s innovative “splash” technique—a method of applying ink and color in bold, spontaneous strokes that created a dynamic interplay of textures and tones. This wasn't merely about replicating the appearance of water; it was about conveying its essence—its power, its fluidity, its ever-changing nature. His waterfalls, too, benefited from this approach, becoming swirling vortices of energy that seemed to leap off the page.

    Collaborative Works and Artistic Legacy

    Ozui’s career wasn't solely defined by individual masterpieces. He frequently collaborated with other artists—a common practice in Japanese painting traditions—often contributing sections to larger-scale compositions. A notable example is a four-panel sliding door composition featuring a school of fish, an eel and a turtle, where Ozui worked alongside his father and several other prominent painters like Nagasawa Rosetsu and Yamamoto Shurei. These collaborative projects demonstrate the interconnectedness of the artistic community in Kyoto during this period and highlight Ozui’s respected position within it. While documentation of his life remains somewhat sparse, his surviving works—particularly those showcasing his signature “splash” technique—have secured his place as a significant figure in Japanese art history. He inherited his father's position as head of the Maruyama school, ensuring its continued influence for generations to come. His paintings continue to captivate viewers with their vibrant energy and masterful depiction of the natural world, serving as a testament to the enduring power of observation, skill, and artistic innovation.

    Muzeum

    Museum of Oriental Art

    Vystaveno v Turin, Italy

    About the Museum of Oriental Art, Turin

    Discover a captivating world of Asian art at the Museum of Oriental Art (MOA) in Turin, Italy. This hidden gem offers an extraordinary journey through diverse artistic traditions spanning millennia and continents.

    Specializations & Collections

    Broad Scope:

    The museum boasts a collection of over 2,300 works representing the cultural and artistic heritage of Asia, from Neolithic China to the Islamic world.

    Key Areas:

    Specializations include Chinese art (neolithic pottery, ritual bronzes, lacquers, funerary art), Japanese art (statues, paintings, lacquers), Himalayan Buddhist art (Bhutan, Nepal, Tibet), and Islamic art (Turkey, Iran, Iraq, Arabian Peninsula).

    Archaeological Finds:

    Beyond artworks, the museum houses over 1,400 archaeological finds from excavations in Seleucia and Coche (Iraq), dating back to pre-Islamic periods.

    Collection Highlights:

    Expect to encounter exquisite ceramics, intricate paintings, stunning sculptures, and textiles reflecting the rich diversity of Asian artistic expression.

    History & Establishment

    The MOA opened on December 5, 2008, through a merger of the Asian collection previously held at Turin’s City Museum of Ancient Art (Palazzo Madama) and contributions from various foundations and the city itself. Architect Andrea Bruno oversaw the meticulous restoration of Palazzo Mazzonis to create a fitting home for this remarkable collection.

    Architecture & Setting

    The museum is housed within a beautifully restored 17th-century palazzo, offering an elegant backdrop to its treasures. A unique feature includes two serene Japanese rock gardens located in the courtyard, providing moments of contemplation and tranquility. The building itself blends historical charm with modern exhibition spaces.

    What Makes it Unique?

    Comprehensive Asian Representation:

    Unlike museums focusing on a single region, MOA provides a broad overview of artistic traditions across the entire Asian continent.

    Archaeological Depth:

    The inclusion of archaeological finds adds another layer to understanding the historical context of the artworks.

    Hidden Gem Status:

    Often overlooked by mainstream tourist routes, MOA offers a more intimate and immersive experience for art enthusiasts.

    Cultural Bridge:

    The museum serves as an important cultural bridge between Italy and Asia, fostering appreciation and understanding of diverse artistic heritages.

    Whether you are a seasoned art connoisseur or simply curious about Asian cultures, the Museum of Oriental Art in Turin promises a rewarding and unforgettable experience.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Carp Swimming up a Waterfall

    wahooart.com/cs/art/download/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/

    Citace tohoto díla

    MLA
    ozui, maruyama. Carp Swimming up a Waterfall. n.d., Museum of Oriental Art. https://wahooart.com/cs/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/
    APA
    ozui, maruyama (n.d.). Carp Swimming up a Waterfall [Painting]. Museum of Oriental Art. https://wahooart.com/cs/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/
    Chicago
    maruyama ozui. Carp Swimming up a Waterfall. n.d. Museum of Oriental Art. https://wahooart.com/cs/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/
    Harvard
    ozui, maruyama (n.d.) Carp Swimming up a Waterfall. Museum of Oriental Art. Available at: https://wahooart.com/cs/art/maruyama-ozui-carp-swimming-up-a-waterfall-D8GAET-en/

    Podívejte se pozorně

    Carp Swimming up a Waterfall — maruyama ozui

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Náš katalog řadí toto dílo pod: carp, waterfall, nature. Souhlasíte? Co byste přidali nebo odebrali?
    4. Sumi-e: East Asian ink painting where a few confident brushstrokes must carry the whole image. Kde je v tomto díle můžete spatřit?
    5. Témata, která se v díle maruyama ozui opakovaně objevují: maruyama school influence, sumi-e ink wash tradition, symbol of perseverance. Které z nich vidíte i zde?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Využijte k tomu fakta z předchozích částí tohoto průvodce a své odpovědi uvedené výše.