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Construcción

Jméno Třída Datum

Alfredo Hlito, Construcción (1945), Centro Cultural Banco do Brasil Rio de Janeiro. Reproduková pro ilustrační účely; veškerá práva jsou vyhrazena vlastníkem práv. Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Alfredo Hlito wahooart.com/cs/artists/alfredo-hlito/
Datum vzniku díla
1923 – 1991
Malováno
1945
Technika
Oil On Canvas
Pohyb
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.
Období
Modern
Koná se v
Centro Cultural Banco do Brasil Rio de Janeiro wahooart.com/cs/museums/centro-cultural-banco-do-brasil-rio-de-janeiro-rio-de-janeiro_cs/
Artistic style
Cubist influence
Influences
Torres-García
Notable elements
Geometric abstraction
Subject or theme
Abstract form

V kontextu

Construcción — Alfredo Hlito

Kdy bylo toto dílo namalováno?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 68 při smrti.

Vymalováno v době, kdy bylo umělci 22 let. Umělec dožil se 68 let. 0 z celkových 1 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Alfredo Hlito (1923–1991) ▲ toto dílo, 1945 každý obraz s datem vzniku, dekáda po dekádě

Barvy

Určeno podle obrazu

    Hlavní barva

    Mahogany #ac5f1c

    Katalogizovaná paleta

    • #AC5F1C
    • #585E59
    • #C5A54A
    • #3B1C16

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Dark Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Mahogany
    Intenzita
    Balanced Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Balanced Harmony Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Clear Color Presence Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    O tomto uměleckém díle

    Construcción — Alfredo Hlito

    Alfredo Hlito’s “Construcción”: A Concrete Vision of Form and Space

    Emerging from the vibrant crucible of Argentine concrete art in the mid-1940s, Alfredo Hlito's "Construcción" (1945) stands as a pivotal example of this revolutionary movement. More than simply an abstract composition, it’s a carefully orchestrated exploration of geometric relationships and spatial dynamics—a testament to Hlito’s profound understanding of form’s inherent power. The painting immediately commands attention with its bold palette: a rich tapestry woven from deep reds, oranges, yellows, blues, and subtle greys, all arranged within a rigorously structured framework of rectangular and semi-circular shapes. These aren't haphazard arrangements; rather, they are meticulously layered, creating an illusion of depth and volume that defies the limitations of a two-dimensional surface.

    Hlito’s work is deeply rooted in the principles of concrete art—a movement that deliberately rejected representational imagery, advocating instead for the pure expression of form and material. Influenced initially by the pioneering Uruguayan artist Joaquín Torres-García, Hlito quickly forged his own distinctive style, one characterized by a relentless pursuit of geometric clarity and an unwavering commitment to reducing visual elements to their essential components. “Construcción” embodies this philosophy perfectly; it’s a distillation of form, stripped bare of any superfluous detail, leaving only the fundamental building blocks of space and shape.

    Cubist Echoes and Argentine Identity

    While firmly rooted in concrete art's tenets, "Construcción" also reveals subtle echoes of Cubism. The fragmented forms and multiple perspectives presented simultaneously—though far more controlled than those found in Picasso or Braque—suggest a deliberate engagement with the principles of deconstruction and reassembly that defined the early 20th-century movement. However, Hlito’s approach transcends mere imitation; he adapts these influences to create a distinctly Argentine vision. The earthy tones and geometric precision resonate with the country's rich architectural heritage, while the overall composition evokes a sense of ordered strength—a reflection of Argentina’s national identity.

    The painting’s creation coincided with a period of intense artistic experimentation in Buenos Aires. Hlito was a key figure in the Asociación Arte Concreto-Invención (AACI), alongside artists like Jorge Brito and Claudio Girola, who together sought to establish a new visual language—one that prioritized abstraction over representation and celebrated the inherent qualities of materials. “Construcción” is not just an individual work; it’s a product of this collective effort, reflecting the shared ambition and intellectual ferment of the Argentine concrete art movement.

