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Ecce Homo

Jméno Třída Datum

Hieronymus Bosch, Ecce Homo (1490), Philadelphia Art Museum. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Hieronymus Bosch wahooart.com/cs/artists/hieronymus-bosch_cs/
Datum vzniku díla
1450 – 1516
Malováno
1490
Původní rozměry
52 x 54 cm
Pohyb
Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.
Koná se v
Philadelphia Art Museum wahooart.com/cs/museums/philadelphia-art-museum-philadelphia_cs/

V kontextu

Ecce Homo — Hieronymus Bosch

Jak velké je?

Původní rozměry jsou 52 × 54 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1450
  2. 1460
  3. 1470
  4. 1480
  5. 1490
  6. 1500
  7. 1510

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 66 při smrti.

Vymalováno v době, kdy bylo umělci 40 let. Umělec dožil se 66 let. 16 z celkových 196 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Hieronymus Bosch (1450–1516) ▲ toto dílo, 1490 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1500 Hlavní období tvůrčí činnosti: 1500–1510 Pozdní díla: od 1510

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/hieronymus-bosch-ecce-homo-8XZAP3-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Phthalo Green #201817

    Katalogizovaná paleta

    • #201817
    • #D8BB8C
    • #8B4732
    • #CFA24C

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Phthalo Green
    Intenzita
    Vivid Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Balanced Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Clear Color Presence Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Hieronymus Bosch za posledních dvanáct měsíců — celkem 76 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Francie 23,1%79 500 návštěv
    2. 2 Španělsko 18,1%62 100 návštěv
    3. 3 Čína 14,8%50 700 návštěv
    4. 4 Itálie 9,0%30 900 návštěv
    5. 5 Ukrajina 5,4%18 500 návštěv
    6. 6 Spojené státy americké 4,2%14 300 návštěv
    7. 7 Německo 3,7%12 800 návštěv
    8. 8 Singapur 2,5%8 600 návštěv
    9. 9 Hongkong 2,3%7 900 návštěv
    10. 10 Česko 1,3%4 400 návštěv
    11. · 66 dalších zemí 15,6%54 000 návštěv

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Hieronymus Bosch

    1. 1 Zahrada rozkoší, 1504 43,0%197 400 návštěv
    2. 2 Triptych Haywain, 1504 2,9%13 100 návštěv
    3. 3 Ústřední panel triptychu Poslední soud 2,8%12 700 návštěv
    4. 4 Posouzení posledního soudu (detail), 1505 2,6%12 100 návštěv
    5. 5 Triptych Zahrada pozemských rozkoší (střední panel), 1500 2,2%10 200 návštěv
    6. 6 Smrt a žebřišťák (Částečně), 1490 2,2%9 900 návštěv
    7. 7 Allegory of Gluttony and Lust 1,5%6 800 návštěv
    8. 8 Triptych Temnot St Anthony, 1506 1,4%6 500 návštěv
    9. 9 Sedm pokání a Čtyři poslední věci 1,3%5 800 návštěv
    10. 10 Triptych z zahrady věčného města (detail) (13), 1500 1,1%4 900 návštěv
    11. 11 Sedm pokladů ďábola a čtyři poslední věci, 1480 0,9%4 100 návštěv
    12. 12 Kristus nese kříž (10), 1515 0,9%3 900 návštěv
    13. 13 St Agnes with the Donor (right wing, detail), 1510 0,8%3 800 návštěv
    14. 14 Ecce Homo, 1500 0,8%3 500 návštěv
    15. 15 Léčba bláznosti (Extrakce kamene šílenství), 1475 0,7%3 400 návštěv
    16. 16 The Garden of Earthly Delights, 1515 0,7%3 000 návštěv
    17. 17 Triptych Zahrada pozemských rozkoší (detail) (47), 1500 0,7%3 000 návštěv
    18. 18 Triptych s vozem s senem (střední panel), 1500 0,6%2 700 návštěv
    19. 19 Triptych Zemědělských radostí, 1500 0,6%2 700 návštěv
    20. 96 Ecce Homo, 1490 tento obraz 0,1%600 návštěv

    Tyto práce společně si nárokují 67,8% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 323 děl tohoto umělce, z nichž 272 byla prohlédnuta alespoň jednou. Tento obraz se řadí na 96 místě, přičemž si připomíná 0,1% této pozornosti (600 návštěv). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Hieronymus Bosch

