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Norwegian Landscape

Jméno Třída Datum

Allaert Van Everdingen, Norwegian Landscape (1656), Fitzwilliamovo muzeum. Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Allaert Van Everdingen wahooart.com/cs/artists/allaert-van-everdingen/
Datum vzniku díla
1621 – 1675
Malováno
1656
Původní rozměry
44 x 56 cm
Koná se v
Fitzwilliamovo muzeum wahooart.com/cs/museums/fitzwilliamovo-muzeum-cambridge_cs/

V kontextu

Norwegian Landscape — Allaert Van Everdingen

Jak velké je?

Původní rozměry jsou 44 × 56 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo namalováno?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 54 při smrti.

Vymalováno v době, kdy bylo umělci 35 let. Umělec dožil se 54 let. 3 z celkových 9 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Allaert Van Everdingen (1621–1675) ▲ toto dílo, 1656 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1650 Hlavní období tvůrčí činnosti: 1650–1670 Pozdní díla: od 1670

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/allaert-van-everdingen-norwegian-landscape-ARD7LF-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Gray #989d88

    Katalogizovaná paleta

    • #989D88
    • #1E1A10
    • #504221
    • #C5C5A2

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Název hlavní barvy
    Gray
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Statement Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Strong Color Unity Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Subtle Color Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Allaert Van Everdingen za posledních dvanáct měsíců — celkem 2 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 80,0%400 visits
    2. 2 Spojené státy americké 20,0%100 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 6 nejvíce prohlížených děl umělce Allaert Van Everdingen

    1. 1 Forest Scene with Water-Mill, 1650 33,3%200 visits
    2. 2 Scandinavian Landscape, 1647 16,7%100 visits
    3. 3 View of Dordrecht with the Trippenhuis, 1662 16,7%100 visits
    4. 4 Paysage nordique avec un château sur une colline Paysage de Norvège (autre titre) 16,7%100 visits
    5. 5 Fishing Boats in a Harbor 16,7%100 visits
    6. — Norwegian Landscape, 1656 tento obraz 0,0%0 visits

    Tyto práce společně si nárokují 100,0% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 31 děl tohoto umělce, z nichž 5 byla prohlédnuta alespoň jednou. Tento obraz zatím v daném období nebyl prohlédnut – uzavírá seznam bez uvedeného pořadí. Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    Umělec a muzeum

    Autor

    Allaert Van Everdingen

    The Master of the Northern Wild: The Life of Allaert van Everdingen

    In the golden era of Dutch painting, where many masters sought to capture the serene, low-lying horizons of their homeland, Allaert van Everding and Everdingen carved a path toward something far more rugged and untamed. Born in Alkmaar around 1621, the son of a government clerk, Allaert was part of a family deeply rooted in the artistic traditions of the Netherlands. Alongside his brothers Jan and Caesar, he was shaped by the rigorous training of the Dutch Golden Age, beginning his journey under the tutelage of Roelandt Savery in Utrecht. This early exposure to Savery’s brilliant, almost fantastical style provided a foundation, yet Everdingen would eventually move far beyond the colorful legacies of the Brueghel school to find a voice that was uniquely atmospheric and profoundly dramatic.

    The trajectory of his life changed irrevocably through a stroke of maritime fortune. In 1644, while traveling toward the Baltic Sea, a violent storm forced his ship to seek shelter in Norway. This unplanned detour, as recounted by the biographer Arnold Houbraken, would become the defining catalyst for his artistic evolution. Immersed in the breathtaking scenery of the Scandinavian coast, Everdingen found himself captivated by landscapes that were entirely alien to the Dutch eye: jagged mountains, rushing waterfalls, and dense, mysterious forests. He meticulously documented these excursions through sketches and drawings, capturing the raw energy of the Norwegian and Swedish terrain. When he eventually settled in Haarlem and later Amsterdam, these memories were transformed onto canvas, bringing a sense of the exotic and the sublime to the much more temperate Netherlands.

    A Revolution of Light and Shadow

    What distinguishes Everdingen from his contemporaries is not merely the subject matter he chose, but the revolutionary way in which he rendered it. While many landscape painters of the mid-17th century focused on clear, panoramic vistas, Everdingen embraced a system of powerful shading and rich, colored tones that acted as a precursor to the dramatic chiaroscuro later perfected by Rembrandt. His work moved away from the bright, even lighting of his predecessors toward a more emotive, atmospheric perspective. In his hands, a forest was not just a collection of trees, but a sanctuary of deep shadows and filtered light; a river was not merely water, but a churning force of nature reflected in the gloom of a rocky gorge.

