Umělec
Daido Moriyama: Capturing the Pulse of Postwar Japan
Daido Moriyama, born Hiromichi Moriyama in Osaka in 1938, is a towering figure in Japanese photography and a pivotal voice in the international avant-garde. His work isn’t about pristine beauty or carefully constructed narratives; instead, it plunges headfirst into the gritty reality of postwar Japan – its alienation, its frenetic energy, and its often unsettling juxtaposition of old and new. Moriyama's approach, characterized by blurred images, unconventional angles, and a deliberate rejection of photographic ‘rules,’ has profoundly influenced generations of photographers and continues to resonate with audiences today.
Early life provided fertile ground for his distinctive vision. Raised during a period of immense social and political upheaval – the aftermath of World War II, the rapid economic growth fueled by American influence, and the lingering anxieties of the Occupation – Moriyama witnessed firsthand the dramatic transformations sweeping across Japan. His early career as a graphic designer instilled in him an appreciation for visual communication, but it was his encounter with Eikoh Hosoe and the Vivo photographic collective that truly ignited his passion for photography. Hosoe’s guidance introduced him to the possibilities of experimental techniques and a willingness to challenge conventional aesthetics.
The Provoke Movement and ‘Japan: A Photo Theater’
Moriyama's breakthrough came in 1968 with the publication of “Japan: A Photo Theater,” a groundbreaking photobook that catapulted him into the spotlight. This seminal work, produced in collaboration with poet Shūji Terayama, wasn’t a polished travelogue; it was a raw, unfiltered exploration of Tokyo's urban landscape. The images – often captured at night, through rain-streaked windows, and with deliberately blurred motion – conveyed a sense of disorientation and unease. The book’s title itself suggests the theatricality of everyday life, highlighting the spectacle of the mundane.
Crucially, Moriyama became associated with the ‘Provoke’ magazine movement in 1969. Provoke, founded by Nakahira and others, represented a radical departure from established photographic norms. It embraced spontaneity, chance encounters, and a rejection of traditional compositional rules. Moriyama's work for Provoke – including his series “Accident” (1969), which involved photographing media images as if they were accidents – further solidified his reputation as an iconoclast and a pioneer.
Technique and Style: Embracing Imperfection
Moriyama’s photographic style is instantly recognizable. He frequently employs a high-speed flash, often shooting through reflections and distortions, creating images that seem to vibrate with energy. He deliberately avoids precise focus, favoring instead a sense of immediacy and movement. Grainy textures, sharp contrasts, and unconventional cropping are hallmarks of his work – elements he consciously embraced rather than correcting.
His technique isn’t about technical perfection; it's about capturing the feeling of a moment. He famously described photography as “copying,” suggesting that the act of photographing is itself an interpretation, a selection of what to include and exclude. This philosophy led him to create works like "Farewell Photography" (1972), where he attempted to dismantle the very notion of photographic representation by reproducing existing images – a radical gesture questioning the authenticity of the medium.
Legacy and Recognition
Throughout his career, Moriyama has produced over 150 photobooks, cementing his status as one of Japan’s most prolific photographers. His work has been exhibited worldwide, earning him numerous accolades, including the Hasselblad Award in 2019 and the International Center of Photography Infinity Award in 2012. His influence extends far beyond Japan, inspiring artists across diverse disciplines.
Moriyama’s legacy lies not just in his individual photographs but also in his willingness to challenge conventions and redefine what photography could be. He demonstrated that beauty could be found in the unexpected, the imperfect, and the unsettling – a perspective that continues to captivate and provoke viewers today. His work remains a vital reflection of Japan's complex history and its enduring spirit.
Muzeum
Vystaveno v Turin, Italy
A Living Legacy of Modernity: The Fondazione CRT
In the industrial and regal heart of Turin, where history meets a relentless drive for innovation, lies a cultural sanctuary that breathes life into the ever-evolving landscape of modern and contemporary art. The
Fondazione per l'Arte Moderna e Contemporanea CRT
is far more than a mere repository for static objects; it is a dynamic, pulsing force within the Italian artistic dialogue. Established in 2000, this institution was born from a visionary philanthropic mission to bolster the cultural heritage of Piedmont. Rather than hoarding treasures behind closed doors, the Foundation operates with a generous spirit of circulation, strategically loaning its significant acquisitions to esteemed institutions such as the
Galleria Civica d'Arte Moderna e Contemporanea (GAM)
and the
Castello di Rivoli Museo d’Arte Contemporanea
. This collaborative ecosystem ensures that its vast collection—a remarkable assembly of over 950 works by more than 300 artists—serves as a shared pulse for the entire region, enriching the public experience through constant movement and accessibility.
The soul of the collection resides in its profound ability to bridge eras, spanning from the intricate, symbolic depths of the late 19th century to the provocative frontiers of Postmodernism. Collectors and art enthusiasts will find themselves captivated by the sheer breadth of its holdings, which include a powerful nucleus of
Arte Povera
—the movement that redefined materiality in the 20th century. One cannot speak of the Foundation's treasures without mentioning the breathtaking presence of Gustav Klimt’s “Sunflower,” a masterpiece currently residing at Rome’s Galleria Nazionale d'Arte Moderna, which serves as a testament to the Foundation's far-reaching impact. From the ethereal explorations of Lucio Fontana and the transformative works of Mario and Marisa Merz to contemporary giants like Marina Abramović and Olafur Eliasson, the collection is a curated journey through the human condition, rendered in diverse media and radical perspectives.
Architecture within the Fondazione CRT is not merely a container but an active participant in the artistic experience. The galleries are conceived as instruments for contemplation, meticulously designed to maximize natural light and create an atmosphere of immersive engagement. This intentionality allows the artworks to breathe, providing a spaciousness that amplifies their emotional impact and fosters a profound connection between the viewer and the creation. It is a setting where the weight of sculpture and the delicacy of a canvas are both honored by an environment that prioritizes clarity and light, making it an inspiring destination for interior designers seeking to understand the interplay between space, light, and form.
Beyond its walls, the Foundation continues to shape the future of art through groundbreaking exhibitions and community-driven initiatives. Each curated program is designed to tell a singular, compelling story, challenging conventions and sparking vital dialogues about our contemporary world. Through educational programs like “aulArte,” which brings contemporary art into Piedmontese schools, and public art projects such as “Radis,” the Foundation ensures that its mission of cultural advancement reaches far beyond the elite collector. Under the visionary leadership of President Patrizia Sandretto Re Rebaudengo, the institution is currently embarking on an ambitious era of internationalization, aiming to elevate Turin’s contemporary art system onto the global stage and ensuring that the vibrant spirit of Piedmont remains a cornerstone of the international art community.