    Narozen(a) v Den Bosch, Nizozemsko

    A Netherlandish Enigma: The Life and Art of Hieronymus Bosch

    Born around 1450 in the vibrant, bustling town of ’s-Hertogenbosch in the Netherlands—then part of Brabant—Hieronymus Bosch, originally Jheronimus van Aken, remains one of art history’s most compelling and mysterious figures. His world was steeped in late medieval religious fervor, folklore, and a growing sense of societal unease, all of which would profoundly shape his uniquely unsettling artistic vision. Coming from a family with a long tradition of painting—his grandfather, Jan van Aken, and father, Anthonius van Aken, were both artists—Bosch likely received his earliest training within the family workshop, absorbing the techniques and conventions of Netherlandish painting. However, even in his formative years, he began to diverge from established norms, hinting at the extraordinary imagination that would define his career. Biographical details are frustratingly scarce; records are fragmented, leaving much open to speculation and interpretation, adding to the aura of mystique surrounding both the man and his work. He married Aleyt Goyaerts van den Meerveen sometime before 1481, a union that provided him with some financial security through her family’s holdings, but little else is known about their personal life.

    Fantastical Visions and Symbolic Depths

    Bosch's artistic style is instantly recognizable—a captivating blend of meticulous detail and wildly imaginative imagery. He primarily worked with oil on oak panels, demonstrating a masterful command of the medium, achieving luminous colors and intricate textures. While his early works show influences from traditional Netherlandish painting, particularly in their realism and attention to detail, he quickly moved beyond mere imitation, developing a profoundly original vision. His paintings are not simply representations of reality; they are allegorical landscapes populated by bizarre creatures, hybrid beings, and unsettling scenes that seem plucked from dreams—or nightmares. Religious themes form the core of much of his work, but these are rarely straightforward depictions of biblical stories. Instead, Bosch uses symbolism to explore complex moral and theological concepts, often focusing on the dangers of sin, the fragility of earthly pleasures, and the inevitability of divine judgment. His creatures—grotesque demons, fantastical animals, and strangely human figures—are not merely decorative elements; they are embodiments of vice, temptation, and spiritual corruption. The blending of the sacred and the profane, the beautiful and the grotesque, creates a uniquely unsettling effect that continues to captivate viewers centuries later.

    Masterpieces of Moral Allegory

    Among Bosch’s most celebrated achievements is The Garden of Earthly Delights (c. 1490-1510), a triptych that remains one of the most enigmatic and debated works in art history. When opened, it presents a panoramic vision of paradise, earthly life, and hell—a complex allegorical representation of humanity’s fall from grace. The left panel depicts the Garden of Eden, teeming with fantastical creatures and lush vegetation; the central panel portrays a world consumed by sensual pleasure and unrestrained desire; and the right panel offers a terrifying glimpse into the torments of hell. The Triptych of the Last Judgement (c. 1480-1490) is another powerful example of his skill in portraying both heavenly bliss and infernal torment, while The Ascent of the Blessed (c. 1480-1490) demonstrates his ability to create ethereal and dreamlike scenes. Even smaller works like Epiphany (c. 1495) showcase his innovative use of oil on wood and complex symbolism, revealing a mind constantly grappling with profound questions about faith, morality, and the human condition.

    Influences and Artistic Development

    Identifying Bosch’s direct influences is a challenging task, given the originality of his vision. Scholars suggest possible connections to medieval folklore, religious texts—particularly those emphasizing apocalyptic themes—and the prevailing anxieties of the time, including fears of heresy and social upheaval. However, it's clear that he synthesized these elements into something entirely new and uniquely his own. His early works demonstrate a strong influence from the Flemish school, particularly in their meticulous detail and realistic portrayal of figures and objects. Yet, as his career progressed, Bosch increasingly departed from traditional conventions, embracing a more expressive and symbolic style. He drew inspiration from contemporary prints and woodcuts, which were becoming increasingly popular during this period, and incorporated elements of natural history—particularly depictions of animals—into his paintings. The influence of the late Gothic artistic tradition is also evident in his use of perspective and his dramatic compositions.

    Legacy and Enduring Influence

    Bosch’s work has had a profound and lasting impact on art history. Pieter Bruegel the Elder directly followed in his footsteps, adopting similar themes and compositional techniques, while later movements, such as Surrealism, also drew inspiration from Bosch’s dreamlike imagery and exploration of the subconscious. Artists like Salvador Dalí and Max Ernst openly acknowledged their debt to his unsettling visions. Even today, Bosch's work continues to fascinate and provoke debate, solidifying his place as a master of Netherlandish painting and a visionary artist whose influence extends far beyond his own time. His paintings offer valuable insights into the religious, social, and psychological climate of the late 15th and early 16th centuries, challenging conventional norms and paving the way for new forms of artistic expression. He died in 1516, leaving behind a body of work that continues to haunt and inspire, ensuring his enduring legacy as one of art history’s most singular and unforgettable voices.