    His technical mastery extended into the realm of printmaking, where he utilized etching and mezzotint to explore the nuances of texture and depth. This versatility allowed him to translate the ruggedness of his Scandinavian inspirations into works that felt both tactile and ethereal. His ability to manipulate light created a sense of movement within the stillness of the landscape, making the viewer feel the dampness of the mist and the roar of the falls. This mastery of tone and texture ensured that his work resonated with a sense of drama that was rare among the more pastoral Dutch masters of his time.

    Legacy and Historical Significance

    The historical significance of Allaert van Everdingen lies in his role as a bridge between the classical landscape traditions and the burgeoning Romantic movement. By introducing the motifs of the wild, northern wilderness into the Dutch canon, he expanded the emotional vocabulary of landscape painting. His influence can be traced through the works of later masters, most notably Jacob van Ruisdael, who adopted many of the rugged, atmospheric elements that Everdingen had pioneered. The artist’s ability to find beauty in the formidable and the untamed helped shift the focus of landscape art from mere topographical documentation to a profound exploration of nature's power.

    Though he passed away in Amsterdam in 1675, his impact remained etched in the annals of art history. His life serves as a testament to how unexpected journeys can reshape an artistic vision, turning a maritime mishap into a lifelong mission to capture the sublime. Today, we remember him not just as a painter of scenery, but as a pioneer who brought the soul of the Scandinavian wilderness to the heart of the Dutch Golden Age.

    Muzeum

    Fitzwilliamovo muzeum

    Vystaveno v Cambridge, Spojené království

    A Sanctuary of Art and Antiquity: Exploring the Fitzwilliam College

    Nestled within the venerable heart of Cambridge, England, the Fitzwilliam College stands as more than simply a museum; it’s an immersive journey through the very soul of human creativity. Founded in 1816 by Richard FitzWilliam, 7th Viscount FitzWilliam with a profound desire to share his extraordinary collection, the institution has blossomed into one of the United Kingdom's most treasured cultural landmarks – a vibrant space where history whispers from ancient artifacts and masterpieces ignite the imagination. The building itself is a testament to architectural grace, George Basevi’s Founder’s Building, completed in 1843, embodies classical elegance, its inviting façade hinting at the world of artistic wonders contained within. Subsequent expansions, notably the meticulous refurbishment of the Egyptian Galleries in 2006, have seamlessly blended historical grandeur with modern functionality, creating a visitor experience that is both awe-inspiring and remarkably accessible. The Fitzwilliam isn’t just a display of objects; it's a carefully curated narrative, a sprawling tapestry woven from the threads of diverse cultures and artistic movements spanning millennia.

    The collection itself is breathtakingly vast and remarkably varied. It begins with the ancient world – imposing sarcophagi from Egypt, hinting at elaborate rituals and beliefs, stand alongside Roman sculptures and Greek pottery, offering glimpses into empires long past. Moving through time, visitors encounter Renaissance masterpieces, including stunning works by Rubens and Van Dyck, capturing the elegance of courtly life. The gallery dedicated to Old Masters is a particular highlight, showcasing the dramatic chiaroscuro techniques of Rembrandt and the vibrant color palettes of masters like Titian. But the Fitzwilliam’s treasures extend far beyond painting; intricate decorative arts from across continents – exquisitely carved ivory, shimmering silks, and delicate porcelain – tell stories of trade, cultural exchange, and artistic skill. A significant portion of the collection is devoted to antiquities, including the magnificent winged bas-relief salvaged from Nimrud, transporting visitors directly to the world of ancient Assyria and its complex mythology. The museum’s holdings also boast a remarkable selection of prints and drawings, offering intimate portraits of historical figures and scenes, alongside intricate botanical studies and architectural sketches. And let's not forget the porcelain collection – a dazzling display of craftsmanship and cultural exchange, showcasing objects from China, Japan, and Europe.

    A University Connection: A Hub of Learning and Engagement

    What truly distinguishes the Fitzwilliam Museum is its profound and vital connection to the University of Cambridge. This academic partnership isn’t merely a formality; it's woven into the very fabric of the institution, infusing it with a spirit of research, scholarship, and dynamic engagement. The museum isn’t simply a place for passive viewing; it’s designed as an active learning environment, fostering a deeper understanding of art history’s complexities – moving beyond dates and names into a living narrative of human endeavor. Regularly, the museum hosts collaborative projects with university departments, bringing cutting-edge research directly to the public, demonstrating how artistic innovation is inextricably linked to intellectual progress. This interplay between scholarly investigation and accessible interpretation makes the Fitzwilliam a truly vital cultural resource—a place where art history comes alive, resonating with both historical context and contemporary relevance. The museum’s educational programs are particularly noteworthy, offering workshops for children and adults alike, fostering a lifelong appreciation for art and culture.

