Formát papíru

Průvodce studentskou tvorbou

Elvis Costello

Jméno Ročník Datum

adam birtwistle, Elvis Costello (1996). Reproduková za účely dokumentace; veškerá práva jsou vyhrazena vlastníkem práv.

Zásadní informace

Autor
adam birtwistle wahooart.com/cs/artists/adam-birtwistle/
Datum vzniku díla
1959 – ?
Malováno
1996
Původní rozměry
84 x 66 cm

V kontextu

Elvis Costello — adam birtwistle

Jak velký je?

Původní rozměry jsou 84 × 66 cm (výška × šířka), zde zobrazeno vedle dospělé osoby průměrné výšky.

Kdy bylo toto dílo vytvořeno?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Shaded: životopis adam birtwistle (1959–?) ▲ toto dílo, 1996

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Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/adam-birtwistle-elvis-costello-ARD6VD-en/

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    Umělec a muzeum

    Umělec

    adam birtwistle

    Adam Birtwistle: A Singular Vision of Musical Portraiture

    Adam Birtwistle, born in Eton in 1959, is a British artist whose distinctive portraits of composers and musicians have garnered critical acclaim and secured his place within the National Portrait Gallery’s collection. His artistic lineage is steeped in musical heritage – his father, Sir Harrison Birtwistle, himself a celebrated composer – fostering an environment that profoundly shaped his creative trajectory and instilled a lifelong fascination with performance art. Alongside Silas Birtwistle, his brother, also an artist, Adam pursued formal education at schools across Britain and the United States before embarking on a sculptural apprenticeship at Chelsea School of Art and honing his craft at the Arch Bronze Foundry alongside Ben Kneale.

    Early Influences: Sir Harrison’s compositions—particularly his operas—served as formative inspiration for Birtwistle, exposing him to dramatic storytelling and musical complexity from an early age.

    Formal Training: Chelsea School of Art provided a foundational grounding in sculpture techniques, equipping him with the skills necessary to translate conceptual ideas into tangible forms.

    Foundry Experience: Working at the Arch Bronze Foundry further refined his sculptural expertise, allowing him to experiment with diverse materials and processes.

    The Piano Nobile Period & Artistic Breakthrough

    Birtwistle’s artistic journey gained momentum in 1985 when he participated in designing masks and costumes for one of his father's music theatre productions at Dartington Summer School of Music. This collaborative endeavor solidified his commitment to visual storytelling alongside musical expression—a duality that would become a hallmark of his subsequent work. The following year, he attended printing classes at the Royal Academy while preparing his debut solo exhibition in London with Piano Nobile Fine Paintings, marking a pivotal moment in establishing himself as an independent artist. Piano Nobile’s unwavering belief in his vision propelled him forward, fostering continued artistic exploration and securing prestigious commissions.

    Dartington Collaboration: Designing masks and costumes for Sir Harrison's opera underscored Birtwistle’s understanding of how visual elements contribute to musical narratives.

    Piano Nobile Support: The gallery’s encouragement fueled his ambition and facilitated the realization of ambitious artistic projects.

    Notable Commissions & Recognition

    Two paintings by Birtwistle currently reside within the National Portrait Gallery, showcasing his father's likeness alongside a portrait of Elvis Costello—a testament to his ability to capture both intellectual depth and emotional resonance. Beyond this singular achievement, he has undertaken commissions from institutions like Glyndebourne Opera Festival and Curtis Price Productions, resulting in captivating depictions of prominent figures in the performing arts world. His collaborations with Glyndebourne extended beyond portraiture, encompassing stage design and artistic direction—demonstrating his versatility as a creative thinker.

    Glyndebourne Collaborations: Participating in Glyndebourne’s opera productions showcased Birtwistle's broader artistic interests and expanded his repertoire of skills.

    Curtis Price Productions Commission: Capturing Elvis Costello’s image solidified his reputation as a portrait artist adept at conveying personality and character.

    A Distinctive Style & Recurring Themes

    Birtwistle's artistic style is characterized by meticulous detail, expressive brushwork, and an unwavering focus on capturing the essence of his subjects. He has portrayed musicians such as Alfred Brendel, Hans Werner Henze, Sir Michael Tippett, Mozart, Beethoven, Verdi, Janáček, Britten, Peter Hall, David Hockney, Anja Silja, George Christie and Craigie Aitcheson. His fascination with performers—spanning opera singers to conductors to painters—reflects a broader exploration of human creativity and artistic expression. He consistently seeks to convey not merely physical likeness but also psychological depth, capturing the inner lives of his subjects through nuanced observation and skillful rendering.

    Více informací zde

    Najděte si online

    QR kód odkazující na stránku ke stažení Elvis Costello

    wahooart.com/cs/art/download/adam-birtwistle-elvis-costello-ARD6VD-en/

    Citace tohoto díla

    MLA
    birtwistle, adam. Elvis Costello. 1996, https://wahooart.com/cs/art/adam-birtwistle-elvis-costello-ARD6VD-en/
    APA
    birtwistle, adam (1996). Elvis Costello [Painting]. https://wahooart.com/cs/art/adam-birtwistle-elvis-costello-ARD6VD-en/
    Chicago
    adam birtwistle. Elvis Costello. 1996. https://wahooart.com/cs/art/adam-birtwistle-elvis-costello-ARD6VD-en/
    Harvard
    birtwistle, adam (1996) Elvis Costello. Available at: https://wahooart.com/cs/art/adam-birtwistle-elvis-costello-ARD6VD-en/

    Podívejte se pozorně

    Elvis Costello — adam birtwistle

    Pohlédněte blíž

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. Zhlédněte si znovu dílo Sir Harrison Birtwistle (b.1934), CH, FRAM (diptych, panel 1 of 2) (1999), které jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    4. adam birtwistle bylo při vzniku tohoto díla ve věku přibližně 37. Co v něm vypadá jako práce umělce v této životní fázi?
    5. Co by vás umělec mohl chtít vyvolat?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Využijte k tomu fakta z předchozích částí tohoto průvodce a své odpovědi uvedené výše.