    Decoding the Layers: Symbolism and Spatial Dynamics

    Beyond its formal elements, "Construcción" invites contemplation on its underlying symbolism. The stacked, layered forms can be interpreted as representing a complex system—a building, perhaps, or even a metaphorical landscape. The precise geometric shapes suggest order and control, while the interplay of warm colors imbues the composition with a sense of energy and dynamism. The deliberate flatness of the image, devoid of traditional perspective, forces the viewer to actively engage with the spatial relationships presented on the canvas.

    Furthermore, the painting’s title—"Construcción"—itself carries significant weight. It speaks not only to the act of building but also to the process of creation and interpretation. Hlito invites us to become active participants in constructing meaning from the visual elements before us. The work's impact is one of quiet intensity, a testament to the power of simple forms to evoke complex emotions and ideas.

    A Legacy of Geometric Abstraction

    Alfredo Hlito’s “Construcción” remains a cornerstone of Argentine concrete art and a significant example of early 20th-century abstraction. Its influence can be seen in the work of subsequent generations of artists, who continued to explore the possibilities of geometric form and spatial dynamics. Today, it stands as a powerful reminder of the transformative potential of abstract art—its ability to challenge our perceptions, stimulate our imaginations, and offer new ways of seeing the world.

    Umělec a muzeum

    Autor

    Alfredo Hlito

    Narozen(a) v Rosario, Argentina

    Alfredo Hlito: A Pioneer of Argentine Concrete Art

    Born: Rosario, Argentina (1923)

    Died: 1991

    Early Life and Artistic Development

    Alfredo Hlito Oliveri was born on May 4, 1923, in Buenos Aires to Syrian immigrant parents. His early artistic journey began at the Prilidiano Pueyrredón National Fine Arts School in 1938. He later studied at the National University of the Arts. Initially, his work showed strong influence from Uruguayan artist Joaquín Torres-García. However, Hlito soon developed a distinct style characterized by geometric abstraction and a focus on form and space.

    The Rise of Concrete Art in Argentina

    Hlito played a pivotal role in the development of concrete art in Argentina. In 1945, he co-founded the Asociación Arte Concreto-Invención (AACI), alongside other prominent artists like Jorge Brito, Claudio Girola, and Tomás Maldonado. This association was instrumental in promoting concrete art principles, emphasizing non-representational forms and a focus on the inherent qualities of materials.

    Manifiesto de Cuatro Jóvenes: In 1942, Hlito co-authored this manifesto which critiqued traditional Argentine art.

    Concrete Art-Invention Association (AACI): Co-founded in 1945, it became a central force in the concrete art movement.

    Artistic Style and Key Contributions

    Hlito's artistic style is defined by its geometric abstraction, rigorous exploration of form and space, and rejection of representational elements. His work often features simple shapes and lines arranged to create dynamic compositions. He was deeply interested in exploring the possibilities of concrete art, which emphasized the use of everyday materials and objects to create art.

    Geometric Abstraction: A series of paintings showcasing his mastery of geometric shapes and lines.

    Mandala II in Red: While created by Eduardo Mac Entyre, it exemplifies the bold colors and geometric forms characteristic of Hlito's influences.

    Legacy and Influence

    Alfredo Hlito’s legacy extends beyond his own body of work. He significantly contributed to establishing concrete art as a vital movement in Argentina. His influence can be seen in subsequent generations of artists, including Silvana Lacarra (known for mixed media) and Victor Magariños D. (recognized for innovative oil on canvas paintings). Museum collections such as those at the MACBA - Museum of Contemporary Art in Buenos Aires (including "Monochromes over cities (Berlin)") and the Buenos Aires Museum of Modern Art, which holds works by Magariños, attest to his lasting impact.

    Influence on Silvana Lacarra: Her mixed media work reflects Hlito's abstract principles.

    Influence on Victor Magariños D.: His innovative oil paintings demonstrate a continuation of concrete art ideals.

    Key Concepts and Related Movements

    Concrete Art: An art movement emphasizing non-representational forms, geometric abstraction, and the inherent qualities of materials.

    Geometric Abstraction: A style characterized by the use of geometric shapes and lines to create abstract compositions.