    Architectural Grandeur and Modern Innovation

    The Fitzwilliam's architecture is not merely a backdrop; it’s an integral part of the experience. The Founder’s Building, completed in 1843, with its imposing classical façade, provides a striking contrast to the more modern additions, creating a harmonious blend of historical grandeur and contemporary functionality. The meticulous refurbishment of the Egyptian Galleries in 2006 is a prime example – state-of-the-art lighting and climate control systems were seamlessly integrated into the original design, ensuring that these ancient treasures are displayed with optimal care and visibility. The museum’s layout encourages exploration, guiding visitors through a carefully curated sequence of artworks and artifacts, while also providing ample space for contemplation and reflection. The building's design reflects a commitment to both preserving the past and embracing the future of art appreciation – a testament to thoughtful planning and architectural vision.

    Notable Exhibitions and Ongoing Discoveries

    The Fitzwilliam Museum’s exhibition program is consistently innovative, offering a diverse range of temporary displays that complement its permanent collection. Recent exhibitions have explored fascinating themes, from the influence of ancient Egyptian art on European painting to the evolution of portraiture throughout history. The museum regularly hosts lectures, workshops, and events catering to all ages and interests – a testament to its commitment to public engagement. Currently, the museum is deeply involved in ongoing research projects examining the provenance of certain artifacts, utilizing modern technology like 3D scanning and digital imaging to uncover hidden details and shed new light on artistic techniques and historical contexts. Keep an eye on their website for announcements about upcoming exhibitions and events – from special collections displays to thought-provoking lectures. Furthermore, the museum’s digital presence is expanding rapidly, offering virtual tours, online collections, and interactive educational resources, ensuring that its treasures are accessible to art lovers worldwide. The Fitzwilliam stands as a beacon of knowledge and beauty, inviting all to delve into the captivating world of art and history.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Norwegian Landscape

    wahooart.com/cs/art/download/allaert-van-everdingen-norwegian-landscape-ARD7LF-en/

    Jak citovat toto dílo

    MLA
    Everdingen, Allaert Van. Norwegian Landscape. 1656, Fitzwilliamovo muzeum. https://wahooart.com/cs/art/allaert-van-everdingen-norwegian-landscape-ARD7LF-en/
    APA
    Everdingen, Allaert Van (1656). Norwegian Landscape [Painting]. Fitzwilliamovo muzeum. https://wahooart.com/cs/art/allaert-van-everdingen-norwegian-landscape-ARD7LF-en/
    Chicago
    Allaert Van Everdingen. Norwegian Landscape. 1656. Fitzwilliamovo muzeum. https://wahooart.com/cs/art/allaert-van-everdingen-norwegian-landscape-ARD7LF-en/
    Harvard
    Everdingen, Allaert Van (1656) Norwegian Landscape. Fitzwilliamovo muzeum. Available at: https://wahooart.com/cs/art/allaert-van-everdingen-norwegian-landscape-ARD7LF-en/

    Zaměřte se pozorně

    Norwegian Landscape — Allaert Van Everdingen

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Znovu se podívejte na dílo PAYSAGE RIVIERE DANS UNE VALLEE MONTAGNEUSE, které jste v tomto průvodci viděli dříve. Jmenujte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. Allaert Van Everdingen bylo při vzniku tohoto díla ve věku přibližně 35. Co v něm vypadá jako práce umělce právě v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

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    Mohu si prohlédnout „Norwegian Landscape“ od Allaert Van Everdingen pod jiným osvětlením?

    Stránka Rentgenové snímky díla „Norwegian Landscape“ od Allaert Van Everdingen nabízí interaktivní prohlížeč, který vám umožňuje procházet jedenácti optickými vrstvami obrazu, včetně pohledu ve stylu rentgenu.

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    Vnímaná jasnost díla „Norwegian Landscape“ od Allaert Van Everdingen je shadow. Lze jej přizpůsobit osvětlení daného prostoru.

    Mohu si před objednávkou prohlédnout „Norwegian Landscape“ od Allaert Van Everdingen?

    Náhled díla „Norwegian Landscape“ od Allaert Van Everdingen si můžete prohlédnout na stránce Náhled v prostoru.