Papír

Průvodce studentskou tvorbou

Self Portrait

Jméno Třída Datum

Barnett Samuel Marks, Self Portrait, Ealing Central Library. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Barnett Samuel Marks wahooart.com/cs/artists/barnett-samuel-marks/
Datum vzniku díla
1827 – 1916
Původní rozměry
75 x 62 cm
Koná se v
Ealing Central Library wahooart.com/cs/museums/ealing-central-library-london/

V kontextu

Self Portrait — Barnett Samuel Marks

Jak velké je?

Původní rozměry jsou 75 × 62 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy mohl být tento obraz vytvořen?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900
  10. 1910

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 89 při smrti.

Shaded: životopis Barnett Samuel Marks (1827–1916) každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1883 Hlavní období tvůrčí činnosti: 1883–1893 Pozdní díla: od 1893

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

U tohoto záznamu není uvedeno přesné datum — vzhledem k délce života umělce a stylu díla, jaké desetiletí byste odhadli?

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/barnett-samuel-marks-self-portrait-AQV33Z-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Phthalo Green #1f1d1b

    Katalogizovaná paleta

    • #1F1D1B
    • #985B29
    • #57351F
    • #D69239

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Phthalo Green
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Serene Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Balanced Harmony Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Barnett Samuel Marks za posledních dvanáct měsíců — celkem 2 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 50,0%300 visits
    2. 2 Spojené království 50,0%300 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 5 nejvíce prohlížených děl umělce Barnett Samuel Marks

    1. 1 Self Portrait tento obraz 33,3%200 visits
    2. 2 The Dock, a Reminiscence of the Court, 1871 16,7%100 visits
    3. 3 Frederic Davison (c.1815–1889), 1885 16,7%100 visits
    4. 4 Thomas Fenn (1820–1901), 1890 16,7%100 visits
    5. 5 Daniel Thomas (1849–1884) 16,7%100 visits

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 23 děl tohoto umělce, z nichž 5 byla prohlédnuta alespoň jednou. This painting ranks 1 of them, with 33,3% of that attention (200 visits). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Barnett Samuel Marks

    Barnett Samuel Marks: A Welsh Painter Bridging Tradition and Social Realism

    Barnett Samuel Marks (1827-1916) stands as a compelling figure in 19th and early 20th century British art, a painter whose career unfolded across Cardiff and London, marked by both the refinement of classical portraiture and a growing engagement with social issues. Born into a prominent Jewish family deeply rooted in Welsh commerce and culture, Marks’ life was one of artistic ambition tempered by familial obligations and a keen awareness of his community's evolving role within British society. His legacy lies not just in the elegant portraits he created – many commissioned by wealthy patrons – but also in the poignant depictions of poverty and childhood that emerged later in his career, revealing a sensitive artist grappling with the complexities of his time.

    Marks’ early life in Cardiff was one of privilege and cultural immersion. The Marks family were significant figures in the city's burgeoning Jewish community, involved in trade, finance, and social affairs. Barnett received a private education, supplemented by artistic instruction, demonstrating an early aptitude for both music and painting. He quickly established himself as a portrait artist, catering to a clientele that included members of Cardiff’s elite – the Marchioness of Bute being particularly influential in his career. His style during this period leaned heavily towards the neoclassical tradition, characterized by meticulous detail, balanced compositions, and an emphasis on capturing the dignity and character of his subjects. These early portraits, often depicting nobility and prominent figures, showcase a mastery of technique and a keen eye for likeness – qualities that secured him recognition at the Royal Academy in London.

    Early Influences: While Marks’ formal training remains somewhat undocumented, it's clear he was influenced by the prevailing artistic currents of his time. The classical ideals championed by artists like Ingres and David undoubtedly shaped his early work.

    Cardiff Connections: His strong ties to Cardiff – both professionally and personally – remained a constant throughout his life. He continued to exhibit in the city, support local initiatives, and maintain connections with fellow artists and cultural figures.

