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Dolores Soldevilla Nieto, Sem título, Centro Cultural Banco do Brasil Rio de Janeiro. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
Dolores Soldevilla Nieto wahooart.com/cs/artists/dolores-soldevilla-nieto/
Datum vzniku díla
1901 – 1971
Původní rozměry
5 x 75 cm
Místo konání
Centro Cultural Banco do Brasil Rio de Janeiro wahooart.com/cs/museums/centro-cultural-banco-do-brasil-rio-de-janeiro-rio-de-janeiro_cs/

V kontextu

Sem título — Dolores Soldevilla Nieto

Jak velký je?

Původní rozměry jsou 5 × 75 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Shaded: životopis Dolores Soldevilla Nieto (1901–1971)

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    Umělec a muzeum

    Umělec

    Dolores Soldevilla Nieto

    Narozen v Havana, Cuba

    Dolores "Loló" Soldevilla Nieto (1901-1971): Pioneer of Cuban Concretismo

    Dolores “Loló” Soldevilla Nieto, also known as Lolo Soldevilla, was a pivotal figure in the development of concrete art in Cuba and a significant contributor to the international abstract art scene. Born in Havana, Cuba, in 1901, she lived through a period of immense political and artistic change, leaving an indelible mark on Cuban visual culture.

    Early Life & Political Activism

    Education & Early Career: Soldevilla’s early life was multifaceted. She graduated from the Falcón Conservatory for singing and violin, even founding a short-lived musical group called "La Orchestra de Loló." However, her artistic path shifted to painting in 1948.

    Political Engagement: During the 1930s, Soldevilla was deeply involved in political activism, opposing the Machado dictatorship. Her outspoken views led to detainment and imprisonment at the Prison for Women in Guanabacoa in 1935. She also helped found the Partido Aprista of Cuba.

    Parisian Influence (1949-1951): As a cultural attaché for the Cuban embassy, Soldevilla traveled to Paris in 1949. Her time at the Académie de la Grande Chaumière proved crucial, shaping her artistic direction and leading to her first exhibitions later that year. She also studied engraving techniques with Hayter and Cochet, and collaborated with Deswane and Pillet at Atelier d’Art Abstrait.

    Artistic Development & Concretismo

    European & Latin American Influences: Soldevilla's extensive travels throughout Europe (Spain, Switzerland, the Netherlands, Belgium, Great Britain, Austria, Germany) and Latin America (Venezuela, Brazil) exposed her to a diverse range of artistic movements.

    Concrete Art in Cuba: Upon returning to Cuba, Soldevilla became a key figure in establishing Concretismo – concrete art – within the Cuban context. This movement emphasized purely geometric abstraction, rejecting representational imagery and focusing on the intrinsic qualities of form, line, color, and composition.

    Los Diez (The Ten): She was a founding member of "Los Diez Pintores Concretos" (The 10 Concrete Painters), a group instrumental in defining and promoting this style in Cuba during the late 1950s. The group, along with her husband Pedro de Oraá, established Galería Color-Luz, dedicated to showcasing abstract art.

    Artistic Style: Soldevilla’s work is characterized by its use of geometric forms – circles, rectangles, and lines – arranged in dynamic compositions. Her collages are particularly notable for their rhythmic interplay of shapes and colors, often incorporating diagonals and contrasting elements. She also explored kinetic sculpture with asymmetric metal pieces.

    Major Works & Contributions

    Notable Pieces: Some of Soldevilla's most recognized works include Camino convergentes and untitled collages, showcasing her mastery of geometric abstraction. Other significant works are "Triptico" and various other “Sem título” pieces.

    Galería Color-Luz: The establishment of Galería Color-Luz alongside Pedro de Oraá was a vital contribution to the Cuban art scene, providing a platform for abstract artists during a crucial period.

    Teaching & Institutional Roles: Following the Cuban Revolution in 1959, Soldevilla served as a professor of Fine Arts at the School of Architecture at the University of Havana and became involved with UPEC (a journalist union) and UNEAC (the Union of Writers and Artists of Cuba).

    Legacy & Historical Significance

    Dolores “Loló” Soldevilla Nieto’s legacy extends beyond her individual artistic achievements. She is remembered as a pioneering figure in Cuban concrete art, instrumental in shaping the nation's visual identity during a period of significant social and political transformation. Her commitment to abstract principles, combined with her active engagement in political discourse, solidified her position as a vital voice within both the art world and Cuban society. Her work continues to inspire contemporary artists and serves as a testament to the power of geometric abstraction.

    Muzeum

    Centro Cultural Banco do Brasil Rio de Janeiro

    Vystaveno v Rio de Janeiro, Brazílie

    A Jewel of Brazilian Culture: The Centro Cultural Banco do Brasil Rio de Janeiro

    Nestled within the historic heart of Rio de Janeiro, opposite the vibrant Largo da Candelária, stands a building that transcends its brick and mortar – it’s a living embodiment of Brazil's artistic soul. The Centro Cultural Banco do Brasil (CCBB) Rio de Janeiro isn’t merely a museum; it’s an immersive experience, a carefully curated journey through Brazilian art, theatre, cinema, and the very spirit of this captivating nation. Originally conceived as the headquarters for the Commercial Association of Rio de Janeiro in 1880, this architectural masterpiece underwent a dramatic transformation when acquired by Banco do Brasil in the 1920s, blossoming into the dynamic cultural center it is today – a testament to preservation and an embrace of evolving creativity.

