Formát papíru

Průvodce studentskou tvorbou

Anemones and Pewter

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Jméno Ročník Datum
horace copson, Anemones and Pewter (1948), Corby Borough Council. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
horace copson wahooart.com/cs/artists/horace-copson/
Datum vzniku díla
1903 – 1980
Malováno
1948
Původní rozměry
24 x 38 cm
Místo konání
Corby Borough Council wahooart.com/cs/museums/corby-borough-council-corby/

In context

Anemones and Pewter — horace copson

How big is it?

The original measures 24 × 38 cm (height × width), drawn here beside an adult of average height.

Kdy bylo toto dílo vytvořeno?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Shaded: životopis horace copson (1903–1980) ▲ toto dílo, 1948

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/horace-copson-anemones-and-pewter-AQUGRC-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Gray #806f5d

    Uložená paleta

    • #806F5D
    • #1D1F18
    • #40382B
    • #AA9B85
    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Gray
    Sytost
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Balanced Harmony Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Anemones and Pewter — horace copson

    Umělec

    horace copson

    Horace Copson: A Visionary of Industry and Spirit

    Horace Copson (1903-1980) remains a compelling figure in 20th-century British art, an artist whose work transcends simple categorization. He wasn’t merely a painter of factories and landscapes; he was a chronicler of a rapidly changing Britain, capturing the raw energy of industrial progress alongside profound spiritual and emotional currents. His canvases pulsate with a unique blend of realism, expressionism, and symbolic depth, reflecting both the grit of his subject matter and an underlying sensitivity to the human condition.

    Born in Wahooart, Copson’s early life was steeped in the industrial landscape of Lincolnshire. The steelworks at Boston were a constant presence, shaping not only his environment but also his artistic vision. This proximity to heavy industry – the clang of machinery, the billowing smoke, and the stoic faces of the workers – became a defining element of his oeuvre. However, Copson wasn’t interested in simply depicting these scenes; he sought to imbue them with meaning, exploring themes of labor, faith, and the relationship between humanity and its environment.

    Copson's artistic journey began with a formal training at the Lincolnshire College of Art, followed by studies at the Slade School of Fine Art in London.

    Muzeum

    Corby Borough Council

    On show in Corby, United Kingdom

    The Industrial Soul of Northamptonshire

    In the heart of a landscape shaped by fire and iron, the Corby Heritage Centre stands as a profound testament to the transformative power of industry. To step into this space is to enter a curated chronicle of metamorphosis, where the quiet origins of a rural village are juxtaposed against the roaring legacy of the steel era. For the lover of history and the observer of human progress, the museum offers an evocative journey through time, capturing the very essence of how labor and ambition can reshape the earth itself. It is a place where the patina of age meets the unyielding spirit of a community that rose from the dust of the Midlands to become a titan of production.

    A Curated Tapestry of Artifacts and Identity

    The collection within the centre is far more than a mere assembly of relics; it is a meticulously composed narrative of human endeavor. Visitors are invited to explore a series of visual stories told through the tactile reality of industrial life. From the heavy, sculptural presence of machinery remnants to the delicate, personal ephemera of the families who migrated here, each piece serves as a brushstroke in a larger portrait of social evolution. The exhibits highlight:

    The technological milestones that defined the steel industry's golden age.

    The intimate chronicles of migration and the blending of diverse cultural identities.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Anemones and Pewter

    wahooart.com/cs/art/download/horace-copson-anemones-and-pewter-AQUGRC-en/

    Citace tohoto díla

    MLA
    copson, horace. Anemones and Pewter. 1948, Corby Borough Council. https://wahooart.com/cs/art/horace-copson-anemones-and-pewter-AQUGRC-en/
    APA
    copson, horace (1948). Anemones and Pewter [Painting]. Corby Borough Council. https://wahooart.com/cs/art/horace-copson-anemones-and-pewter-AQUGRC-en/
    Chicago
    horace copson. Anemones and Pewter. 1948. Corby Borough Council. https://wahooart.com/cs/art/horace-copson-anemones-and-pewter-AQUGRC-en/
    Harvard
    copson, horace (1948) Anemones and Pewter. Corby Borough Council. Available at: https://wahooart.com/cs/art/horace-copson-anemones-and-pewter-AQUGRC-en/

    Look closely

    Anemones and Pewter — horace copson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at The Green Jug (1944), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. horace copson was about 45 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.