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Barack Obama by Chuck Close

Jméno Ročník Datum

Ček Chuck Close, Barack Obama by Chuck Close (2013), Národní portrétní galerie. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
Ček Chuck Close wahooart.com/cs/artists/cek-chuck-close_cs/
Datum vzniku díla
1940 – ?
Malováno
2013
Medium
Acrylic On Canvas
Pohyb
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Místo konání
Národní portrétní galerie wahooart.com/cs/museums/narodni-portretni-galerie-londyn_cs/
Artistic style
Hyperrealism
Influences
Jackson Pollock
Notable elements or techniques
Grid painting; Photomechanical printing process
Subject or theme
Portrait

V kontextu

Barack Obama by Chuck Close — Ček Chuck Close

Kdy bylo toto dílo vytvořeno?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Shaded: životopis Ček Chuck Close (1940–?) ▲ toto dílo, 2013

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Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/chuck-close-barack-obama-by-chuck-close-D43T3V-en/

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    O tomto uměleckém díle

    Barack Obama by Chuck Close — Ček Chuck Close

    Barack Obama by Chuck Close: A Portrait of Resilience and Reflection

    Chuck Close’s “Barack Obama” is more than just a photograph; it's a testament to the artist’s groundbreaking approach to portraiture and a poignant exploration of identity. Created in 2013, this diptych—featuring two black and white prints—captures Obama’s gaze with remarkable detail and immediacy, embodying Close’s signature style: monumental hyperrealism achieved through a meticulous grid system. The artwork speaks volumes about the artist's dedication to overcoming personal challenges and his profound understanding of human expression.

    The Grid System Technique: Close revolutionized portraiture by abandoning traditional painting methods after suffering paralysis in 1988. Instead, he adopted a technique where he meticulously recreated a photograph onto canvas using a grid of colored squares—a method that allowed him to maintain artistic control and overcome physical limitations. This innovative approach became synonymous with his oeuvre.

    Photographic Realism: The prints themselves are exemplary of photographic realism. Close painstakingly transferred the image from a Polaroid camera, capturing Obama’s facial features and expression with astonishing accuracy. Lines are sharply defined, outlining Obama's contours and conveying a sense of solidity and presence.

    Historical Context: “Barack Obama” emerged during a pivotal moment in American history—the election of Barack Obama as the first African American president in 2008. The photograph reflects optimism and confidence, mirroring the broader aspirations for progress and unity that characterized the era.

    Symbolism & Emotion: Close’s deliberate framing—centering Obama within a rectangular frame—emphasizes his gaze and invites contemplation. The subtle graininess of the photographic process lends texture to the image, creating a tactile impression that enhances its emotional impact. It's a portrait not merely of a figure but of an idea – resilience, determination, and unwavering focus.

    Detailed Analysis: Composition and Texture

    The diptych format contributes significantly to the artwork’s visual narrative. Each print is meticulously composed with Obama positioned centrally within a rectangular frame, maximizing impact and conveying a sense of balance. The artist's careful attention to detail—particularly in delineating Obama’s facial features—is evident throughout the piece. Furthermore, Close skillfully utilizes texture through the photographic process itself. The grainy surface of the prints mimics the imperfections inherent in traditional printing techniques, adding depth and realism to the image. This textural element reinforces the artwork’s emotional resonance, inviting viewers to engage with its materiality alongside its visual content.

    Beyond Technique: Artistic Vision and Legacy

    Chuck Close's unwavering commitment to pushing artistic boundaries—particularly his pioneering use of grid painting—established him as a visionary figure in contemporary art. His exploration of face blindness (prosopagnosia) fueled his artistic practice, prompting him to seek new ways to represent human identity. “Barack Obama” exemplifies this dedication to innovation and serves as a powerful reminder of Close’s enduring influence on portraiture and visual culture. It stands as an iconic image capturing the spirit of a transformative moment in American history—a testament to both artistic mastery and profound human empathy.

    Considerations for Reproduction & Display

    Reproductions of “Barack Obama” by Chuck Close offer exceptional quality, faithfully recreating the artist’s meticulous technique and capturing the essence of his vision. Framing this artwork in a neutral setting—such as a gallery or home interior—allows its striking composition and textural detail to shine through, enhancing its aesthetic appeal and conveying its historical significance. Its enduring presence within the art world underscores Close's legacy as one of the most influential portrait artists of our time.

