Formát papíru

Průvodce studentskou tvorbou

Figure 3

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Jméno Ročník Datum
graham coughtry, Figure 3 (1960). Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
graham coughtry wahooart.com/cs/artists/graham-coughtry/
Datum vzniku díla
1931 – 1999
Malováno
1960
Původní rozměry
135 x 135 cm

In context

Figure 3 — graham coughtry

How big is it?

The original measures 135 × 135 cm (height × width), drawn here beside an adult of average height.

Kdy bylo toto dílo vytvořeno?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990

Shaded: životopis graham coughtry (1931–1999) ▲ toto dílo, 1960

Podobná díla

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/graham-coughtry-figure-3-ARA92G-en/

Paleta barev

Určeno podle obrazu

    Hlavní barva

    Gray #676767

    Uložená paleta

    • #676767
    • #D5D5D5
    • #9D9D9D
    • #333333
    Paleta
    Neutrals Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Gray
    Sytost
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Jak moc se barvy v rámci obrazu liší v jasnosti a sytosti.
    Harmonie
    Unified Palette Jak dobře barvy spoluladí, od kontrastních až po plně harmonické.
    Jasnost
    Bright Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Umělec a muzeum

    Figure 3 — graham coughtry

    Umělec

    graham coughtry

    Graham Coughtry: A Toronto Visionary

    Graham Coughtry (1931 – 1999) was a British-born Canadian painter who established himself as a prominent figure in Toronto’s artistic landscape during the mid-century period. His distinctive style—characterized by textured impasto, muted color palettes, and semi-abstract representations of human figures—earned him recognition both nationally and internationally. Though relatively unknown outside of Canada, Coughtry's work holds considerable importance within Canadian Modernism and continues to inspire artists today.

    Early Life & Artistic Beginnings

    Born in London, England, Coughtry’s artistic inclinations emerged early in his life. He pursued formal training at Chelsea School of Art and later studied at Pratt Institute in New York City, absorbing influences from Surrealist painters like René Magritte and Yves Tanguy. These formative experiences instilled a fascination with exploring psychological states and conveying emotion through visual imagery—a core element that would permeate his subsequent artistic endeavors.

    The Toronto Years & Pierre Bonnard Influence

    Coughtry relocated to Toronto in 1960, where he quickly gained traction within the burgeoning Canadian art scene. He became particularly captivated by the work of Pierre Bonnard, whose subtle tonal harmonies and atmospheric landscapes profoundly impacted Coughtry’s artistic approach.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Figure 3

    wahooart.com/cs/art/download/graham-coughtry-figure-3-ARA92G-en/

    Citace tohoto díla

    MLA
    coughtry, graham. Figure 3. 1960, https://wahooart.com/cs/art/graham-coughtry-figure-3-ARA92G-en/
    APA
    coughtry, graham (1960). Figure 3 [Painting]. https://wahooart.com/cs/art/graham-coughtry-figure-3-ARA92G-en/
    Chicago
    graham coughtry. Figure 3. 1960. https://wahooart.com/cs/art/graham-coughtry-figure-3-ARA92G-en/
    Harvard
    coughtry, graham (1960) Figure 3. Available at: https://wahooart.com/cs/art/graham-coughtry-figure-3-ARA92G-en/

    Look closely

    Figure 3 — graham coughtry

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Late Afternoon Interior (1957), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. graham coughtry was about 29 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.