    Muzeum

    Centro Cultural Banco do Brasil Rio de Janeiro

    Vystaveno v Rio de Janeiro, Brazílie

    A Jewel of Brazilian Culture: The Centro Cultural Banco do Brasil Rio de Janeiro

    Nestled within the historic heart of Rio de Janeiro, opposite the vibrant Largo da Candelária, stands a building that transcends its brick and mortar – it’s a living embodiment of Brazil's artistic soul. The Centro Cultural Banco do Brasil (CCBB) Rio de Janeiro isn’t merely a museum; it’s an immersive experience, a carefully curated journey through Brazilian art, theatre, cinema, and the very spirit of this captivating nation. Originally conceived as the headquarters for the Commercial Association of Rio de Janeiro in 1880, this architectural masterpiece underwent a dramatic transformation when acquired by Banco do Brasil in the 1920s, blossoming into the dynamic cultural center it is today – a testament to preservation and an embrace of evolving creativity.

    The building itself immediately commands attention. Designed by the visionary architect Francisco Joaquim Béthencourt da Silva, it’s a symphony in stone and light, a masterful blend of Art Deco elegance and Brazilian Modernism. Soaring columns reach towards the heavens, intricately ornamented facades hint at the treasures within, and a breathtaking marble staircase – seemingly ascending into the very clouds – invites visitors to step back in time. The geometric patterns adorning the exterior are not merely decorative; they’re a reflection of the building's rich past and a promise of the creative experiences awaiting inside. The CCBB Rio de Janeiro stands as a powerful symbol of Brazilian cultural heritage, an invitation to connect with the nation’s artistic legacy and witness its ongoing evolution.

    A Kaleidoscope of Artistic Expressions

    The heart of the CCBB lies in its remarkably diverse programming, catering to a vast spectrum of interests. At its core resides a truly impressive collection of Brazilian and international art exhibitions – from established masters whose works have shaped generations to emerging talents pushing the boundaries of contemporary expression. But the center’s offerings extend far beyond visual arts; it's a genuine multidisciplinary hub. Throughout the year, visitors can immerse themselves in captivating theatrical performances ranging from grand-scale productions that fill the space with drama and emotion, to intimate experimental shows offering unique perspectives on art and life. A vibrant cinema screens everything from independent Brazilian films that capture the essence of local stories, to internationally acclaimed blockbusters. And a comprehensive library provides access to a wealth of knowledge, fostering a deeper understanding of both artistic movements and individual creative visions.

    Notably, the CCBB Rio de Janeiro has consistently hosted exhibitions that have garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” stands as a shining example – it achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries – a commitment to ambitious projects, large-scale retrospectives, and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    Echoes of Brazilian Masters

    Delving deeper into the collection reveals a fascinating array of Brazilian artists whose work reflects the nation’s diverse cultural landscape. The museum's holdings include significant works by Francisco Togni, known for his evocative depictions of industrial São Paulo – particularly “Utilitário Centro Cultural (lado B),” which masterfully captures the city’s essence through geometric forms and cool tones, reflecting a unique perspective on urban life. Equally compelling are pieces by Hélio Oiticica, a pioneering Neo-Concrete artist whose innovative use of color, environmental art, and immersive installations pushed the boundaries of artistic expression, inviting viewers to engage with art in entirely new ways. Rubens Teixeira Scavone, a celebrated novelist and artist, is also represented, showcasing his unique blend of creativity and wit – often incorporating literary themes into his visual works.

    These artists, alongside many others, contribute to a rich tapestry of Brazilian artistic heritage. The CCBB Rio de Janeiro serves as a vital platform for showcasing their work, ensuring that their legacies continue to inspire future generations. The museum’s commitment to representing diverse voices within the Brazilian art world is a testament to its dedication to cultural inclusivity and preservation – a conscious effort to ensure that all facets of Brazil's artistic identity are celebrated.