    Umělec a muzeum

    Umělec

    Ček Chuck Close

    Narozen v Monroe, Spojené státy americké

    Chuck Close: A Titan of Photorealism

    Chuck Close (1940–2021) stands as one of the most influential figures in contemporary art, redefining portraiture and establishing a singular visual language that continues to inspire artists today. Born July 5, 1940, in Monroe, Washington—a town steeped in agricultural heritage—Close’s early life was marked by significant physical challenges stemming from neuromuscular disorder and dyslexia, obstacles which profoundly shaped his artistic perspective. These difficulties fostered an acute observational skill, a characteristic that would become central to his groundbreaking approach to depicting the human form.

    Early Influences & Artistic Genesis Like many artists of his generation, Close was captivated by Jackson Pollock’s drip paintings at the Seattle Art Museum in 1962. This encounter ignited within him an unwavering desire to push artistic boundaries—a yearning that propelled him toward abstraction before he decisively embraced photorealism. The influence of De Kooning and Mason also played a crucial role in shaping his formative style.

    The Grid System & Methodical Detail Close’s revolutionary technique involved meticulously transferring photographic images onto enormous canvases using a grid system. This process wasn't merely about replicating an image; it was about dissecting it into manageable squares and reconstructing it with painstaking accuracy, utilizing acrylic paints and airbrush techniques. As Close himself eloquently described, “I wanted to find out if I could make something that looked like a photograph but didn’t feel like one.” This method demanded immense patience and precision—a testament to his dedication.

    He painstakingly transferred photographic images onto massive canvases using a grid system

    Airbrushing was used to achieve remarkable detail and tonal accuracy

    The resulting paintings were characterized by an almost obsessive attention to texture and surface

    Photorealism: Challenging Perception

    Close’s commitment to photorealism wasn't simply a stylistic choice; it represented a fundamental interrogation of how we perceive the world. Rejecting traditional artistic conventions, he sought to capture not just what was seen but also the underlying structure of visual experience.

    He deliberately incorporated imperfections—such as wrinkles and blemishes—into his portraits

    This approach challenged viewers to confront their own biases about beauty standards

    Close’s work questioned the very nature of representation, demonstrating that photography could be transformed into a powerful artistic medium

    Notable Achievements & Legacy

    Throughout his career, Close produced an astonishing body of work—spanning monumental portraits, intricate prints, and innovative explorations of texture and color.His series featuring Barack Obama garnered widespread acclaim for its masterful execution and symbolic resonance. He continued to adapt his artistic practice even after suffering a spinal artery occlusion in 1988, demonstrating unwavering resilience. Close’s influence extends far beyond the realm of painting; his techniques have resonated with artists across various disciplines.

    A Continuing Dialogue Chuck Close's legacy resides not only in his technical prowess but also in his profound engagement with artistic inquiry—a legacy that compels us to reconsider our understanding of perception and representation. His art remains a beacon for aspiring artists, reminding them that creativity can flourish even amidst adversity.

    His meticulous grid system technique continues to inspire artists today

    Close’s exploration of texture and surface elevated photorealism to new heights

    He championed the inclusion of imperfections into portraiture, fostering a more honest and nuanced depiction of human experience

    Concluding Thoughts

    Chuck Close's unwavering dedication to his craft—coupled with his groundbreaking artistic vision—solidified his place as one of the most important artists of the 20th century. His monumental portraits stand as enduring testaments to his artistic spirit and resilience, inviting us to contemplate the complexities of human identity and perception.His work continues to provoke discussion and inspire creativity, ensuring that Chuck Close’s legacy will endure for generations to come.

    Muzeum

    Národní portrétní galerie

    Vystaveno v Londýn, Spojené království

    A Chronicle Woven in Faces: Exploring the National Portrait Gallery’s Enduring Dialogue

    Stepping through the grand entrance of the National Portrait Gallery is akin to entering a meticulously curated hall of memory – not merely a display of painted likenesses, but an immersive journey through the heart of British identity. More than just a repository for portraits, it's a vibrant dialogue spanning centuries, where brushstrokes and gazes speak volumes about ambition, struggle, social shifts, and the very soul of a nation. The Gallery doesn’t simply present art; it offers a profound understanding of how Britain has perceived itself, evolving alongside its complex social, political, and artistic landscapes. From the enigmatic allure of William Shakespeare to the resolute strength of Winston Churchill, each portrait whispers stories – glimpses into a person's life, their aspirations, their challenges, and ultimately, their lasting impact on the world.