    Muzeum

    Philadelphia Art Museum

    Vystaveno v Philadelphia, Spojené státy americké

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled on the crest of Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is more than just a repository for art; it’s an immersive experience, a testament to centuries of human creativity and a vibrant reflection of American culture. From its humble beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier art institutions, the museum has consistently evolved while remaining deeply rooted in its rich history. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative—a symbol of perseverance and the enduring power of artistic aspiration. More than simply displaying masterpieces, the museum invites contemplation, sparking dialogue and fostering a profound connection between the viewer and the art itself.

    The story begins with the grand vision of the 1876 Centennial Exposition. Initially conceived as a showcase for applied arts and sciences—a celebration of industry and innovation—it quickly blossomed into a comprehensive institution dedicated to preserving and exhibiting art from across globe. The architectural design, spearheaded by Horace Trumbauer and brought to life through the crucial contributions of Julian Abele—the first African-American graduate of the University of Pennsylvania’s Department of Architecture—is itself a work of art. Constructed from Minnesota dolomite, the building exudes an elegance and grandeur befitting its contents, a physical embodiment of artistic ideals. Abele's meticulous detailing – the delicate carvings, the precisely placed columns, the subtle variations in stone texture – adds a layer of refined beauty that elevates the entire structure beyond mere functionality. It’s a building designed not just to house art, but to celebrate it, a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum's collection boasts over 240,000 objects, encompassing an astonishing range of artistic mediums and historical periods. European paintings dominate the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli’s ethereal Venus, a study in delicate color and idealized beauty, Rembrandt’s dramatic lighting, capturing both the grandeur and vulnerability of human experience, to the Impressionists—Monet’s shimmering water lilies, evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings, brimming with life and the celebration of everyday moments. However, to limit the museum to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America's unique cultural landscape has shaped its artistic identity, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism—a technique so convincing that it appears to leap off the canvas, blurring the line between art and reality, and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to view art; it’s a space designed to foster engagement and inspire creativity. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These initiatives ensure that the museum remains a dynamic cultural hub, constantly evolving and adapting to the needs of its community. Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences of all ages—from family workshops and school tours designed to spark curiosity in young minds, to lectures and artist talks offering insights into the creative process, making art accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations. The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist’s work – a powerful meditation on contemplation and humanity's inner struggles, and more recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has demonstrated a commitment to growth and innovation. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcome and valued. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. “Rocky Steps” themselves are more than just a visual landmark; they’re a symbol of determination and achievement, attracting visitors from around globe who come to reenact the iconic scene and connect with the spirit of perseverance. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Ecce Homo

    wahooart.com/cs/art/download/hieronymus-bosch-ecce-homo-8XZAP3-en/

    Jak citovat toto dílo

    MLA
    Bosch, Hieronymus. Ecce Homo. 1490, Philadelphia Art Museum. https://wahooart.com/cs/art/hieronymus-bosch-ecce-homo-8XZAP3-en/
    APA
    Bosch, Hieronymus (1490). Ecce Homo [Painting]. Philadelphia Art Museum. https://wahooart.com/cs/art/hieronymus-bosch-ecce-homo-8XZAP3-en/
    Chicago
    Hieronymus Bosch. Ecce Homo. 1490. Philadelphia Art Museum. https://wahooart.com/cs/art/hieronymus-bosch-ecce-homo-8XZAP3-en/
    Harvard
    Bosch, Hieronymus (1490) Ecce Homo. Philadelphia Art Museum. Available at: https://wahooart.com/cs/art/hieronymus-bosch-ecce-homo-8XZAP3-en/

    Zaměřte se pozorně

    Ecce Homo — Hieronymus Bosch

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu Zahrada rozkoší (1504), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Kde v tomto díle můžete tento prvek spatřit?
    5. Hieronymus Bosch bylo při vzniku tohoto díla ve věku přibližně 40. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Kdo vytvořil dílo "Ecce Homo" a v jakém roce?

    Hieronymus Bosch vytvořil/a „Ecce Homo“ v roce 1490.

    Jak světlý je celkově obraz "Ecce Homo"?

    Z hlediska vnímané jasnosti je dílo „Ecce Homo“ od Hieronymus Bosch balanced.

    Jaký je poměr stran díla „Ecce Homo“ od Hieronymus Bosch a jaké jsou jeho rozměry?

    „Ecce Homo“ od Hieronymus Bosch je kompozice ve formátu Square o původních rozměrech 52 x 54 cm.