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Permanent Painting #18

Jméno Ročník Datum

byron kim, Permanent Painting #18 (2004), Northwest Museum of Arts and Culture. Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
byron kim wahooart.com/cs/artists/byron-kim/
Datum vzniku díla
1961 – ?
Malováno
2004
Místo konání
Northwest Museum of Arts and Culture wahooart.com/cs/museums/northwest-museum-of-arts-and-culture-spokane/

V kontextu

Permanent Painting #18 — byron kim

Kdy bylo toto dílo vytvořeno?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Shaded: životopis byron kim (1961–?) ▲ toto dílo, 2004

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Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/byron-kim-permanent-painting-18-DD2HZT-en/

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    Umělec a muzeum

    Umělec

    byron kim

    Narozen v La Jolla, United States of America

    Byron Kim: A Legacy of Skin and Sky

    Born in La Jolla, California, in 1961, Byron Kim’s artistic journey is deeply intertwined with questions of identity, representation, and the subtle power of color. His work, rooted in a Korean-American heritage, has evolved from early explorations of racial consciousness to a sophisticated practice characterized by minimalist abstraction, meticulous observation, and a profound engagement with both personal experience and broader cultural narratives. Kim’s current home is Brooklyn, New York, a vibrant hub that continues to fuel his creative exploration.

    Kim's artistic trajectory began in the early 1990s, marked by a shift towards monochrome paintings reflecting the skin tones of friends and family. This period was pivotal, laying the groundwork for his most significant contribution to contemporary art: *Synecdoche* (1991-1992). Presented at the 1993 Whitney Biennial, this ambitious work—a grid of 400 small, monochromatic panels meticulously recreating the skin color of individuals Kim knew—immediately garnered critical attention. It wasn’t merely a portraiture project; Synecdoche became a potent symbol of racial identity and a reflection on the complexities of representation within the art world. The work's success signaled a willingness to confront difficult themes with quiet intensity, establishing Kim as an artist deeply invested in social commentary through his artistic practice.

    The Language of Monochrome

    Following *Synecdoche*, Kim’s work continued to explore the possibilities within limited palettes. He moved beyond direct portraiture, investigating the relationships between color and perception. His series of “Sunday Paintings,” begun in 2001, exemplifies this evolution. Each week, Kim paints a small canvas depicting the sky, accompanied by a brief written observation—a seemingly simple act that reveals a deeper engagement with time, memory, and the natural world. These paintings are not simply records of weather; they’re meditations on the ephemeral beauty of everyday experience.

    A significant turning point in Kim's career was his collaboration with artist Glenn Ligon on Black & White (1993), part of a larger project critiquing the biases inherent in art materials. The use of “Flesh”-colored tubes of paint, traditionally associated with representing human skin, highlighted the problematic assumptions embedded within artistic practice. This work demonstrated Kim’s willingness to challenge established norms and expose the underlying politics of representation.

    Beyond Representation: Details and Memory

    As Kim's career progressed, his focus shifted towards a more intimate exploration of personal memory and sensory experience. Works like 46 Halsey Drive (1995) document the recollections of family members regarding the color of a childhood home—a seemingly mundane subject that becomes imbued with profound emotional resonance through Kim’s careful observation and precise execution. He also ventured into representing more immediate details, such as the textures of his own hands or the whorls in his children's hair, demonstrating an increasing interest in capturing the nuances of lived experience.

    Kim’s artistic practice isn’t confined to painting; he has also explored photographic assemblages and landscapes. His work is characterized by a meticulous attention to detail, a quiet intensity, and a willingness to grapple with complex social and personal themes.

    Recognition and Legacy

    Byron Kim's work has been widely recognized through numerous awards and exhibitions. He received the Louise Nevelson Award in Art (American Academy of Arts and Letters, NY) in 1993, the New York Foundation for the Arts Grant and the Louis Comfort Tiffany Foundation Award (1994), the National Endowment of the Arts Award (1995), the Guggenheim Fellowship (2017), the Robert de Niro, Sr., Prize (2019) and the Skowhegan Medal for Painting (2022). His paintings are held in prominent collections including the National Gallery of Art, Albright-Knox Art Gallery, and the Whitney Museum of American Art.

    Kim’s influence extends beyond his own artistic output. He is currently a Senior Critic at Yale University and Co-director at Yale Norfolk School of Art, mentoring the next generation of artists. His work continues to resonate with audiences today, prompting reflection on issues of identity, representation, and the enduring power of art to illuminate the human experience.

    Muzeum

    Northwest Museum of Arts and Culture

    Vystaveno v Spokane, United States of America

    A Window into the Soul of the Inland Northwest

    Nestled within Spokane’s historic Browne’s Addition neighborhood, the Northwest Museum of Arts & Culture – affectionately known as The MAC – stands not merely as a repository of artifacts but as a vibrant and deeply resonant chronicle of the Pacific Northwest. Established originally as the Cheney Cowles Museum in 1916, its evolution reflects a deliberate broadening of scope, embracing not only fine art and regional history but also, crucially, the profound and often overlooked narratives of the Plateau tribes who first called this land home. Today, The MAC is a Smithsonian affiliate and an accredited museum by the American Alliance of Museums, a testament to its commitment to rigorous scholarship and exceptional public engagement. More than just a collection, it’s a living conversation between past and present, honoring ancestral heritage while illuminating contemporary expressions – a truly unique experience for any visitor seeking a deeper understanding of this captivating region.