    A Legacy Forged in Landmark Exhibitions

    Beyond individual artists, the CCBB Rio de Janeiro has consistently hosted exhibitions that have captivated audiences and garnered international acclaim. The 2015 presentation of “Picasso and Spanish Modernity” achieved global recognition as the most visited post-impressionist and modern exhibition worldwide, drawing an astounding number of visitors and solidifying the center’s reputation as a premier cultural destination. This success wasn't an isolated incident; the CCBB consistently curates exhibitions that spark dialogue, challenge perspectives, and celebrate the power of art to transcend boundaries. The institution doesn’t shy away from ambitious projects, frequently presenting large-scale retrospectives and thematic explorations that delve into the complexities of artistic movements and individual creative visions.

    More Than a Museum: A Cultural Heartbeat

    What truly sets the CCBB Rio de Janeiro apart is its accessibility and comprehensive approach to culture. It’s not simply a place for passive observation; it's an immersive environment designed to engage, inspire, and foster a deeper appreciation for the arts. Its central location near Largo da Candelária ensures easy access for both locals and tourists alike, making cultural enrichment readily available to all. The CCBB is a space where one can lose themselves in the brushstrokes of a masterpiece, be moved by a powerful theatrical performance, or discover new perspectives through independent cinema – all under one magnificent roof. It embodies the vibrant soul of Rio de Janeiro and serves as a vital cultural landmark for Brazil as a whole. It’s a place where art breathes, lives, and connects with the community on a profound level.

    Kde si přečíst více informací

    Najděte si online

    QR kód odkazující na stránku ke stažení Construcción

    wahooart.com/cs/art/download/alfredo-hlito-construccion-D935VJ-en/

    Jak citovat toto dílo

    MLA
    Hlito, Alfredo. Construcción. 1945, Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/alfredo-hlito-construccion-D935VJ-en/
    APA
    Hlito, Alfredo (1945). Construcción [Painting]. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/alfredo-hlito-construccion-D935VJ-en/
    Chicago
    Alfredo Hlito. Construcción. 1945. Centro Cultural Banco do Brasil Rio de Janeiro. https://wahooart.com/cs/art/alfredo-hlito-construccion-D935VJ-en/
    Harvard
    Hlito, Alfredo (1945) Construcción. Centro Cultural Banco do Brasil Rio de Janeiro. Available at: https://wahooart.com/cs/art/alfredo-hlito-construccion-D935VJ-en/

    Zaměřte se pozorně

    Construcción — Alfredo Hlito

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: geometric abstraction, layered composition, warm color palette. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Kde v tomto díle můžete tento prvek spatřit?
    5. Alfredo Hlito bylo při vzniku tohoto díla ve věku přibližně 22. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Artový kvíz

    Construcción — Alfredo Hlito

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What artistic movement is Alfredo Hlito’s ‘Construcción’ most closely associated with?

      • A Surrealism
      • B Cubism
      • C Impressionism
    2. 2. The color palette of 'Construcción' primarily features:

      • A Pale pastels and muted blues
      • B Warm earth tones and vibrant reds/oranges
      • C Monochromatic grayscale shades
    3. 3. Alfredo Hlito was a key figure in the formation of which Argentine art association?

      • A The Group of Eight
      • B The Asociación Arte Concreto-Invención (AACI)
      • C The Buenos Aires Salon
    4. 4. What is a defining characteristic of Hlito’s geometric abstraction?

      • A Emphasis on realistic representation
      • B Use of flowing, organic lines
      • C Rigorous exploration of form and space
    5. 5. In what year was ‘Construcción’ created?

      • A 1935
      • B 1945
      • C 1960

    Můj výsledek: ____ z 5

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    Otázky a odpovědi

    Do jaké fáze tvůrčího rozvoje Alfredo Hlito patří dílo „Construcción“?

    „Construcción“ představuje období Early Modern umělce Alfredo Hlito.

    V jakém období a v jakém stylu vzniklo dílo „Construcción“ od Alfredo Hlito?

    Dílo „Construcción“ vzniklo v roce 1945 jako reprezentativní dílo směru Cubism. Datum vzniku a příslušnost k danému směru pevně ukotvují toto umělecké dílo v dějinách umění.

    Do jakého prostoru se doporučuje umělecké dílo „Construcción“ od Alfredo Hlito?

    Doporučeným prostorem pro „Construcción“ od Alfredo Hlito je Living Room. Toto doporučení lze samozřejmě přizpůsobit vašemu interiéru.