    The Transition to Social Realism

    A pivotal moment in Marks’ artistic development occurred during the 1860s, coinciding with his move to London. The experience of urban poverty – particularly the plight of children – profoundly impacted him. Witnessing the stark realities of Victorian society fueled a desire to depict these issues through his art. This shift is most dramatically illustrated by his series of diptychs depicting young boys before and after their rescue by Dr. Barnardo’s Homes. These works, characterized by their emotional intensity and unflinching portrayal of hardship, marked a significant departure from the idealized portraits that had defined much of his earlier career.

    The reception to these social realist paintings was notably positive, with critics praising Marks' ability to convey empathy and compassion. Ruskin himself offered encouragement, recognizing the power of his work to raise awareness about the plight of vulnerable children. This period demonstrated a willingness to engage with contemporary social concerns – a characteristic that distinguished him from many of his contemporaries.

    Dr. Barnardo’s Homes Series: These paintings are arguably Marks' most significant contribution to social commentary, offering a stark contrast to the formal portraits he had previously produced.

    Ruskin’s Endorsement: The praise from John Ruskin highlighted the artistic merit and social impact of these works.

    A Royal Cambrian Academician and Continued Artistic Activity

    Barnett Samuel Marks' career continued to flourish throughout the late 19th and early 20th centuries. In 1887, he was elected a full member of the Royal Cambrian Academy, a prestigious honor that recognized his contributions to Welsh art. This affiliation solidified his position within the artistic community and provided him with further opportunities for exhibition and recognition. He remained active in Cardiff, supporting local initiatives and continuing to paint portraits on commission.

    Beyond portraiture, Marks also engaged in landscape painting, often depicting scenes of the Welsh countryside – a reflection of his strong ties to his birthplace. His later works demonstrate a growing interest in capturing the atmospheric qualities of light and shadow, suggesting an evolving artistic sensibility. He was a member of Freemasonry for over 50 years, serving as Master of the Buckingham and Chandos Lodge, further cementing his place within London’s social and cultural elite.

    Royal Cambrian Academician: This honor reflected Marks' standing as a respected artist in Wales.

    Landscape Painting: His later works reveal an exploration of landscape themes alongside portraiture.

    Legacy and Historical Significance

    Barnett Samuel Marks’ artistic legacy is complex and multifaceted. He was a skilled portraitist who successfully navigated the conventions of Victorian society, capturing the likenesses of prominent figures with technical precision and elegance. However, he was also an artist willing to confront social issues and express his compassion for those less fortunate. His shift towards social realism represents a significant moment in his career – a testament to his artistic integrity and his commitment to using art as a means of engaging with the world around him.

    Marks’ work offers valuable insights into Victorian society, reflecting both its wealth and its poverty, its formality and its compassion. His paintings serve as reminders of a time when artists were increasingly expected to engage with social concerns – a tradition that continues to resonate today. Barnett Samuel Marks remains an important figure in British art history, a painter whose career spanned decades and whose work continues to be studied and appreciated for its technical skill, emotional depth, and historical significance.

    Further Resources:

    Reverend Dr Thomas Davies

    Barnett Samuel Marks

    Biography of Barnett Samuel Marks (Victorian painter)

    Artist Biography & Facts Barnett Samuel Marks - askART

    Wikipedia: Barnett Samuel Marks

    Muzeum

    Ealing Central Library

    Vystaveno v London, United Kingdom

    Ealing Central Library: A Beacon of Literary Heritage and Artistic Exploration

    Ealing Central Library stands as a testament to London’s enduring commitment to accessible knowledge and cultural enrichment—a place where the echoes of musical innovation intertwine with the tangible legacy of local history. More than just a repository for books, it's an institution that actively cultivates engagement and celebrates artistic expression, offering visitors a multifaceted experience unlike many others in the city.

    A Hub of Diverse Resources:

    From its expansive collection of fiction and nonfiction titles to its dedicated Local History Centre brimming with photographic archives and genealogical resources, Ealing Central Library caters to an astonishing breadth of interests. The facility’s commitment to providing free computer access underscores its role as a vital community resource in the 21st century.

    The Artful Heartbeat:

    Perhaps most notably, Ealing Central Library houses a curated art collection—a surprising yet enriching addition that speaks volumes about the borough's appreciation for artistic pursuits. This collection isn’t merely decorative; it serves as a conduit to understanding broader cultural trends and historical contexts.