    The heart of The MAC's identity lies in its unwavering dedication to the cultures of the Plateau. The Center for Plateau Cultural Studies is an immersive journey into the traditions, artistry, and evolving realities of these indigenous communities. Visitors are immediately struck by the sheer beauty and intricate detail of traditional crafts – meticulously woven baskets that seem to hold the whispers of generations, ceremonial regalia adorned with symbolic motifs that speak volumes about belief systems, and powerful works of art that powerfully connect the artist to the land. But The MAC doesn’t simply present history as static display; it actively engages with living cultures, showcasing contemporary Plateau artists whose work skillfully blends ancestral heritage with modern perspectives. This commitment extends far beyond visual arts, encompassing storytelling, oral histories, and educational programs designed not just to inform but to foster genuine understanding and respect – a vital element in bridging cultural divides.

    Echoes of the Plateau & Visions of Tomorrow

    Alongside this profound focus on Native American heritage, The MAC also delves into the broader regional history of Spokane, tracing its transformation from a gathering place for indigenous peoples to a bustling center of commerce and innovation. Exhibits meticulously illuminate the lives of early settlers – their struggles, triumphs, and the remarkable decisions that shaped the city we know today. You’ll discover how the arrival of the Northern Pacific Railway dramatically altered the landscape and demographics, leading to rapid growth and a complex interplay of cultures. The museum doesn't shy away from exploring difficult topics like displacement and assimilation, presenting a nuanced and honest account of Spokane’s past – essential for fostering critical reflection on its present.

    Architecture & Spaces for Discovery

    The MAC’s architecture itself is a harmonious blend of old and new, reflecting the museum's commitment to both preserving history and embracing contemporary design. The modern main building provides state-of-the-art exhibition spaces bathed in natural light, creating an inviting atmosphere that encourages exploration. However, the experience extends far beyond this sleek structure; The MAC proudly preserves and offers tours of the historic Campbell House, a stunning 1898 mansion designed by renowned architect Kirtland Cutter. This beautifully preserved home provides a captivating glimpse into the opulent lifestyle of Spokane’s early elite, showcasing Cutter's masterful interpretation of the Romanesque Revival style – a testament to his skill and vision. The Campbell House is more than just a building; it’s a portal to a bygone era.

    Notable Exhibitions & Community Engagement

    The MAC consistently hosts rotating exhibits that delve into diverse themes, from contemporary Native American art and photography to explorations of regional folklore and industrial history. Currently, the museum features “Threads of Resilience,” an exhibition celebrating the enduring artistry and cultural continuity of the Plateau tribes. Beyond its exhibition spaces, The MAC fosters vibrant community engagement through a dynamic auditorium and outdoor amphitheater that host lectures, performances, and cultural celebrations throughout the year. Regular workshops offer opportunities to learn traditional crafts, explore local history, and connect with fellow art enthusiasts. A welcoming café, museum store brimming with regional artisan goods, and dedicated education center further enhance the visitor experience – solidifying The MAC’s role as a true hub for artistic and intellectual exchange.

    A Legacy of Preservation & Inspiration

    For researchers and scholars, The MAC’s Joel E. Ferris Research Library & Archives offers an invaluable resource. Housing a wealth of historical documents, photographs, and research materials related to the Inland Northwest, this collection provides a deep dive into the region's past for those seeking detailed insights. But perhaps most importantly, The MAC is not merely about preserving the past; it’s about inspiring future generations. Through its diverse range of exhibits, educational programs, and community outreach initiatives, the museum cultivates a love of art, history, and culture in visitors of all ages – fostering a sense of connection to both their heritage and the wider world. Whether you are an avid collector searching for inspiration, an interior designer seeking unique regional aesthetics, or simply someone with a curiosity to learn, The Northwest Museum of Arts & Culture offers an unforgettable journey into the heart of the Inland Northwest—a place where history, art, and culture truly come alive.

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    Najděte si online

    QR kód odkazující na stránku ke stažení Permanent Painting #18

    wahooart.com/cs/art/download/byron-kim-permanent-painting-18-DD2HZT-en/

    Citace tohoto díla

    MLA
    kim, byron. Permanent Painting #18. 2004, Northwest Museum of Arts and Culture. https://wahooart.com/cs/art/byron-kim-permanent-painting-18-DD2HZT-en/
    APA
    kim, byron (2004). Permanent Painting #18 [Painting]. Northwest Museum of Arts and Culture. https://wahooart.com/cs/art/byron-kim-permanent-painting-18-DD2HZT-en/
    Chicago
    byron kim. Permanent Painting #18. 2004. Northwest Museum of Arts and Culture. https://wahooart.com/cs/art/byron-kim-permanent-painting-18-DD2HZT-en/
    Harvard
    kim, byron (2004) Permanent Painting #18. Northwest Museum of Arts and Culture. Available at: https://wahooart.com/cs/art/byron-kim-permanent-painting-18-DD2HZT-en/

    Podívejte se pozorně

    Permanent Painting #18 — byron kim

    Pohlédněte blíž

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    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Zhlédněte si znovu dílo Synecdoche (1991), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. byron kim bylo při vzniku tohoto díla ve věku přibližně 43. Co v něm vypadá jako práce umělce v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

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