    The Gallery’s collection is a breathtaking tapestry woven from diverse artistic approaches. Early portraits, dating back to the 16th century, reveal a society steeped in symbolism – elaborate costumes, carefully chosen poses, and allegorical settings designed to convey status and virtue. Consider, for instance, the intricate detailing of John Singleton Copley’s portrait of William Murray, 1st Earl of Mansfield, a study in aristocratic dignity that reflects the influence of classical ideals on British artistic taste. The meticulous rendering of fabrics, the subtle nuances of expression – all served to communicate power and authority within the confines of established social norms. However, as you move deeper into the galleries, a remarkable transformation begins to unfold. Artists increasingly sought to capture not just likeness but also the inner life of their subjects, mirroring broader societal changes toward greater empathy and understanding. This shift is powerfully illustrated by Charles Jervas’s portrait of William Shakespeare – a remarkably intimate depiction that captures the playwright's intellectual intensity and shrewd observation.

    The transition from formal representation to psychological insight marks a pivotal moment in portraiture history, mirroring broader societal changes toward greater empathy and understanding. The inclusion of photographic studies alongside traditional paintings is particularly noteworthy, reflecting a deliberate embrace of evolving artistic mediums and demonstrating an awareness of how portraiture itself was changing. Marcus William Adams’s early photographs of royal families, with their unprecedented detail and experimentation with color – a bold step away from the monochrome traditions of earlier eras – represent this evolution brilliantly. Alison Watt's contemporary sculptures further exemplify this spirit of innovation, exploring themes of materiality and perception in ways that resonate powerfully with modern audiences, challenging viewers to consider the very nature of representation itself. The Gallery’s commitment to showcasing both historical masterpieces and contemporary works ensures a dynamic and engaging experience for all.

    The Building as a Narrative: A Victorian Masterpiece

    Integral to the National Portrait Gallery's narrative is its magnificent building, designed by E.M. Barry and opened in 1856. The Portland stone façade exudes an air of stately elegance, its intricate detailing mirroring the complex social fabric of Victorian Britain. Originally conceived as a grand statement of national pride, the gallery’s architecture embodies the ambition and confidence of the era. However, the Gallery's story doesn’t end with its initial opening. Over decades, it has expanded thoughtfully, adapting to accommodate its growing collection and evolving visitor needs. The recent renovations completed in June 2023 represent a remarkable achievement – creating more welcoming spaces, improving accessibility, and meticulously preserving the building’s historic character while embracing modern design principles. This careful balance between preservation and innovation ensures that the National Portrait Gallery remains a dynamic cultural hub, capable of engaging new audiences and showcasing both historical masterpieces and contemporary works.

    The original layout, with its grand halls and intimate galleries, invites contemplation and encourages visitors to linger before each portrait, absorbing not just the visual details but also the implied history behind it. Strategic placement of key artworks – such as John Singer Sargent’s stunning depiction of Hercules Brabazon Brabazon – creates a deliberate flow through the collection, guiding viewers on a journey through British history. The building itself becomes part of the narrative—a fitting backdrop for the stories unfolding within, reinforcing the connection between art and its historical context.

    A Legacy of Portraits: Notable Exhibitions and Artistic Movements

    The National Portrait Gallery’s collection isn't static; it actively engages with contemporary art and fosters dialogue across generations. The annual BP Portrait Prize competition serves as a vibrant testament to this ongoing conversation – a showcase of emerging talent pushing boundaries and redefining what constitutes “portraiture” in the 21st century. Past exhibitions have explored diverse artistic movements, from the Pre-Raphaelites’ romantic idealism to the bold experimentation of the early 20th-century avant-garde. The Gallery has also hosted significant retrospectives dedicated to influential artists like John Singer Sargent and Marcus William Adams, offering deeper insights into their creative processes and lasting legacies.