    The building itself immediately commands attention. Designed by the visionary architect Francisco Joaquim Béthencourt da Silva, it’s a symphony in stone and light, a masterful blend of Art Deco elegance and Brazilian Modernism. Soaring columns reach towards the heavens, intricately ornamented facades hint at the treasures within, and a breathtaking marble staircase – seemingly ascending into the very clouds – invites visitors to step back in time. The geometric patterns adorning the exterior are not merely decorative; they’re a reflection of the building's rich past and a promise of the creative experiences awaiting inside. The CCBB Rio de Janeiro stands as a powerful symbol of Brazilian cultural heritage, an invitation to connect with the nation’s artistic legacy and witness its ongoing evolution.

    A Kaleidoscope of Artistic Expressions

    The heart of the CCBB lies in its remarkably diverse programming, catering to a vast spectrum of interests. At its core resides a truly impressive collection of Brazilian and international art exhibitions – from established masters whose works have shaped generations to emerging talents pushing the boundaries of contemporary expression. But the center’s offerings extend far beyond visual arts; it's a genuine multidisciplinary hub. Throughout the year, visitors can immerse themselves in captivating theatrical performances ranging from grand-scale productions that fill the space with drama and emotion, to intimate experimental shows offering unique perspectives on art and life. A vibrant cinema screens everything from independent Brazilian films that capture the essence of local stories, to internationally acclaimed blockbusters. And a comprehensive library provides access to a wealth of knowledge, fostering a deeper understanding of both artistic movements and individual creative visions.

    Notably, the CCBB Rio de Janeiro has consistently hosted exhibitions that have garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” stands as a shining example – it achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries – a commitment to ambitious projects, large-scale retrospectives, and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    Echoes of Brazilian Masters

    Delving deeper into the collection reveals a fascinating array of Brazilian artists whose work reflects the nation’s diverse cultural landscape. The museum's holdings include significant works by Francisco Togni, known for his evocative depictions of industrial São Paulo – particularly “Utilitário Centro Cultural (lado B),” which masterfully captures the city’s essence through geometric forms and cool tones, reflecting a unique perspective on urban life. Equally compelling are pieces by Hélio Oiticica, a pioneering Neo-Concrete artist whose innovative use of color, environmental art, and immersive installations pushed the boundaries of artistic expression, inviting viewers to engage with art in entirely new ways. Rubens Teixeira Scavone, a celebrated novelist and artist, is also represented, showcasing his unique blend of creativity and wit – often incorporating literary themes into his visual works.

    These artists, alongside many others, contribute to a rich tapestry of Brazilian artistic heritage. The CCBB Rio de Janeiro serves as a vital platform for showcasing their work, ensuring that their legacies continue to inspire future generations. The museum’s commitment to representing diverse voices within the Brazilian art world is a testament to its dedication to cultural inclusivity and preservation – a conscious effort to ensure that all facets of Brazil's artistic identity are celebrated.

    A Legacy Forged in Landmark Exhibitions

    Beyond individual artists, the CCBB Rio de Janeiro has consistently hosted exhibitions that have captivated audiences and garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    More Than a Museum: A Cultural Heartbeat

    What truly sets the CCBB Rio de Janeiro apart is its accessibility and comprehensive approach to culture. It’s not simply a place for passive observation; it's an immersive environment designed to engage, inspire, and foster a deeper appreciation for the arts. Its central location near Largo da Candelária ensures easy access for both locals and tourists alike, making cultural enrichment readily available to all. The CCBB is a space where one can lose themselves in the brushstrokes of a masterpiece, be moved by a powerful theatrical performance, or discover new perspectives through independent cinema – all under one magnificent roof. It embodies the vibrant soul of Rio de Janeiro and serves as a vital cultural landmark for Brazil as a whole. It’s a place where art breathes, lives, and connects with the community on a profound level.

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    QR kód odkazující na stránku ke stažení Sem título

    wahooart.com/cs/art/download/dolores-soldevilla-nieto-sem-titulo-D93629-en/

    Citace tohoto díla

    MLA
    Nieto, Dolores Soldevilla. Sem título. n.d., Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/dolores-soldevilla-nieto-sem-titulo-D93629-en/
    APA
    Nieto, Dolores Soldevilla (n.d.). Sem título [Painting]. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/dolores-soldevilla-nieto-sem-titulo-D93629-en/
    Chicago
    Dolores Soldevilla Nieto. Sem título. n.d. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/dolores-soldevilla-nieto-sem-titulo-D93629-en/
    Harvard
    Nieto, Dolores Soldevilla (n.d.) Sem título. Centro Cultural Banco do Brasil Rio de Janeiro. Available at: https://wahooart.com/cs/art/dolores-soldevilla-nieto-sem-titulo-D93629-en/

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    Sem título — Dolores Soldevilla Nieto

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