    The library’s history is rooted in the vision of its founders who recognized the importance of fostering intellectual curiosity and preserving local traditions. Over time, it has adapted gracefully to evolving societal needs while steadfastly upholding its core mission—a remarkable feat considering the dynamism of London itself.

    Notable Exhibitions & Musical Collaborations

    Ealing Central Library’s artistic endeavors extend beyond its permanent collection. A particularly striking example was a past collaboration with the Barbican Music Library, where an installation view showcased instruments utilized in Tangerine Dream's seminal album “Phaedra.” This immersive experience brought together two distinct realms of creativity—literature and music—demonstrating how institutions can enrich their communities through unexpected partnerships.

    Instrument Spotlight:

    The Barbican installation specifically highlighted the Mini Moog synthesizer, a cornerstone of Tangerine Dream’s sonic landscape. Examining this instrument offered visitors insight into not only musical technique but also the technological advancements that shaped the era.

    Architectural Context & Design Philosophy

    While precise architectural specifications remain elusive in publicly available documentation, Ealing Central Library embodies a modern aesthetic designed to maximize space and facilitate access—a deliberate response to the needs of its growing readership. The building’s design prioritizes natural light and open spaces, creating an environment conducive to both focused study and communal interaction.

    The library's ethos reflects a broader movement toward democratizing culture and empowering individuals through education. It stands as a symbol of London’s dedication to fostering intellectual growth and preserving the stories that define its identity.

    What Sets Ealing Central Library Apart?

    Ultimately, Ealing Central Library distinguishes itself from other municipal libraries through its singular blend of scholarly resources and artistic engagement. Its unwavering commitment to free access, coupled with initiatives like hosting musical installations—such as the Barbican’s Tangerine Dream exhibit—solidifies its position as a truly exceptional institution within London's cultural tapestry.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Self Portrait

    wahooart.com/cs/art/download/barnett-samuel-marks-self-portrait-AQV33Z-en/

    Jak citovat toto dílo

    MLA
    Marks, Barnett Samuel. Self Portrait. n.d., Ealing Central Library. https://wahooart.com/cs/art/barnett-samuel-marks-self-portrait-AQV33Z-en/
    APA
    Marks, Barnett Samuel (n.d.). Self Portrait [Painting]. Ealing Central Library. https://wahooart.com/cs/art/barnett-samuel-marks-self-portrait-AQV33Z-en/
    Chicago
    Barnett Samuel Marks. Self Portrait. n.d. Ealing Central Library. https://wahooart.com/cs/art/barnett-samuel-marks-self-portrait-AQV33Z-en/
    Harvard
    Marks, Barnett Samuel (n.d.) Self Portrait. Ealing Central Library. Available at: https://wahooart.com/cs/art/barnett-samuel-marks-self-portrait-AQV33Z-en/

    Zaměřte se pozorně

    Self Portrait — Barnett Samuel Marks

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Vraťte se k dílu The Dock, a Reminiscence of the Court (1871), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Co by vás umělec mohl chtít vyvolat?
    5. Kdybyste mohli umělci o tomto díle položit jedinou otázku, co byste se ho zeptali?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Otázky a odpovědi

    Jsou barvy díla „Self Portrait“ od Barnett Samuel Marks živé, nebo tlumené?

    Dílo „Self Portrait“ od Barnett Samuel Marks je zachyceno s Muted saturací a Monochromatic intenzitou.

    Mohu si před objednávkou prohlédnout „Self Portrait“ od Barnett Samuel Marks?

    Chcete-li si prohlédnout náhled reprodukce díla „Self Portrait“ od Barnett Samuel Marks, otevřete stránku Náhled v prostoru tohoto díla.

    Mohu si prohlédnout rentgenový snímek díla „Self Portrait“ od Barnett Samuel Marks?

    Dílo „Self Portrait“ lze prohlížet vrstvu po vrstvě na stránce Rentgenové snímky, která funguje jako interaktivní prohlížeč inspirovaný světelnou lavicí restaurátora a nabízí jedenáct optických nálezů obrazu.