    Furthermore, the gallery's commitment extends far beyond traditional painting, embracing photography as an equally powerful medium for capturing likeness and conveying personality. Early photographic portraits by Mathew Brady captured the solemn dignity of Civil War soldiers – a stark contrast to the opulent formality of Victorian portraiture. Today’s exhibitions explore diverse artistic perspectives, highlighting artists like Alison Watt who challenge conventions and engage with complex themes. The National Gallery in Oslo and Prague offer complementary experiences showcasing European masterpieces alongside innovative architectural designs, enriching the broader understanding of portraiture across cultures.

    Beyond Likeness: Photography and Contemporary Voices

    The gallery’s dedication to reflecting a diverse range of voices is evident in its ongoing efforts to expand its photographic collection. Early photographic portraits by Marcus William Adams captured the solemn dignity of Civil War soldiers – a stark contrast to the opulent formality of Victorian portraiture. Today's exhibitions explore diverse artistic perspectives, highlighting artists like Alison Watt who challenge conventions and engage with complex themes. The National Gallery in Oslo and Prague offer complementary experiences showcasing European masterpieces alongside innovative architectural designs, enriching the broader understanding of portraiture across cultures.

    The gallery’s website offers a wealth of resources for visitors, including detailed information about individual portraits, thematic exhibitions, and educational programs. It's a testament to the National Portrait Gallery’s commitment to making art accessible to all, fostering a deeper appreciation for British history and culture through the captivating power of portraiture.

    Více informací zde

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    QR kód odkazující na stránku ke stažení Barack Obama by Chuck Close

    wahooart.com/cs/art/download/chuck-close-barack-obama-by-chuck-close-D43T3V-en/

    Citace tohoto díla

    MLA
    Close, Ček Chuck. Barack Obama by Chuck Close. 2013, Národní portrétní galerie. https://wahooart.com/cs/art/chuck-close-barack-obama-by-chuck-close-D43T3V-en/
    APA
    Close, Ček Chuck (2013). Barack Obama by Chuck Close [Painting]. Národní portrétní galerie. https://wahooart.com/cs/art/chuck-close-barack-obama-by-chuck-close-D43T3V-en/
    Chicago
    Ček Chuck Close. Barack Obama by Chuck Close. 2013. Národní portrétní galerie. https://wahooart.com/cs/art/chuck-close-barack-obama-by-chuck-close-D43T3V-en/
    Harvard
    Close, Ček Chuck (2013) Barack Obama by Chuck Close. Národní portrétní galerie. Available at: https://wahooart.com/cs/art/chuck-close-barack-obama-by-chuck-close-D43T3V-en/

    Podívejte se pozorně

    Barack Obama by Chuck Close — Ček Chuck Close

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Kolik tváří dokážete najít? ____ (náš katalog jich počítá 1 — souhlasíte?)
    4. Náš katalog řadí toto dílo pod: portrait photography, barack obama figure, black & white portrait. Souhlasíte? Co byste přidali nebo odebrali?
    5. Zhlédněte si znovu dílo Alex/Redukce blok (1993), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Využijte k tomu fakta z předchozích částí tohoto průvodce a své odpovědi uvedené výše.

    Artový kvíz

    Barack Obama by Chuck Close — Ček Chuck Close

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What artistic technique is prominently used in Chuck Close’s ‘Barack Obama’?

      • A Oil Painting
      • B Watercolor Rendering
      • C Photogravure
    2. 2. The photograph depicts Barack Obama smiling broadly, wearing what attire?

      • A Casual Shirt
      • B Dark Suit and Tie
      • C Leather Jacket
    3. 3. What is the primary purpose of Chuck Close’s approach to portraiture?

      • A To create abstract impressions
      • B To meticulously reproduce photographic likenesses
      • C To convey emotional expression
    4. 4. The photograph exhibits slight imperfections like scratches and fading, contributing to what aesthetic element?

      • A A vibrant color palette
      • B A polished surface finish
      • C An aged appearance
    5. 5. What is Chuck Close known for regarding his artistic style?

      • A His use of Impressionistic brushstrokes
      • B His pioneering exploration of hyperrealism
      • C His preference for minimalist geometric compositions

    Můj výsledek: ____ z 5

    Klíč k odpovědím — pro učitele

    Tato část začíná na nové vytištěné straně, takže ji lze z kopií jednoduše vynechat.

    1C · 2B · 3B · 4C · 5B